35mm · Film photography · Photography

The Garrett Undertype Lorry

As I’ve stated before on the blog, I’m not an expert when it comes to motorised vehicles, so I can’t provide a huge amount of information on the lorry pictured here today. It was built by Richard Garrett & Sons out of Leiston in Suffolk, and this particular model would have been made possibly quite early in the 20th century, but perhaps a little later in the 1920s.

The thing I’ve learnt today is that an undertype lorry has the engine under the chassis, which had the advantage of allowing a more enclosed cab. Overtype lorries look more akin to a traction engine, with the engine sitting over the chassis, usually in front of the drivers position. This resulted in longer vehicles for the same carrying capacity.

The Garrett Undertype Lorry
The Garrett Undertype Lorry

Yashicamat 124G & Shangha GP3. Ilfotec DD-X 1+4 10mins @ 24°.

Taken on 25 June 2022

35mm · Film photography · Photography

Small cars with grand names

This little car here is the somewhat graniosely named Vanden Plas Princess 1100. It’s a model from the BMC ADO16 range of which there were multiple variants. The Vanden Plas version was at the upmarket end though, with the model sporting leather interior furnishings and a walnut dashboard. It also had a posh-looking radiator grille by way of distinction from its lower spec stablemates.

Vintage runabouts

Nikon F80, Nikkor 28-80mm f/3.5-5.6 AF-D & Fujichrome Velvia 100 (expired 2011). Lab developed. Home scanned.

Taken on 25 June 2022

35mm · Film photography · Photography

Lincoln Continental

This big barge of a car was at the Sheffield Steam Rally when I visited. I’m not sure what year this dates from – I would guess late 70s, but I could also be out by some margin thanks to my relative ignorance of such things. It looks nice in a photograph though!

Continental
Continental 2

Nikon F80, Nikkor 28-80mm f/3.5-5.6 AF-D & Fujichrome Velvia 100 (expired 2011). Lab developed. Home scanned.

Taken on 25 June 2022

35mm · Film photography · Photography

Popular corrosion and further slide scanning

I wrote a few days ago about how I’ve been having difficulties scanning a roll of Velvia 100 that I shot at the steam rally last weekend. I’ve scanned Velvia 50 before and was similarly granted with the same red-cast that I got this time, although on this occasion I’ve also had problems with the actual exposure of the scans – some images looking under-exposed in comparison with the physical transparencies. The under-exposure issue is something that I’ll have to atempt to rectify in Lightroom, but at least I seem to have found a working solution to the red-cast problem.

After carrying out all my post processing in Lightroom, I always open the final image in Photoshop to add a white border. This time, as well as adding the border, I also used the Auto-colour option in the Image menu. I don’t usually find that this does a great job – it tends to be hit and miss on the occasions I’ve used it in the past – but for these Velvia 100 scans it works a treat. Hopefully this will mean I’ll get much more satisfactory images from the roll than I’d feared.

This picture of a slightly rusted Ford Popular has come out very nicely. I used a polariser for most shots on the roll, and it’s really deepened the sky for this photo.

A hint of corrosion

Nikon F80, Nikkor 28-80mm f/3.5-5.6 AF-D & Fujichrome Velvia 100 (expired 2011). Lab developed. Home scanned.

Taken on 25 June 2022

Film photography · Medium Format · Photography

Red Mercedes

I think that the car featured in the photographs today is a Mercedes Benz 190 SL. I have worked this out by my usual detective pathway of looking at pictures online until I find one that appears t match. This means that I could be wrong about the model – sometimes there are subtle differences only apparent to an enthusiast (something which I am not). But, while not a car enthusiast, I do think they can make fine subjects for a picture of two, as usually becomes apparent around this time each year when I visit vintage rallies on the hunt for such things and subsequently flood my blog with the results.

Red Merc
Driver's seat

Yashicamat 124 G & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 25 June 2022

Film photography · Medium Format · Photography

Frenchie the caravan

The annual Sheffield Steam Rally returned this summer after a two-year gap due to the pandemic, so I headed out to take some photos. I was blessed with some nice weather that really suited this roll of Kodak Ektar I shot with my Yashicamat 124G.

As well as the traction engines, vintage cars, tractors, motorbikes etc., there were a few old caravans on display too. I have a bit of a fondness for caravans as they bring back happy memories of staying in my grandparent’s caravan several times each year when I was younger. Their caravan was much larger than the one in today’s photograph – a six-berth – whereas the one here was (if I remember correctly) a three berth model. The caravans in the picture are also “tourers” that can be towed from place to place by a family car, whereas my grandparent’s was a static caravan that remained on the site permanently. Given their small size, seeing how beds are somehow conjured almost from thin air by converting seating and other parts of the interior fittings is quite impressive.

The pastel colours of the caravan on this sunny day really work well with the Ektar, I think.

Frenchie

Yashicamat 124 G & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 25 June 2022

Film photography · Medium Format · Photography

Gallopers

Three horses on a carousel. I’m very happy with the colours I got when scanning this roll of Ektar. It’s the first time I’ve shot this film in a while and, based on the images I got, I hope to shoot more.

I’m less happy with the Fuji Velvia 100 that I’m attempting to scan this eveneing however. Despite having satisfactory results with this film scanned on my Plustek in the past, tonight the scans are a disappointment. Compared with the actual transparencies, the scans look dull and underexposed in comparison. I normally have a good success rate scanning 35mm E6 transparencies using this method, but something is off-kilter.

I usually use Vuescan when scanning slide film, but am resorting to Silverfast this time to see if I can get something I prefer using that method instead. Fingers crossed…

Gallopers

Yashicamat 124 G & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 25 June 2022

35mm · Film photography · Photography

More Ektachrome re-scans and a street portraiture outing

I decided today to start a long-considered project to make portraits of strangers. It’s not an original idea – many others have done it before – but the aim is to make one-hundred portraits of people I don’t know. This is not something that comes naturally to me, both from a technical photographic angle – portraiture is not something I’ve done very much of – and also from a social aspect. By nature, I’m something of a shy, somewht introverted person, and approaching someone I don’t know to ask them if I can make their portrait is a definite challenge. So it was with no little trepidation that I decided to make a start today.

I decided that I will shoot all the portraits with my Yashica Mat 124G and use Kodak Portra 400. The choice of camera is for a number of reasons:

  1. It makes nice photographs
  2. I like the square format for portraits
  3. I’ll hopefully get better quality images from a medium format camera
  4. Because it’s a TLR, I hope that it will be disarming / start conversations in a way that an SLR maybe wouldn’t

The Portra was chosed because:

  1. It looks great
  2. It has a excellent exposure latitude which gives me flexibility when shooting in changeable light.

The first person I asked today said no, which wasn’t the best for my already shaky confidence, but I perservered, and the next two people both agreed to let me make their portraits. In all, out of fourteen people I asked, just three declined to take part, and there was no animosity whatsoever from anyone.

I photographed a range of people, both men and women, young and old. A couple of my subjects had cameras, so I approached them thinking that they might be more embracing of the idea of my taking their photo. A couple were street musicians, so they’re probably used to being photographed. Everyone else was a person who looked approachable, including a girl manning an ice-cream van, a couple of men who looked like they might be waiting for their wives to come out of shops, and a girl carrying a large potted plant. The latter girl asked what I would do with the photos, so I gave her the name of my blog. If you’re reading this, thank you agian for letting me make a portrait. 🙂

On the whole I was very pleased with how the day turned out and it gives me confidence to do the same again. I’ll get the film sent off for processing next week and will hopefully have some results in a few days time. Fingers crossed that they turn out ok!

For today however, I’ll post a few more of the re-scanned Ektachrome slides that I shot at a steam rally last year. The film really seems to lift in good light.

FILM - Steam Rally 2019 Ektachrome scans-4

FILM - Steam Rally 2019 Ektachrome scans-6

Steam rally scenes

A variety of vehicles

Land Rover

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Ektachrome.

Taken on 30 June 2019