35mm · Film photography · Photography

Ode to a highwayman

On a wall beside the canal towpath, not far from Victoria Quays, is painted this piece of artwork. I though it would make a good photograph, but didn’t know what it represented.

Googling the words revealed them to be part of a folk song about a highwayman named Spence Broughton. In February 1791 Broughton, and his accomplice John Oxley, robbed the Sheffield to Rotherham mail coach as it travelled across Attercliffe Common. Suposedly the only item of value they were able to get away with was a French bill of exchange with a value of £123, which they had difficulty in attempting to fence. Oxley was later arrested for his part in another robbery and, fearing for his freedom, in October of that year Broughton sought help from another criminal, Thomas Shaw, in London. Unfortunately for Broughton, he was recognised and arrested by the police and Oxley and Shaw both gave testimony against him, although Oxley was later able to break loose and make his escape.

Spence Broughton was found guilty in York assizes and sentenced to be hanged. The following April, after the execution, the body of Broughton was transported back to the scene of the crime on Attercliffe Common and placed in a gibbet. This attracted large crowds – supposedly 40,000 people – and the landlord of the nearby Arrow pub claimed that he was able to make a fortune from the passing trade. Broughton’s boy was to ramain in the gibbet for the next 36 years!

Nearby Broughton Lane is alleged to be named after the criminal, although this is disputed by historians.

It’s fascinating what a walk along the canal can reveal.

Poetry crow

Olympus XA-3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins 20°.

Taken on 27 March 2022

35mm · Film photography · Photography

Synchronous things seen from beside the canal

I thought I’d lump these two photos together in today’s post. There are two reasons for this.

Firstly, both shots were made while I walked along the towpath beside the Sheffield and Tinsley Canal, heading back towards Victoria Quays, so there is a connection there.

Secondly, there is (to my eye at least) a visual connection in the shape of the piece of sky in the railway bridge picture, and the chimney in the second shot. It almost feels like, if you were to overlay them that they might somehow intersect and fit together. Obviously it wouldn’t be a perfect fit, but compositions definitely have a synchronicity about them, a kind of positive / negative relationship.

Railway bridge
Ascending

Olympus XA-3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins 20°.

Taken on 27 March 2022

35mm · Film photography · Photography

Along the canal

I’ve been tasked with going out to fetch ice-creams, so I don’t have much time to type a post today. I’ve been scanning more negatives which has also taken up time, although they will at least bear some fruit for the blog at some point (there are some nice ones, I think).

So, her’e a photo I took about a month ago. It was on the same walk where I started shooting the expired TruPrint FG+ and, as the light had faded, I switched over to the XA-3 with some B&W loaded.

Sheffield & Tinsley Canal

Olympus XA-3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins 20°.

Taken on 27 March 2022

35mm · Film photography · Photography

Narrowboats

Time seems to have gotten away from me today and I don’t have time to write much. Still, the fires of the blog need to be fed and the fuel today will be these two photographs of canal narrowboats. A lot of the narrowboats at Victoria Quays seem to be permananent fixtures that I’ve never seen move – basically floating homes – and I’m sure that I’ve photographed many of them on more than one occasion.

These two shots came out quite nicely though, I think.

Porthole
Narrowboat mooring

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins 20° .

Taken on 6 March 2022

35mm · Film photography · Photography

Cruiser

Being forced to shoot with the lens wide open (or almost – this was at f/2) when using the crop 35mm lens in order to avoid heavy vignetting means that objects are thrown into pleasing relief with the drop-off in depth of field. It’s not massively pronounced when the subject is further away, but still there, as with this photo of a cruiser moored at Victoria Quays with the straddle warehouse in the background.

Is this a cruiser?
I had to Google in case
I had got it wrong!

Cruiser

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

The straddle warehouse

At the Sheffield end of the Sheffield and Tinsley canal sits the straddle warehouse building at Victoria Quays. Now an office building, it was built around the turn of the 20th century. It’s design was due to there being insufficient space for the buildings around the edge of the canal basin, so the design supported by stilts was constructed.

Office block on stilts
Where once cargo unloaded
Now there is admin

Straddle wharf

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

Swan

There are a number of these stone plinths beside the canal near the wharf area. I’m unsure as to their original purpose – perhaps supports for some structures no longer present or something. I’m sure canal afficionados would know.

These have each been decorated with various images of animals – the swan seen here, and also a kingfisher and horses. I’ve a couple of pictures of the horses which I thought might be nice, but there are some odd artefacts on the negatives – possibly a light leak or other camera problem (I shot those using an Olympus Superzoom 160), or maybe a developing issue (I found a bit of loose film leader in the developing tank when removing the film after washing, which I suppose might have caused a problem).

Swan by the canal
Graceful as ever it seems
But frantic beneath

Swan on brick

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

Nevermind

Although I don’t think it would suit everything, the vignetting caused by using this crop-sensor lens on a 35mm film camera works very nicely on B&W inages I think. It adds a definite mood to the images.

This shot is one of my favourites from the roll. I think it would have worked ok with just the building, but the front of the canal boat really gives it a bit of oomph.

So this lens vignettes
Adding mood and grit to shots
Centering the eye

Nevermind

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

Preparing to cast off?

This fella was pottering about on the edge of this canal boat and tinkering with the ropes. I have no idea about boats so don’t really know what he was doing – he could have been tidying for all I know.

I used my APS-C 35mm for most of the roll that this picture was taken from. Although designed for a crop-sensor, it has a large enough image circle to work on a full-frame / 35mm camera, albeit with vignetting. The vignetting becomes pronounced as the lens is stopped down, but at wide apertures it’s acceptable (well, to me anyway). The autofocus seemed exceptionally slow on the F80 with this lens though.

Fast lens, slow focus
It’s not meant for a camera
That shoots 135

Preparing to cast off?

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

Down by the canal

A selection of photos taken around Victoria Quays and the Sheffield & Tinsley Canal. I thought I’d drop in a bunch of them all at once as I’m getting a bit of a backlog of photos – I’ve currently got two rolls waiting to be uploaded, plus another three rolls that haven’t even been scanned yet.

Harlequin pattern
Black Pearl
Moored
About to depart
Blue Planet
Repairs
Canal cruiser

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 / Zuiko Auto-T 135mm f/3.5 & Fuji Superia 100 (expired 2008). Grain2Pixel conversion.

Taken on 17 September 2020