Nikon F80 & Nikkor 24-120mm f/4 ED VR on Fujifilm Acros II. Ilfotec DD-X 1+4 9mins @ 20°
Taken 15 August 2026.
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Nikon F80 & Nikkor 24-120mm f/4 ED VR on Fujifilm Acros II. Ilfotec DD-X 1+4 9mins @ 20°
Taken 15 August 2026.
I often put my car in a car-park beside Victoria Quays when I go for a walk around town. It’s slightly inconvenient for the town centre, being further away from the shops etc., but has the considerable benefit of being much cheaper than the car-parks that are more central.
One of the exits from the car-park takes you right to the canal-basin and remaining wharf buildings (now all home to modern offices and other businesses) and there is always a fleet of canal boats moored there, many of which make for nice pictures. Likewise, the straddle wharf and other warehouses are also nicely photogenic. As a result I’ve taken many pictures at this location, often of the same subjects (especially the aforementioned straddle wharf).
It’s not the only location that receives this regular photographic attention. The Kelham Island area of Sheffield has featured on the blog on numerous occasions, and constant readers will know that I take a trip to my favourite seaside town, Mablethorpe, every autumn.
While I enjoy visiting and photographing these places, I do tend to notice that I photograph the same things over and over again, even though there are undoubtedly countless other subjects and compositions to be had. I wonder if people see these pictures and think, “Oh, it’s that thing again…”?
But conditions can change and shine a whole new light (both figuratively and literally) on these subjects. Different times of day, different weather, different seasons, all can make for new ways of seeing things, I feel, and so I’ll no doubt be here with yet more pictures of the Straddle Wharf, the Mablethorpe Rock shop, and the chimney-stack at Kelham Island heritage museum.
Olympus OM-10, Zuiko Auto-S 35mm f/2.8 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 3 May 2025
The canal basin at Victoria Quays is another place I’ve photographed on multiple occasions. This is because 1) There are many interesting subjects to photograph, and 2) It’s right beside a car park with cheap rates that I often use if I’m exploring this part of town.
There are probably other pictures of these buildings on my blog already, but these are two new(ish) ones, which turned out nicely.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 for 8 minutes @ 20°
Taken on 2 February 2025
I posted some other photos of bridges spanning the Sheffield and Tinsley Canal recently – those shot with my Zeiss medium format folding camera. The ones here were shot on the same day with my Olympus XA3 along the same stretch of water in Attercliffe, Sheffield.
I think I said in the earlier post that this is now a pleasant stretch of the can to walk along. It has a high embankment on both sides which shields it from what is otherwise quite an industrial part of the city. The spring foliage also brings a pleasantly arboreal feel to the place.
When I was much younger the canal was horribly polluted. I remember crossing it on the bus route that took me into the city centre and the water was a vivid orange colour, presumably due to pollutants from the steel industry in the area. Now the water is clear and sustains fish and other wildlife.
Olympus XA3 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°
Taken on 7 April 2024
A couple more shots of the canal today. Despite the slightly industrial quality of some of the bridges, it’s actually quite scenic down there.
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 7 April 2024
A couple of photos of the Sheffield & Tinsley Canal in Sheffield.
I publish this while listening to excited chatter on the TV news about a July General Election. About time!
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 7 April 2024
I bought myself a new (used) lens for my Bronica ETRSi in July – the Zenzanon 150mm f/3.5 MC. While I had 75mm and 50mm lenses for the camera, I was missing something that gives a bit more reach. The 150mm is around a 90mm full-frame equivalent I think, so a short telephoto and probably decent for portraits (should I ever make any!).
I was slightly wary about the MC designation, which places it as an earlier model, the same as my 50mm f/2.8. The 50mm is decent, but doesn’t feel as sharp as my 75mm, and I wondered if the 150mm would be similar. However, online reviews suggested this was no the case, and the few pictures I’ve made with it certainly look sharp enough. I got quite a good deal on the lens which, although the aperture ring is a little stiff, is otherwise in really nice condition.
The picture today was one of the first I shot with the lens (I had hoped it would have arrived in time for my trip to Ingoldmells and Skegness, but it came on the same day while I was out).
Bronica ETRSi, Zenzanon 150mm f/3.5 MC, and Kodak Portra 400. Lab developed. Home scanned and converted with Negative Lab Pro
Taken 6 August 2023.
Here are the results of the other two sheets of 4×5 film I shot at Victoria Quays the other week.
Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Ilford HP5+. Ilfotec DD-X 1+9 15mins 45secs @ 20°
Taken 8 July 2023.
After yesterday’s post where I spoke about missing the focus slightly on a 4×5 large format photo, despite not rushing, here is a picture where I did exxactly the same thing, although this time I was rushing.
When I say rushing, that’s relative. You can’t really rush a picture with a field camera in the same way you can with 35mm or medium format (or, I guess, large format press cameras to an extent). There is still a lot of setting up to do before you get to the nitty gritty of finessing the focus etc.
At the time I took this picture there was no-one in the frame and my intent was to photograph the building, with the canoes and the front of tha canal boat. However, I was concious that there was a sizeable group of young people along with an instructor who was prepping them for going in the canoes. As I was setting up the shot, I heard him say something along the lines of “Right, follow me.” and the group headed towards my field of view.
I didn’t really want a big crowd of kids in the shot, so took this picture quickly when just two people were in the frame (one obscured by the other) and, because I was rushing, I didn’t check focus properly. The centre of the frame (horizontally) is fine, but the sharpness drop steadily towards the top of the building. Again, had this been reversed so that the lower part of the frame was softer, it wouldn’t have mattered because that’s just water and distorted reflections.
To make matters worse, the group of people then proceeded to walk right through the frame, exiting to the right, meaning I could have waited and got a better shot anyway!
Chamonix 045N-1. Fujinon NW 135mm f/5.6 & Ilford HP5+. Ilfotec DD-X 1+9 15mins 45secs @ 20°
Taken 8 July 2023.
Often, especially later in the day, calm water becomes disturbed by ripples as a breeze rises, or people begin to make use of the facilities. Early in the morning, when the water is still, is when you get the nice reflections.
Canon Sure Shot Supreme & Fujifilm Superia X-tra 400. Lab Developed. Home scanned and converted with Negative Lab Pro.
Taken 5 February 2023.