An insanely blue sky thanks to Fuji Velvia 50. It works pretty well with the golden birch leaves, I think.
Nikon F80, Sigma 105mm f/2.8 OS HSM & Fujichrome Velvia 50. Lab developed & home scanned.
Taken on 4 November 2022
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
An insanely blue sky thanks to Fuji Velvia 50. It works pretty well with the golden birch leaves, I think.
Nikon F80, Sigma 105mm f/2.8 OS HSM & Fujichrome Velvia 50. Lab developed & home scanned.
Taken on 4 November 2022
I get blue-purple skies on Velvia 50. Maybe it’s the lab I use.
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I mostly get blue skies, but if there are clouds, then those quickly begin to show signs of purple.
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I thought it was strange that the blue sky was full of stars. Then I realised it was dust on my screen.
That’s a lovely shade of blue. I can never seem to get a satisfactory sky-blue from my Nikon digital camera. Fujifilm digital does a better job, but film is the best for skies.
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The best colours I’ve got from digital have been from a Ricoh GR3. That camera seems to deliver beautiful tones even in the unedited RAW files.
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I had a look at one in a camera store a few months ago. I didn’t get a chance to check out much colour because I was in a shop. I’ve heard it makes wonderful pictures. I thought about buying the x version with the standard lens, but the camera felt a bit too small in my hands.
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