Film photography · Medium Format · Photography

Holgagraphy

I like my Holga. Its lo-fi images have a definite charm, I feel.

This time though, the “fi” is as low as I’ve ever seen it. I really don’t know what has happened with this roll of Fomapan 400.

Grungy lychgate

The white speckles from the faulty batch of which this is a part are present and correct, and the scratches that the camera has started adding to the negs have made an appearance (although I’ve cloned the worst of them out), but as for that blothcy mottling? Well, I really don’t know.

It looks like the film is damaged, or has gotten wet, but it’s been stored in it’s sealed box and wrapper since I got it and kept in the fridge, so that seems unlikely.

Grungy tree

I suppose my development could also be to blame, although I’ve not encountered such issues before. The only thing that I can think of that might possibly have had an effect is that it was quite cold in the room when I developed the film, so it’s possible the chemicals cooled by a couple of degrees over the course of the hour’s semi-stand process, but I’m not sure if this would have been the outcome.

Despite all the problems though, if anything can carry off this distressed look, it’s the Holga, and it still manages to do so with aplomb.

Grungy path

Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.

Taken on 24 January 2026

Film photography · Medium Format · Photography

Houses

A subject I often seem to find myself drawn to is houses. Not all of them, but ones which I find to be interesting for some reason, whether it be the architectural style, the period they were built, their decor, or even just the way the light is hitting them.

Here are three I photographed recently.

Apart from the aerials and antennae, I expect they wouldn’a’t have looked that different had I photographed them sixty years ago.

Facing the sunlight
House with a picket fence
House and cone

Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.

Taken on 24 January 2026

Film photography · Medium Format · Photography

Country lane curve

There was something about this scene that caught my eye. The curving lane is a big part of it, certainly, but the wall, the height and variety of the trees, and the way the light was falling on everything all came together. There was a breeze blowing so some signs of movement can be found in the smaller branches if you look hard enough, but I knew and accepted that would be the case when I took the shot.

I was pretty happy when it appeared off the scanner.

Where the birds were singing

Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.

Taken on 24 January 2026

Film photography · Medium Format · Photography

An avenue

The thing that originally attracted me about St. Winifred’s church was not the structure itself, or its grounds, or even its history – it was the avenue of trees than runs outside.

Such things tend to be photogenic.

The first time I visited there was a wedding due to take place and so a number of cars were parked along the road to the church, spoiling my intended composition. This time though, I had the place to myself.

I took three frames of the road and its trees, the first on Ilford Delta 400 before I explored the churchyard, the latter two on Ilford HP5+.

I think I will try to revisit the location again to capture it at different times of the year, and under different conditions (a touch of mist would be very welcome!)

Avenue
Further down the avenue
Curved avenue

Yashica Mat 124G and Ilford Delta 400 / Ilford HP5+. Ilfotec DD-X 8mins (9mins for the HP5+) @ 20°.

Taken on 24 January 2026