Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.
Taken on 24 January 2026
Zig-zag roof
Tag: Fomapan 400
Dr Spaceman in space (in front of the cathedral)
Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.
Taken on 24 January 2026
Holgagraphy
I like my Holga. Its lo-fi images have a definite charm, I feel.
This time though, the “fi” is as low as I’ve ever seen it. I really don’t know what has happened with this roll of Fomapan 400.
The white speckles from the faulty batch of which this is a part are present and correct, and the scratches that the camera has started adding to the negs have made an appearance (although I’ve cloned the worst of them out), but as for that blothcy mottling? Well, I really don’t know.
It looks like the film is damaged, or has gotten wet, but it’s been stored in it’s sealed box and wrapper since I got it and kept in the fridge, so that seems unlikely.
I suppose my development could also be to blame, although I’ve not encountered such issues before. The only thing that I can think of that might possibly have had an effect is that it was quite cold in the room when I developed the film, so it’s possible the chemicals cooled by a couple of degrees over the course of the hour’s semi-stand process, but I’m not sure if this would have been the outcome.
Despite all the problems though, if anything can carry off this distressed look, it’s the Holga, and it still manages to do so with aplomb.
Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.
Taken on 24 January 2026
A trip to Spurn Point (part 2)
Today’s shots were also taken with my GW690, although on a different roll of film: Some Kentmere 400. Unlike the Fomapan 400, there were no defect on this roll, plus I avoided any potential bromide drag by using standard development with regular inversions. I’ve shot a couple of rolls of Kentmere 400 now and both times I’ve found it gives quite bright results and I have to drop the highlights a little. Not sure if it’s a feature of the film, or the way I’m developing it.
The first four shots were taken around the tip of Spurn Point showing the beach and dunes beside the estuary opening. In the shot of the dunes you can just make out an old sea fort dating back to the first world war in the distance. There are two forts: Bull Sand fort, and Haile Sand fort. I think the one in the picture is the former. The structure in the fourth shot is the sea traffic monitoring station. I’m not sure if it’s still manned at all, but the radar is active and the tubular antenna at the top of the building was constantly rotating.
The next four shots are of groynes and other sea defences, or what remains of them at least. These are no longer maintained, with the land now left to natural forces. You can see the battering that the man made defences have taken from the tides. I particularly like the final shot where pebbles have been jammed between the boards of a groyne by the force of waves and resulted in what reminds me of some sort of aquatic abacus.
Fujica GW690 & Kentmere 400. Ilfotec DD-X 10.5mins @ 20°.
Taken on 24 August 2025
A trip to Spurn Point (part 1)
Spurn Point is a location I’ve wanted to visit for a long time. It’s a spit of land that extends from the Holderness coast in Yorkshire into the mouth of the Humber estuary. It is a slender piece of land three miles in length, widening at it’s southern tip, but being less than 50 metres wide at it’s narrowest point.
At times during its recorded history, storm tides have breached the neck, cutting off the tip and forming an island. The last breach was, I believe, back in 2013 which destroyed the single road to the tip making it passable only by foot or all-terrain vehicles (such as a Unimog truck that ferries tourists to the lighthouse and back).
The Holderness coast, and Spurn, are subject to significant coastal erosion (spurn being the beneficiary of the material eroded from further up the coast) and this has affected the geography of the location over time with various settlements lost to the sea in past centuries.
Spurn has been used for a number of purposes over it’s history, including coastal defence, lifeboat station, and the location of lighthouses and traffic control for shipping passing in and out of the Humber. It is now owned and managed by the Yorkshire Wildlife Trust and attracts a large number of visitors keen to experience the creatures, particularly birds, that make their homes there.
There are two lighthouses still standing on Spurn, both now decommissioned – Smeaton’s high light, and Walker’s low light. The Walkers lighthouse stands in the mud flats to the west of the strip of land, it’s light aparatur removed and replaced by a water tank. Smeatons light stand on the land of the spit and is open to tourists, and you can climb the narrow staircase to where the light was once installed. Other noteable structures include the lifeboat crew houses, which are also empty, the tall shipping control tower with its still active radar, the old lifeboat jetty, and various structures remaining from wartime.
I made pictures with three cameras across four rolls of film, so I’m going to split them into batches. This first set were shot with my Fujica GW690 (Texas Leica) on Fomapan 400. Sadly, the pictures were affected with a defect giving a lot of white speckles on the final images. This was also compounded by bromide drag when I developed them, although I’ve Photoshopped the worst of this away. Despite these setbacks, they still have a certain charm to them, I think.
Fujica GW690 & Fomapan 400. Rodinal 1+100. 1 hour semi-stand development.
Taken on 24 August 2025
Giving the Holga some light
My Holga has sat unused (but not unloved) for quite some time. I almost always like the lo-fi results that it produces, so I really should shoot it more often, but I guess having a bunch of different cameras means that some of them have to wait awhile to get their time in the sun (or overcast).
Fellow blogger Dave Whenham posts Holga pictures on a fairly regular basis, and it’s from reading his posts that the urge to Holga took hold.
Here are the results from a roll of Fomapan 400 I shot back in March. Apart from one picture that I wasn’t happy with, it’s the full roll. I don’t think this represents my most successful outing with the Holga, and there’s some element of shooting stuff because it was there rather than being more careful in my choice of compositions, but there are a few that I really like, such as the Thai Boxing gym, the underpass, and the church.
I’m also very pleased with the results of the semi-stand development. I sometimes find that Fomapan 400 needs more light (something you can’t particularly control with the Holga), but the Rodinal has pulled out a full range of tones from every image. I’ll certainly semi-stand Foma 400 again in the future.
Holga 120N & Fomapan 400. Rodinal 1+100. 1 hour semi-stand development.
Taken on 28 March 2025
Up shady streets (without a wobble)
The GW690 is something of a beast of a camera – it didn’t get the nickname of The Texas Leica because it’s compact, that’s for sure. As a result it canbe quite an awkward camera to use, despite its otherwise simple set of controls. I find it quite difficult to hold in portrait orientation and most of my missed shots, where there has been a degree of camera shake, have been when taking pictures this way. The camera has a second shutter release button on the front of the body to aid in taking portrait format photos, but I still tend to generate more of a wobble when using it even like this.
Thankfully the portrait oriented pictures I took on this day in Wentworth have all come out ok with the exception of one.
Fujica GW690 & Fomapan 400. Shot at 200asa and developed at box speed by lab (in Xtol).
Taken on 20 February 2022
Cottages
A couple more photos from Wentworth today and, let’s face it, there will be a few more day’s worth of Wentworth photos yet to come given that I shot three rolls of film there. All GW690 though, so not that many in total really.
The first one required crackerjack timing (c.f. Jack Burton) to avoid any of the frequently passing vehicles getting in the shot, but I’m not sure if I should maybe have cropped the right side a little. It was composed this way deliberately to avoid the clutter of parked cars and stuff further down the road to the left, but it feels a little unbalanced as a result..
I made a big pan of chicken and bacon soup earlier today to satiate my current need for a soft diet. The soup looked great when ready, and then I had to blitz it in the blender to get rid of any chunks. It looks nowhere near as nice now but, thankfully, it still tastes great. I had a huge bowl of it for my tea and feel pretty full now!
Fujica GW690 & Fomapan 400. Shot at 200asa and developed at box speed by lab (in Xtol).
Taken on 20 February 2022
Wentworth post office
Yesterday’s trip to the dentist resulted in, as I expected, the removal of one of my teeth – an upper back molar. The experience was not a pleasant one. It didn’t hurt at all and, so far, I’ve suffered no real post-extraction pain either. The lack of pain does not remove the other sensations resulting from having a tooth removed however. I’ll not go into details here as people might not want the gruesome breakdown, but suffice it to say that it is a highly uncomfortable physical experience even without pain.
I’m now stuck with a diet of soft or liquid foods for a while, so I’ll be having soup shortly, and had porridge for my breakfast and scrambled eggs for lunch. No hot drinks for a few days either, and even my soup will have to be left to cool before I awkwardly eat it while trying not to get any in the tooth socket. This is more to protect the healing of the extraction site than because it will cause pain, I think. I’ll also start a regime of saline rinses after I eat today and will need to carry on with those for the next week or more. At least it being on the upper jaw means that gravity works to prevent stuff getting stuck in there a little
Hopefully the infection that caused my trip in the first place has gone with the tooth though.
Enough horrible dentistry stuff, so here’s a photo of Wentworth post office, cast in some quite significant contrasty shadow by the light and the film I used. It took me a number of attempts to get this shot as cars kept pulling up in front on a frequent basis.
Fujica GW690 & Fomapan 400. Shot at 200asa and developed at box speed by lab (in Xtol).
Taken on 20 February 2022
Cottage with bonus rabbit
There is a rabbit lurking in this picture of a cottage.
The photo was taken on a visit to the picturesque village of Wentworth, South Yorkshire, which I visited a couple of weeks ago. I got quite a few photos I’m happy with. This is a good thing as I was shooting my GW690 which only gives 8 shots per roll of 120 film, and I shot three rolls. It probably costs the best part of £1 per shot, maybe even more in this case as I had a couple of rolls lab developed as I didn’t have time to do them myself.
I bought the GW690 over a year ago and I haven’t used it all that much – probably due to the limitations of only having 8 shots per roll rather than the cost, as it means I need to take a few rolls with me in the event that I find lots of things to photograph. It does take very nice pictures when used correctly though, and I hope to use it more this year.
Fujica GW690 & Fomapan 400. Shot at 200asa and developed at box speed by lab (in Xtol).
Taken on 20 February 2022
Steel City Snapper photography 