35mm · Film photography · Photography

Equs Altus

I’m not one for Latin, but I think that’s maybe “High Horse” to you and I. The sculpture stands atop a tall metal column in the Trinity Leeds shopping centre.

It represents the pack horses that were used in the wool and textile trades, for which the city of Leeds was a major centre.

Its sculptor, Andy Scot, is perhaps best known for his work The Kelpies, which stand at Grangemouth in Scotland. Equs Altus may not have the same scale, but it’s definitely born of the same (ahem) cloth.

Equs Altus
Horse grid

Nikon F80 and Nikkor 50mm f/1.8 AF-D on Fomapan 400. Rodinal 1+25. 6.5mins @ 20°.

Taken on 13 March 2026

Film photography · Medium Format · Photography

Holgagraphy

I like my Holga. Its lo-fi images have a definite charm, I feel.

This time though, the “fi” is as low as I’ve ever seen it. I really don’t know what has happened with this roll of Fomapan 400.

Grungy lychgate

The white speckles from the faulty batch of which this is a part are present and correct, and the scratches that the camera has started adding to the negs have made an appearance (although I’ve cloned the worst of them out), but as for that blothcy mottling? Well, I really don’t know.

It looks like the film is damaged, or has gotten wet, but it’s been stored in it’s sealed box and wrapper since I got it and kept in the fridge, so that seems unlikely.

Grungy tree

I suppose my development could also be to blame, although I’ve not encountered such issues before. The only thing that I can think of that might possibly have had an effect is that it was quite cold in the room when I developed the film, so it’s possible the chemicals cooled by a couple of degrees over the course of the hour’s semi-stand process, but I’m not sure if this would have been the outcome.

Despite all the problems though, if anything can carry off this distressed look, it’s the Holga, and it still manages to do so with aplomb.

Grungy path

Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.

Taken on 24 January 2026

Film photography · Medium Format · Photography

A trip to Spurn Point (part 1)

Spurn Point is a location I’ve wanted to visit for a long time. It’s a spit of land that extends from the Holderness coast in Yorkshire into the mouth of the Humber estuary. It is a slender piece of land three miles in length, widening at it’s southern tip, but being less than 50 metres wide at it’s narrowest point.

At times during its recorded history, storm tides have breached the neck, cutting off the tip and forming an island. The last breach was, I believe, back in 2013 which destroyed the single road to the tip making it passable only by foot or all-terrain vehicles (such as a Unimog truck that ferries tourists to the lighthouse and back).

Road to the lighthouse

The Holderness coast, and Spurn, are subject to significant coastal erosion (spurn being the beneficiary of the material eroded from further up the coast) and this has affected the geography of the location over time with various settlements lost to the sea in past centuries.

Spurn has been used for a number of purposes over it’s history, including coastal defence, lifeboat station, and the location of lighthouses and traffic control for shipping passing in and out of the Humber. It is now owned and managed by the Yorkshire Wildlife Trust and attracts a large number of visitors keen to experience the creatures, particularly birds, that make their homes there.

Behind the dunes

There are two lighthouses still standing on Spurn, both now decommissioned – Smeaton’s high light, and Walker’s low light. The Walkers lighthouse stands in the mud flats to the west of the strip of land, it’s light aparatur removed and replaced by a water tank. Smeatons light stand on the land of the spit and is open to tourists, and you can climb the narrow staircase to where the light was once installed. Other noteable structures include the lifeboat crew houses, which are also empty, the tall shipping control tower with its still active radar, the old lifeboat jetty, and various structures remaining from wartime.

The old lighthouse at Spurn

I made pictures with three cameras across four rolls of film, so I’m going to split them into batches. This first set were shot with my Fujica GW690 (Texas Leica) on Fomapan 400. Sadly, the pictures were affected with a defect giving a lot of white speckles on the final images. This was also compounded by bromide drag when I developed them, although I’ve Photoshopped the worst of this away. Despite these setbacks, they still have a certain charm to them, I think.

Lobster pots

Fujica GW690 & Fomapan 400. Rodinal 1+100. 1 hour semi-stand development.

Taken on 24 August 2025

Film photography · Medium Format · Photography

Askham and bromide drag

These two pictures were taken on the same mini-road trip as the ones I shot in Eaton (such as this). I’d finished the roll of Kentmere 100 and switched to Fomapan 400 at this point. I took three photos at the village of Askham, and then shot the rest on a later outing (yet to feature on the blog).

Sadly, after developing and scanning the pictures I was presented with disappointing results.

Firstly, the images all displayed fine white speckles of the sort I’ve encountered before with Fomapan films. They are probably unnoticeable when viewing the images here on the blog, but are scattered liberally across the entire results – far too many for me to remove with Photoshop (I would need the patience of a saint!).

Secondly. despite using the same semi-stand technique used previously (and successfully) on another roll of Fomapan 400, this roll showed very noticeable signs of bromide drag. I’ve been able to mitigate the worst of this with Photoshop, but it’s still faintly visible in both these pictures if you look carefully (it was much worse before editing). I’m not sure what caused it on this occasion when there was no sign of it at all the last time, but I may take some additional precautions the next time I semi-stand Fomapan (an additional inversion or two at 15 minute intervals, perhaps…).

Despite all this, I do still like the pictures, especially the way the clouds are rendered.

The road to Askham
St. Nicholas' Church, Askham

Fujica GW690 & Fomapan 400. Rodinal 1+100. 1 hour semi-stand development.

Taken on 2 August 2025

Film photography · Medium Format · Photography

A barn(?) and a phonebox

I think this building is a barn, but my understanding of farm architecture is limited. It stands in the small village of Eaton, right beside the main road through the settlement. A phone box stands in front of it, although it’s now been converted into a mini-library. I missed the focus on the phone box shot slightly (the point of focus ended up on the planet just behind it – I love the photos I can achieve with the GW690, but it’s rangefinder patch is not the easiest to see), which I’m a bit miffed about.

Village barn
Telephone

Fujica GW690 & Kentmere 100 (@400) Rodinal 1 hour semi-stand development. 1+100 in 500ml of water, with a couple of extra ml of developer added.

Taken on 2 August 2025