A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A line of vintage motorcycles leads off into the distance, a Moto Guzzi V7 Special model taking pride of place.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A 1952 Morris Commercial police truck, or Black Maria, to use the common parlance for a vehicle used for prisoner transport, stands here beside an Atkinson lorry dating to 1968.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
I *think* this is a Land Rover Series IIa ambulance, with production dating to 1971, but vehicle identification is not my strong suit. I can make a decent , and often accurate, attempt, but it’s very easy to miss the nuance that can be present with such detective work. Anyway, what I’m trying to say in a very long winded way is, I might be wrong. 🙂
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
I think that this picture works quite well, the traction engine and steam roller, as well as the people in the scene are nicely placed. Quite often I get one or the other, not both, so I’m pleased how this one turned out.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
While I sometimes crop digital photos to a panoramic ratio, it not something I tend to do with film photographs which, outside of a little straightening, or minor bits of resizing to remove edge-of-frame distractions, I tend to not crop at all.
However, when looking at the scans of some of the photos I took with my Bronica ETRSi at this year’s Sheffield Steam Rally, I realised that large swathes of the top and bottom of the images were filled with uninteresting sky and grass, so I decided to see how they would look with that stuff cropped out. Turns out they looked pretty nice, I thought, so here they are today.
I think it helps that the 75mm Zenzanon lens is very sharp, and that Acros is a fine-grained film, but it’s something I’ll remember next time my in-camera framing doesn’t quite hit the mark.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
Rather than upload these one-per-day, as I usually do, I thought I’d lump them together in a single post. All were shot with my Yashicamat 124G on Shanghai GP3 film – I like this film a lot. It can occasionally suffer from production problems (I’ve had the backing bleed through on some shots I once took), but it’s quite low cost and produces really nice results.
First, a few pictures of vintage vehicles. The Ford Popular in the second image can also be seen here in colour.
Then a couple of miniature traction engines (and their owners)…
And finally, a trio of full size traction engines…
Yashicamat 124G & Shangha GP3. Ilfotec DD-X 1+4 10mins @ 24°.
Taken on 25 June 2022