35mm · Film photography · Photography

A man on a bench looks out to sea (now in colour!)

A quick post today as I’ve spent the past few hours constructing a new computer desk for one of my sons (the new desk being necessitated by me breaking one of the castors off his old desk when moving it recently, so the whole enterprise is my fault). Anyway, the desk is now built and everything is plugged back in and working.

So, because I really just want to jump in the shower now, here’s another shot of a man on a bench sitting out to sea, almost identical in composition to the one I posted a few weeks ago, and taken within a minute or two of that picture, but this one was shot on Kodak Gold with my Olympus 35 RC.

The black and white version perhaps looks a little more calssy, but I think I like this one equally. It’s got that nice amber and teal(ish) thing going on with the sky and the bench.

Blue sky thinking

Olympus 35 RC & Kodak Gold 200. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 20 June 2022

35mm · Film photography · Photography

Grand Central

I like this picture – of Birmingham New Street railway station’s main concourse – because there’s a lot to look at. The people going about their business, looking at the departures board, chatting, eating, drinking – even riding a bicycle! It’s like a slightly less busy Where’s Wally (or Waldo, for my American friends) scene, or perhaps something from a Richard Scarry book, but with humans instead of animals (although wouldn’t it be great if Lowly Worm was found in there somewhere?). It’s a busy, busy world indeed.

Grand Central

Olympus 35 RC & Ilford FP4+. Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 18 May 2022

Film photography · Medium Format · Photography

A man on a bench looks out to sea

I like this photo. It has a clean, minimal feel to it. The sky is clear of cloud (bar a couple of barely discenible whisps) and the lines of the horizon, fence, and bench add an element of structure. The man sits slightly off-centre, adding a small sense of discord to the picture.

I wonder what the man was thinking about as he sat there, looking out across the North Sea? When I see picture that I have taken such as this, I sometime wonder if I should have spent more time taking in the view myself, rather than trying to photograph it. I sometimes feel that I’m spending too much time trying to capture a moment to be enjoyed later when the reality is right there in front of me. But the camera, it draws me…

Beyond the sea

Yashicamat 124G & Fujifilm Acros. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 20 June 2022

35mm · Film photography · Photography

Between journeys

Back near the start of May I visited the Photo North photography festival in Manchester. Rather foolishly I didn’t allow enough time to enjoy it thoroughly and, to make matters worse, the train there was delayed too. As a result, instead of walking to the location as planned, I ended up grabbing a taxi. The light in the station was really nice as I made my way to the cab rank, and I grabbed a few photos, including the one published here today.

Window seats

Olympus 35 RC & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 7 May 2022

35mm · Film photography · Photography

Tinkling the ivories

Many railway stations here in the UK, or at least the larger ones with sheltered concourses and departure areas, tend to have a piano (sometimes several) on which members of the public can exercise their musical talents (or lack thereof). This one is at Manchester Picadilly station – and there’s at least one more at this station.

This is a shot from the first roll I’ve shot through my Olympus 35RC in far too long. My XA3 seems to have gotten much of the love over the past year, but even before I got that camera, the 35RC had languished for longer than I liked. I’ve shot this roll with it and currently have a half-finished roll of FP4+ loaded. It’s a great little camera and deserves some use.

Tinkling the ivories

Olympus 35 RC & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 7 May 2022

35mm · Film photography · Photography

Walking man

I’ve been on my first business-focused trip today since spring 2020. I felt oddly anxious about the experience, not because of Covid or anything like that, but because I have not left my home for any work-based reasons in over two years (well, I did need to travel into town to get my faulty laptop fixed last year, but that wasn’t a meeting or anything, and it was only into my local building) and this trip involved taking a train journey to another city.

The day went well though and the biggest issue was the fact that the smart shoes I wore to go with my suit (which, while maybe not quite at the cutting edge of modern fashion any more, thankfully still fits) managed to rip the back of my heels open. This has clearly happened in the past but I’ve blanked it out of my mind until today – I know that it has happened before because there is a partially-used pack of plasters in my laptop bag from where I obviously had to perform field surgery the last time I wore the razor-backed shoes. I sat and mended my feet on a seat outside the station before I even got on the train! There’s nothing quite like a minor, but painful, injury to start the day…

I did manage to fit my 35RC into the laptop bag and, while I didn’t really have much time to take photos, grabbed a few shots on my way to and from the station. Not enough to finish the roll though, so it’ll be a while before I develop those.

Here’s another view of the University Arts Tower with the figure of a walking man neatly framed beneath a foreground tree. I hope his feet weren’t hurting.

Under the canopy

Olympus OM-1N, Zuiko Auto-S 50mm f/1.8 & Agfa APX 100. Adox Adonal 1+25 6mins @ 20°.

Taken on 15 April 2022

35mm · Film photography · Photography

Almost beneath a bridge

This is the same bridge that featured in yesterday’s post (and also the post about Retropan 320 the day before).

This is my favourite of the three pictures – the wider angle and format shows more of the bridge’s structure than the 6×6 Yashicamat photo did, plus the people in the shot are well placed in the frame, have well timed gait, and also similar hairstyles, all of which contribute I think.

Under the iron bridge

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins 20° .

Taken on 26 February 2022

35mm · Film photography · Photography

The Mint

A fairly straightforward street photo for today. It works, I think, because the arcade is closed and the blue shutters are down. Had it been opened then the figure would have been lost amongst the background. Lots of blues and a nice burst of colour from the sign look quite nice.

We’ve been hit by storm Eunice here in the UK today, and the southern counties received two red weather alerts, the most serious we get in this country, and not something that happens very often. Wind speeds of over 100mph were recorded in parts of the country. Being a couple of hundred miles north of the worst of it, all we’ve had here is a quite blustery and rainy afternoon. Some of the trees I can see from the house were swaying quite wildly but I’ve not noticed any damage from the limited vantage points I have from looking out of the windows.

A large part of the population seems to have been fixated on this YouTube channel, which has been showing planes landing (or attempting to land in some cases) in the high winds at London Heathrow airport. It had 185,000 viewers when I took a look earlier!

The Mint

Olympus XA3 and Kodak Colorplus (expired 2012 and shot at 100asa)

Taken on 31 January 2021