35mm · Film photography · Photography

Photographic problems in Scarborough

After many weeks of mostly overcast and rainy weather, I finally got a nice day yesterday where I had the opportunity to go out for a day of photography.

I decided to visit Scarborough, mostly because I’ve recently been looking at Paddy Summerfield’s The Holiday Pictures book and it gave me the urge and inspiration to go an make pictures at the coast.

Scarborough is appoximately 2-hours by car, so not too far, but not somewhere I can pop along to whenever I feel like it, so it was a bit of a mini event. Although it was overcast most of the way there, as I got closer the skies began to open up and I was rewarded with a lovely morning when I arrived.

I had a couple of cameras with me: my Minolta X-300 containing dome Kodak Gold, and my Nikon F80, which I’d loaded with Ilford Type 517 film I had a roll in the camera, plus a spare, and also a roll of expired Tri-X should I get through all the rest.

I spent a happy morning taking pictures in the great light and covered several miles, walking form the cliffs of the south bay, all the way to the north bay and back again, stopping only for a bottle of water and, on the way back, to treat myself to well-earned fish and chips. I finished the Kodak Gold, and both rolls of the Type 517. By midday the clouds had rolled back in and the best of the light was gone, so I headed back home.

Today I had the opportunity to develop the film after my dad visited, so I got stuck in, looking forward to the pictures. I’ve shot Type 517 previously and was very pleased by the way it looked, and was hopeful for similarly nice results. It was not to be…

As soon as I took the films from the reels I was very disappointed to see significant light-leaks on many of the frames. The first roll less affected, but the second with dark stripes on almost every negative, in the same place on each frame and covering the image and the rebate. I wracked my brain to try and think what might have gone amiss, especially as both rolls were affected.

Because the F80 takes the film all the way back into the cassette, I have to use a film retriever to pull it back out to get it onto the developing reels, and it seemed a little more difficult than usual to insert the tongue of the retriever into the light traps on both cassettes, and my first thought was that I’d somehow introduced light in the process (although it’s never happened before). My other (worse) thought, was that the camera had developed a fault which might be more costly to resolve.

However, it seems that neither of those is the cause. While searching online I found this post where someone had had almost identical problems, albeit when shooting some bulk-rolled film. The light leaks in the pictures they shared are almost exactly the same as what I had experienced:

Thankfully, the post also responds with the identified cause, namely that the labels on their bulk rolls were semi-translucent and, because the camera they’d used has a small window in the back to see what film was loaded, light had piped around the label, into the camera, and onto the film.

I suspect that this is what has happened with my type 517 rolls. While I can’t say for certain that the labels are conducting light through my F80s rear film window, it seems likely given the similarities. I also note that the Type 517 cassettes are reflective metal, which might also lead to the problem. The last time I shot it, without any problems, I used my aforementioned Minolta X-300, which has no film window.

The Type 517 cassette, with glossy label on a shiny metal container

I’m hopeful that this has gotten to the bottom of things and that I can shoot the film (and my F80) with confidence in future, either by only shooting it with suitable cameras, or by taping over the F80’s film window. It’s still been a painful experiece though – there are a lot of nice pictures that have been ruined (although I’m hoping I might be able to save some of them by way of some artistic cropping…), plus it was a long way to got to have spoiled pictures.

I do still have the roll of Kodak Gold to get developed though, and I’m going to give the F80 a test run with some bulk-rolled Fomapan just to put my mind at ease before shooting it again on anything that involves a lengthy journey! These things happen, and there’s not a lot I can do about it other than try to avoid a repeat occurrence.

I’ll share pictures from the day when I have them developed, but more stuff to come before then. In the meantime, here’s an older picture I took in Scarborough a few years ago.

FILM - Fishing

Pentax Espio 140M & Fuji Superia 100 (expired 2008).

Taken on 13 July 2019

35mm · Film photography · Photography

Carmouflage

Another scene that I’ll probably not see again for a while, both because the year has progressed and the light won’t fall on these cars through this fence for another several months (at least not in the same way, and possibly at a time of day when the cars are not there), but mainly at present because there aren’t any cars parked on this street anymore due to the pandemic.

It’s a road I walk up when dropping my films to be scanned at my local lab, but that’s closed too for the time being and, as I’ve bought my own home-developing equipment, I might not be using them as frequently when they do re-open (something I’m torn about – while me home developing my film is cost effective, I don’t want to deprive the lab of any business. It’s a valuable place to have on my doorstep and their service is great).

While it isn’t the foremost concern by far, I do worry a little as to the impact this pandemic will have on film photography. While is was going from strenth-to-strength before all this happened, I do wonder how a potential pandemic-triggered recession might affect it. If money is short, will people still want to spend so much on film and processing costs? I hope so, but it’s a concern nonetheless.

FILM - Carmouflage

Pentax Espio 140M & Ilford HP5+.

Taken on 19 February 2020

35mm · Film photography · Photography

0 to 60 in?

It’s said that men, when the reach middle age, can compensate for their lack of youth by splashing out on a fancy set of wheels. Well how about this hot little coupe? 🙂

It does have a slightly disapproving look about it though, with it’s eye-like lights and pursed mouth, so maybe don’t be too heavy on the accelerator…

FILM - Nice little motor

Pentax Espio 140M & Ilford HP5+.

Taken on 11 February 2020

35mm · Film photography · Photography

Soon to be gone

A short distance south from Haggler’s Corner (see yesterday’s post) is a short row of businesses, only one of which remains trading – a wooden staircase manufacturer and supplier called Heeley Stairparts. Alas, this too is soon to close its doors. The reason for this is that there is a plan to widen Queen’s Road at this point, meaning that this row of buildings needs to be demolished.

I discovered this when a lady across the street from me noticed me taking photographs and asked what I was doing. As the road here is very busy, I couldn’t make out what she was saying so crossed the road once the way was clear. It turned out that she was the owner of the staircase business and thought I was from the council – she’d heard that the council sometime photograph buildings that are due for demolition (I have no idea if this is the case or not).

FILM - Heeley Stairparts

I quickly reasured her that I wasn’t there in any official capacity and had just been attracted by the low sunlight on the buildings (although these shots are B&W, the storefront is a light green colour that was glowing in the light), and we chatted for awhile about the reasons for the demolition and how it was a shame that so many older buildings in the city are torn down for re-development rather than being repaired and restored.

I’m not a stick-in-the-mud who opposes all new development – far from it in fact – and understand that sometimes buildings pass their useful lifespan, or are simply unsuitable for restoration, and this row of shops doesn’t stand out for any particular reason amongst others in the city – apart from than the staircase store, the other buildings seemed pretty run down. Nevertheless it’s a shame that the woman’s business is going to disappear and I wish her well in her future endeavours.

FILM - Total quality within

Pentax Espio 140M & Kentmere 400.

Taken on 18 January 2020

35mm · Film photography · Photography

Haggler’s Corner

Hagglers Corner is a multi-functional space just on the outskirts of Sheffield city centre. It hosts live music and other events, has a cafe, a shop and provides spaces for local makers of things. I didn’t get chance to go in on the outing, but will try and make sure I give myself time to do so next time I pass.

Although this picture doesn’t really indicate so, Queen’s Road is a busy thoroughfare, being one of the main arteries into and out of the city centre. I managed to find a brief spell with a gap in the traffic to take my photo that emphasises the road leading into shot (and the zig-zag road markings denoting the Pelican Crossing.

The two towers above the roof of Haggler’s Corner are minarets belonging to the Madina Masjid that sits a short distance beyond.

FILM - Haggler's Corner

Pentax Espio 140M & Kentmere 400.

Taken on 18 January 2020

35mm · Film photography · Photography

Evocations of a journey #1

Last year, Postcard Cafe, a blog I follow, posted a number of pieces featuring photographs made on train journeys. The first of these I came across was a post titled “Jumping someone else’s train” and I commented on their post how I liked the idea and that I might borrow it at some point.

Today’s post is the first attempt at doing something along similar lines (badum-tish!).

If I’m to be critical, then Postcard Cafe’s posts are much better than my attempt here, but I’ll admit to making life more difficult for myself by a) using a compact film camera that struggled with camera shake, and b) attempting to fit picture making in around some work I had to do on the train, thereby probably missing some opportunities (plus I had a window-frame next to my seat, which limited my field of view somewhat too). Anyway, enough with my excuses and on to the photos.

For the purposes of this post, I’ve limited my photos to ones taken station-to-station. I shall also leave them without narrative, and just let them tell whatever story you see fit to make up. They are in chronological order though, both outbound and homeward.

FILM - Trip #1FILM - Trip #1-2FILM - Everone's in a hurry these daysFILM - Trip #1-3FILM - Knocking out a tuneFILM - Trip #1-4FILM - DepartureFILM - Gasometer livingFILM - Trip #1-5FILM - Trip #1-6

Pentax Espio 140M & Kentmere 400.

Taken on 15 January 2020