Film photography · Medium Format · Photography

Classic cars at the Haxey Feast

When I visited the Sheffield Steam Rally back in June, I noticed that some people had been given leaflets for “The Haxey Feast”, another vintage rally taking place at the village of Haxey in North Lincolnshire. Having never visited this before and as it’s not too far away, I marked it in my diary.

It was a much smaller event than the Sheffield Steam Rally but it’s quite a new thing, being in just its second year (according to someone that I talked to who had a display), so it will hopefully grow in coming years, especially now that the Lincoln Steam Rally is no more.

I shot three rolls of medium format film with my Fujica GW690 while there: one Kodak Ektar, one Fuji Pro 160NS, and one Fuji Velvia 50. The pictures shared today are from the latter.

I don’t shoot a lot of medium format reversal film, although I have quite a few rolls, and it can be tricky to get the metering right. I don’t think I’ve done too bad a job here, although maybe the shadows are a little dark, but I guess Velvia 50 is pretty tricky in that regard. I’ll try to shoot more reversal film if I get a chance when the autumn colour comes through more.

There are a few other shots from this roll that look nice too, but I got some scanning artifacts and haven’t had chance to re-scan them yet.

I believe the cars are, in order of appearance: a Chevrolet Stylemaster, a Volkswagen Karmann Ghia, a group of Beach Buggies (is there a collective noun for these? 🙂 ), and a Mercedes-Benz 300 SEL.

Chevrolet Stylemaster
Volkswagen Karmann Ghia
Beach Buggies
Mercedes-Benz 300 SEL

Fujica GW690 & Fujichrome Velvia 50. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 28 July 2024

35mm · Film photography · Photography

Fruiting bodies

Why is Toad from the Super Mario games so popular? Becasuse he’s such a fun guy!

Ho ho ho. 🙂

It’s autumn and toadstools, mushrooms, and fungi of all manner of varieties are in full evidence. There were numerous examples to be seen when I visited Padley Gorge the other week, including some teeny-tiny specimens growing from the trunks and stumps of trees. I’m glad I had my macro lens with me!

Fungi
Fungi
Fungi
Fungi

Nikon F80, Sigma 105mm f/2.8 OS HSM & Fujichrome Velvia 50. Lab developed & home scanned.

Taken on 4 November 2022

35mm · Film photography · Photography

Autumn leaves

Another lone Velvia 50 autumn photo today – probably the last of these single images with a group of pictures realted by theme tomorrow and then, if I have time, the remaining decent photos from the roll as a kind of autumn blowout.

Oak leaf

Nikon F80, Sigma 105mm f/2.8 OS HSM & Fujichrome Velvia 50. Lab developed & home scanned.

Taken on 4 November 2022

35mm · Film photography · Photography

Bracken

There was a lot of bracken in this area, but this plant stood alone and was catching the sun. I wish I’d done a better job of checking my corners and moved that encroaching frond at the bottom-right of the picture though…

Bracken

Nikon F80, Sigma 105mm f/2.8 OS HSM & Fujichrome Velvia 50. Lab developed & home scanned.

Taken on 4 November 2022

35mm · Film photography · Photography

Frosted maple leaf

A few years ago I bought myself a roll of Fuji Velvia 50 as a treat. At the time I think it cost me in the region of about £11 for the roll, which seemed expensive. Little did I know…

Anyway, moaning about the price of film aside, the reason I bought it was to try and photograph some autumn colour. Unfortunately, when that autumn came around I either didn’t have the time, or the conditions weren’t right, and so the season passed. I kept the fim in the fridge though, thinking it would keep until the following year. But I didn’t shoot it again. And then covid arrived and limited my ability to shoot it even further. In the subsequent time I actually picked up a few more rolls of Velvia 50, albeit expired, and I’ve shot a couple of of those (although, given its cost, it always feels like a “special occasion” sort of film), but none of it during autumn. This year though, I had my chance – I booked a week of work for the first week of November which, this time, would be unperturbed by pandemic related lockdowns.

I went out a couple of times during the week to do some photography – the first trip to Bakewell (images to come at a later date), and then, later in the week, a visit to Padley Gorge and its surrounding environs. It was there that I finally shot the full roll of Velvia 50. I’ll probably share most of the worthwhile results in a seperate autumal-themed post, but there are a few that I like enought to post individually, or in small sets, today’s picture included.

This was the first day of the season that I had encountered frost – I had to scrape the car windows before heading out and, although I didn’t set off too early, there was still a little frost left on the ground when I arrived (although it was quickly steaming away where the sun hit it). Just across the road from where I parked my car there were numerous fallen leaves right beside the footpath, all with a light frosting of ice, and the one shared here today grabbed my attention. I was very glad to have taken my Sigma macro lens, and used it for almost every shot on the roll, even the non-macro stuff. It’s a very nice lens and one I should make better use of.

Frosted maple

Nikon F80, Sigma 105mm f/2.8 OS HSM & Fujichrome Velvia 50. Lab developed & home scanned.

Taken on 4 November 2022

35mm · Film photography · Photography

Beach cafe

I didn’t go inside this cafe on this visit to Mablethorpe, although I have on previous trips. There’s something comforting about sitting in a cafe with views out over the sea, with a hot drink, and maybe a snack as you contemplate the world outside.

Beach Cafe

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fukichrome Velvia 50 (expired 2011). Lab developed & home scanned.

Taken on 17 September 2022

35mm · Film photography · Photography

Compass points

Facing East North East, this vantage-point looks out across the North Sea towards Denmark which lies approximately 350 miles away.

Like many fences and railings in touristy places, the cables have been decorated with “love locks” and the odd bouquet of flowers. I wonder how many of the people who place these padlocks remain in the relationships they represent, and whether they ever come back and remove them if they don’t last? This is assuming that they can be removed of course – I suspect a good squirt of WD-40 might be needed in a lot of cases, especially where the salt air has had time to do its work, and I also wonder if love struck couples don’t just dispose of the keys anyway, another symbol of everlasting love?

Compass points

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fukichrome Velvia 50 (expired 2011). Lab developed & home scanned.

Taken on 17 September 2022