35mm · Film photography · Photography

Photographic problems in Scarborough

After many weeks of mostly overcast and rainy weather, I finally got a nice day yesterday where I had the opportunity to go out for a day of photography.

I decided to visit Scarborough, mostly because I’ve recently been looking at Paddy Summerfield’s The Holiday Pictures book and it gave me the urge and inspiration to go an make pictures at the coast.

Scarborough is appoximately 2-hours by car, so not too far, but not somewhere I can pop along to whenever I feel like it, so it was a bit of a mini event. Although it was overcast most of the way there, as I got closer the skies began to open up and I was rewarded with a lovely morning when I arrived.

I had a couple of cameras with me: my Minolta X-300 containing dome Kodak Gold, and my Nikon F80, which I’d loaded with Ilford Type 517 film I had a roll in the camera, plus a spare, and also a roll of expired Tri-X should I get through all the rest.

I spent a happy morning taking pictures in the great light and covered several miles, walking form the cliffs of the south bay, all the way to the north bay and back again, stopping only for a bottle of water and, on the way back, to treat myself to well-earned fish and chips. I finished the Kodak Gold, and both rolls of the Type 517. By midday the clouds had rolled back in and the best of the light was gone, so I headed back home.

Today I had the opportunity to develop the film after my dad visited, so I got stuck in, looking forward to the pictures. I’ve shot Type 517 previously and was very pleased by the way it looked, and was hopeful for similarly nice results. It was not to be…

As soon as I took the films from the reels I was very disappointed to see significant light-leaks on many of the frames. The first roll less affected, but the second with dark stripes on almost every negative, in the same place on each frame and covering the image and the rebate. I wracked my brain to try and think what might have gone amiss, especially as both rolls were affected.

Because the F80 takes the film all the way back into the cassette, I have to use a film retriever to pull it back out to get it onto the developing reels, and it seemed a little more difficult than usual to insert the tongue of the retriever into the light traps on both cassettes, and my first thought was that I’d somehow introduced light in the process (although it’s never happened before). My other (worse) thought, was that the camera had developed a fault which might be more costly to resolve.

However, it seems that neither of those is the cause. While searching online I found this post where someone had had almost identical problems, albeit when shooting some bulk-rolled film. The light leaks in the pictures they shared are almost exactly the same as what I had experienced:

Thankfully, the post also responds with the identified cause, namely that the labels on their bulk rolls were semi-translucent and, because the camera they’d used has a small window in the back to see what film was loaded, light had piped around the label, into the camera, and onto the film.

I suspect that this is what has happened with my type 517 rolls. While I can’t say for certain that the labels are conducting light through my F80s rear film window, it seems likely given the similarities. I also note that the Type 517 cassettes are reflective metal, which might also lead to the problem. The last time I shot it, without any problems, I used my aforementioned Minolta X-300, which has no film window.

The Type 517 cassette, with glossy label on a shiny metal container

I’m hopeful that this has gotten to the bottom of things and that I can shoot the film (and my F80) with confidence in future, either by only shooting it with suitable cameras, or by taping over the F80’s film window. It’s still been a painful experiece though – there are a lot of nice pictures that have been ruined (although I’m hoping I might be able to save some of them by way of some artistic cropping…), plus it was a long way to got to have spoiled pictures.

I do still have the roll of Kodak Gold to get developed though, and I’m going to give the F80 a test run with some bulk-rolled Fomapan just to put my mind at ease before shooting it again on anything that involves a lengthy journey! These things happen, and there’s not a lot I can do about it other than try to avoid a repeat occurrence.

I’ll share pictures from the day when I have them developed, but more stuff to come before then. In the meantime, here’s an older picture I took in Scarborough a few years ago.

FILM - Fishing

Pentax Espio 140M & Fuji Superia 100 (expired 2008).

Taken on 13 July 2019

35mm · Film photography · Photography

Close to the edge and a white cross (and a wedding)

A couple more Mount SrÄ‘ pictures today, the first of someone who looks perilously close to the edge (actually a drop of just a few feet…) and then a couple of pictures of the white stone cross that was rebuilt after being destroyed during the war in the 1990s.

In other, non-photography news, I’ve had a busy few days. My eldest son got married at the weekend, which was a lovely event and made me very happy and proud, and then today my wife and I drove him and his wife (it feels a bit odd calling her that somehow!) to the airport where they flew off on their honeymoon (to New York and Las Vegas).

While I didn’t have a lot to do in terms of any of the wedding planning, I did have to step in to do the Best Man’s speech after my son’s friend got a teaching job in Singapore and so couldn’t be there on the day. I’ve never given a Best Man’s speech before, so I was a little nervous about that, but it seemed to go well and I got a few compliments, which was nice.

It feels a little strange now that the wedding is over.

Close to the edge
The cross atop Mount Srđ
Flag and cross

Olympus Trip 35 & Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 27 May 2024.

35mm · Film photography · Photography

More pictures from the top of Mount SrÄ‘

Mount Srđ (pronounced serj) stands above Dubrovnik old town and is 1,352 feet tall. A cable-car takes visitors to the top and back, where there stands a cable car station with a restaurant with panoramic views over Dubrovnik and the coast. A Napoleonic fort, Fort Imperial, also resides at the top, which is now a museum to the events of the Croatian War of Independence in the 1990s. In addition, there is a tall television transmission mast.

The mountain played a key role in the Siege of Dubrovnik during the conflict between the Croatian forces and the Yugoslav People’s Army, with the Croatian’s literally holding the fort.

People on the up
Descending
High above the old town
As the cable car passes
DO CL
Cable car approaching
Television mast

Olympus Trip 35 & Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 27 May 2024.

35mm · Film photography · Photography

Around the old town in Dubrovnik

I thought I’d drop a bunch of pictures I took while wandering around the old town on the first day of hour trip to Dubrovnik. They’re mostly random shots of scenery (and there will be more, similar posts to come), but I was carefully trying to shoot the wedding party in their colourful clothes only for someone to photobomb the picture with their hand!

Stradun, Dubrovnik
Off the main drag
UI. Pred Dvorom, Dubrovnik
Wedding party
Behind the collonade

Olympus Trip 35 & Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 25 May 2024.

35mm · Film photography · Photography

Boats in Dubrivnik old town harbour

There are a couple of main harbours in Dubrovnik. One is large and to the north of the town, filled with everything from small dinghies and pleasure boats, up to super yachts and cruise ships.

The other is nestled into the side of the old town and, while much smaller, is also much more picturesque. It’s still a working harbour, as can be seen with the small boat full of ropes and fishing nets, but it’s also bang in the heart of the tourist-filled part of the town.

Skala on film
Disembarking
Embarking
A load of old rope

Olympus Trip 35 & Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 25 May 2024.

35mm · Film photography · Photography

Snapping a snapper

This was a very quick, spur-of-the-moment picture, but one that I think turned out quite nicely.

It’s a scene looking west down one of the side streets in Dubrovnik old town towards the city wall in the background. Pretty much all of these narrow streets were bustling with restaurants and bars like in this scene.

Snapping a snapper

Olympus Trip 35 & Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 25 May 2024.

35mm · Film photography · Photography

Rubber duck shop

There were a number of shops in Dubrovnik old town that sold nothing but rubber ducks. While regular rubber ducks were available, so were ducks resembling a whole range of other characters, from pug dogs to Darth Vader.

I didn’t buy one though – we don’t have a bath, just a shower, so they don’t tend to float very well. 🙂

Duck shop

Olympus Trip 35 & Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 25 May 2024.