Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
This picture was shot from atop the bridge seen in yesterday’s post. You can also see the same flock of sheep that appeared the day before that. This is my favourite shot from this roll.
Fujica GW690 & Kentmere 100 (@400) Rodinal 1 hour semi-stand development. 1+100 in 500ml of water, with a couple of extra ml of developer added.
Taken on 2 August 2025
This brick-built bridge crosses the River Idle to the west of the village of Eaton in Nottinghamshire. It’s quite a pleasant scene and there is a bench in the spot upon which a couple were sat before I took my photo. It would be a nice place to sit with a book.
Fujica GW690 & Kentmere 100 (@400) Rodinal 1 hour semi-stand development. 1+100 in 500ml of water, with a couple of extra ml of developer added.
Taken on 2 August 2025
I had to work fast to get the sheep in shot before they became obscured by the gate. As soon as they saw me they began to bleat and make an approach. Perhaps I look like a farmer. Or maybe they’re used to passersby giving them treats. I had no sheep snacks upon me, alas.
Fujica GW690 & Kentmere 100 (@400) Rodinal 1 hour semi-stand development. 1+100 in 500ml of water, with a couple of extra ml of developer added.
Taken on 2 August 2025
On the day I went out and made this batch of pictures, I started in a poor frame of mind. I was feeling grumpy and a bit depressed about stuff, so most of the first part of the day just involved me driving aimlessly about, too annoyed to spot potential compositional opportunities, much less take any photos.
This was the first shot I took during the outing (it was shot just before, and just down the road from, the picture I posted yesterday), and while it didn’t completely clear my low mood, it did get me started with some photography. The first shot is often the one that unclogs the gears, and I was able to then finish off the rest of the roll (albeit only eight frames with the GW690) and even make a start on another.
I’d started out thinking I was just wasting my time, but by the time I got home I felt much better about things.
Fujica GW690 & Kentmere 100 (@400) Rodinal 1 hour semi-stand development. 1+100 in 500ml of water, with a couple of extra ml of developer added.
Taken on 2 August 2025
Unlike yesterday’s photograph, this was a location that I’d never passed before. It’s not a lane that can be traveled as, although you can’t see it in my picture, it’s blocked off with a metal gate. Looking on Google Maps, it’s possible to see where the track leads (to a farm) and that there are two other entrances to the same track. For some reason I find “mystery” roads like this interesting, or rather I like to know where they might lead (it’s very often a farm though…).
Anyhoo, despite the lack of access, it was a scene I felt would make a good photo, what with the leading lines of the track and power wires.
Fujica GW690 & Kentmere 100 (@400) Rodinal 1 hour semi-stand development. 1+100 in 500ml of water, with a couple of extra ml of developer added.
Taken on 2 August 2025
My Holga has sat unused (but not unloved) for quite some time. I almost always like the lo-fi results that it produces, so I really should shoot it more often, but I guess having a bunch of different cameras means that some of them have to wait awhile to get their time in the sun (or overcast).
Fellow blogger Dave Whenham posts Holga pictures on a fairly regular basis, and it’s from reading his posts that the urge to Holga took hold.
Here are the results from a roll of Fomapan 400 I shot back in March. Apart from one picture that I wasn’t happy with, it’s the full roll. I don’t think this represents my most successful outing with the Holga, and there’s some element of shooting stuff because it was there rather than being more careful in my choice of compositions, but there are a few that I really like, such as the Thai Boxing gym, the underpass, and the church.
I’m also very pleased with the results of the semi-stand development. I sometimes find that Fomapan 400 needs more light (something you can’t particularly control with the Holga), but the Rodinal has pulled out a full range of tones from every image. I’ll certainly semi-stand Foma 400 again in the future.
Holga 120N & Fomapan 400. Rodinal 1+100. 1 hour semi-stand development.
Taken on 28 March 2025
Today, I decided to roll up my sleeves and develop three rolls of black-and-white 120 film which I’ve recently shot. I had two rolls of Kodak Tri-X, and a single roll of expired Kodak Tmax 100 to process.
I have two developing tanks, a small one which will take two rolls of 135 film, or a single roll of 120, and a larger tank that will double the amount of film I can develop, so the Tmax went in the small tank, and the Tri-X in the larger one. My plan was to develop all three rolls using Ilfotec DD-X, but I realised when making up the solution for the two rolls of Tri-X that there would not be enough left for the other roll.
Not to worry, I thought, I’ll develop it in Rodinal instead. I’ve not developed Tmax 100 in Rodinal before, but expected it might look nice given it’s a fine grained 100asa film. So, after completing the Tri-X, I started to get myself prepared to develop the Tmax – the usual stuff: getting the water to the right temperature, making sure I had all the necessary bits and bobs required (including drying stuff I’d just used with the Tri-X). Then I encountered a problem…
I couldn’t get the top off my bottle of Rodinal. It has a safety cap which requires downward pressure while turning in order to remove it but, today, no matter how hard I tried, it wouldn’t come loose. It just rotated and clicked annoyingly. At one point I was using so much downward force that the bottle started to collapse in on itself! After five minutes of fruitless effort, I gave up on the enterprise, and decided that I would have to force open the bottle and store it in a different bottle. As I don’t have another suitable bottle (I’d assumed the bottle it came in would be fine) I ordered a brown glass medicine bottle from eBay, and I’ll re-home the developer when it arrives.
Later in the afternoon I searched online to see if anyone else had encountered similar problems and I found a recent Reddit thread describing the exact same issue. A few people had managed to remove the stuck cap with pliers or a wrench, so I’ll give that a try. The consensus seems to be that the developer crystalises in the safety mechanism of the cap, causing it to get stuck and no longer function properly.
Anyway, both rolls of Tri-X came out fine (although I did manage to drop one of them on the bathroom floor when taking it off the reel, coating it with bits of dust and a strand of hair, and necessitating me re-washing it).
No Rodinal was used in the development of the two pictures below. Perhaps that was for the best.
Nikon F80 & Tamron 28-300mm F/3.5-6.3 Di VC PZD. Ilford HP5+ (@800), Ilfotec DD-X 1+4 10mins @ 20°
Taken on 16 February 2025
I’ve seen this building on numerous occasions when driving through the area and on this day I finally found myself well placed (and equipped) to photograph it.
It might look like it’s out on the open plains somewhere remote, but is right on the edge of Whitwell and it’s only the gentle curve of the land that allows this illusion of space.
I took a number of pictures of the building (and the tree to the right of frame – which featured in yesterday’s post) using different focal lengths and am happy with all of them. I did have another shot which is zoomed out a little further than the third shot below which I think I liked best of all, but I managed to beat the lens’ vibration compensation and introduce some camera shake. A shame.
One thing I didn’t notice until I processed the scans is that there is a solitary figure sat on the corner of the wall of the structure. You can make them out better if you click on the images and view them larger in Flickr. They were some distance away, so I wonder if they noticed they were being (unknowingly) photographed?
Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD & Agfa APX 100. Rodinal 1+100 (+2ml) semi-stand 1 hour @ 20°
Taken on 8 March 2025
Two photographs of the same tree.
The first is my favourite of the pair. I like the simplicity of the lone tree, but more than that, I like the layered tones created by the fields which neatly divides the picture into thirds. I’m not sure what focal length I used for this one, but expect it was somewhere between 150mm-200mm.
I like the second image too, but I had an ulterior motive when composing the shot to see what it would look like if I utilised the Tamron’s full 300mm range. The image falls apart a little when viewed larger, although I’m not sure how much of that is weakness in the lens at 300mm, and how much is atmospheric effects from zooming in through what was quite hazy air.
Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD & Agfa APX 100. Rodinal 1+100 (+2ml) semi-stand 1 hour @ 20°
Taken on 8 March 2025
One of the trees form the picture in yesterday’s post can be seen again in today’s picture, lthough it has been relegated to a supporting role in this shot. Instead, the star of the show today is the head of some dried cow parsley which was growing (or had been growing) at the edge of the country lane I was walking down.
As I already mentioned yesterday, I’m very happy with a lot of the pictures that I got from, what was in effect, a test roll.
Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD & Agfa APX 100. Rodinal 1+100 (+2ml) semi-stand 1 hour @ 20°
Taken on 8 March 2025
Steel City Snapper photography 