35mm · Film photography · Photography

Abandoned bags

Another shot featuring reflections (albeit, mostly of the sky in this one) making up a trio of posts over the last three days. I like the ambiguity of this shot, it making it look like the faceless person walking away has forgotten or abandoned their bags.

One thing this roll shot with the little Pentax Espio has taught me, is that the camera falls back on slow shutter speeds very quickly in low light. Several shots on the roll were largely spoiled because of subsequent camera shake (although in some cases, the motion blur has added a great sence of movement to the images too). This said, I have used it in dim light before without any noteable camera shake, so I wonder if it’s somehow mis-read the Kentmere’s DX coding (or maybe it’s just faulty)? Where I’ve used the camera in sunny conditions, it’s a capable little performer though, so I shall bear that in mind for future reference.

FILM - Left behind?

Pentax Espio 140M & Kentmere 400.

Taken on 15 January 2020

35mm · Film photography · Medium Format · Photography

Day 365 – Twelve favourite photos from 2019

My initial plan for today’s post was to publish 12 photos that were taken this year but which haven’t featured in the blog, but on second thoughts I’ve decided to take the more traditional route. There might still be some that never appeared here before though – I tend to upload more stuff to Flickr than gets featured here – so aren’t you the lucky ones. 🙂

Today also marks the 365th consecutive blog post of the year – a target I attempted once before but which fell through when other events in my life took precedence. Not every blog was written on the day it was posted – in situations where I’ve been away from home I’ve pre-written blogs and then scheduled them to automatically publish (or made them live from my phone). Because of the way I link my photos from Flickr, I’ve found it’s a complete PITA to try and write and publish from mobile devices.

Anyway… Before I get on to the pictures, I just want to take the time to thank all who’ve viewed, interacted or commented on my blog over the year and to wish everyone a happy new year.

So, the photos…

January – This tree sits on the moors just south of Sheffield and is just a few metres from the roadside. It’s distictive shape made for an easy composition. Sadly the tree has now suffered damage – the last time I passed all that remained was the trunk as the upper branches have been broken off. 😦

FILM - In a lonely place (35mm)

Nikon F80, Nikkor 28-80mm f/3.5-5.6 AF & Fomapan 400. Taken on 20 January 2019

February – Eyes in the back of his head? One of the tenets of street photography is to be prepared and ready to catch that decisive moment when it occurs. Sadly, this is rarely the case for me and I’ve missed loads of potentially nice shots due to fumbling with the camera. This was one of the times I didn’t.

FILM - He's got eyes in the back of his head

Olympus 35 RC & JCH Streetpan 400. Taken on 15 February 2019

March – Portraiture is not something I have much of an interest in, particularly studio portraits (although I do enjoy looking at environmental portraits), so when an opportunity arose to photograph some models at the local camera club I wasn’t sure whether I’d enjoy it or not. While I can’t say it ignited any desire to take more portraits, I was very pleased with my results, one of which is below. It isn’t prefect (the creased backdrop lets it down a little), but the way the Sigma 105mm lens and the Kodak P3200 rendered the images is lovely.

FILM - WPS Model Session-2

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Tmax P3200. Taken on 19 March 2019

April – A gate on a public footpath through Edale in the northern Peak District National Park. I think this photo has a certain charm to it, there’s a sense of mystery as to where the path leads and what might be beyond the gate. This is from the penultimate roll of film through my Yashica Mat 124G last year. I shall have to rectify this situation and shoot with the camera again post haste!

FILM - A path near Edale

Yashica Mat 124 G & Fomapan 100. Taken on 20 April 2019

May – During May I visited New York with my family. It’s the second time I’ve visited (and I’d love to return – although I think my wife would prefer somewhere else in the US if we get across the Atlantic again) – I could have spent all day, every day just walking the streets taking photos. It was a family trip though, so I grabbed whatever I could. This is just a view down 7th Avenue after a rain shower, but it screams New York to me.

FILM - 7th Avenue

Canon Sure Shot Z135 & Ilford HP5+. Taken on 28 May 2019

June – A box of pre-owned pool balls on a stall at the Sheffield Steam Rally. I think I might have said at the time that colour would have been a more obvious choice here, but I love the contrast given by the HP5+.

FILM - Balls

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Ilford HP5+. Taken on 30 June 2019

July – The beach at Scarborough. My wife and I took a trip to the seaside and I shot a roll-and-a-half of film during the day. This is just a snap of the beach, the people enjoying themselves there, and some yachts in the sea beyond, but it has a nice “Martin Parr” feel to it that I like. It was also an opportunity to test the little Pentax Espio compact that I’d bought for £1 a fortnight before.

FILM - On the beach

Pentax Espio 140M & Fuji Superia 100 (expired 2008). Taken on 13 July 2019

August – Taken at the Lincoln Steam Rally – the first time I’d attended this event, but it was huge and I hope to go again in 2020. I shot four rolls of film on the day, but this Ektar shot of a vintage truck is a favourite. The almost 70-year-old Zeiss Mess-Ikonta continues to impress with it’s superbly sharp lens.

FILM - ERF

Zeiss Mess-Ikonta 524/16 & Kodak Ektar. Taken on 17 August 2019

September – A day trip to my childhood seaside haunt: Mablethorpe. It’s a place I’m always drawn back to, even though I’m always slightly disappointed that it hasn’t remained frozen in time as I remember it from when I was a child. Another day where several rolls of film were shot (including three botched rolls through my Holga because I had it set to bulb mode!). I’ve many photos from the day that I like, but this is the one that always springs to mind when I think back.

FILM - Water dragon

Olympus 35 RC & Kodak Portra 400. Taken on 13 September 2019

October – I took a trip to Doncaster racecourse with my dad, and this is one of the photos from the day. The weather was awful, with heavy rain all day, but oftentimes bad weather makes for good photos.

FILM - A day at the races

Olympus OM-1, Zuiko 75-150mm f/4 & Ilford HP5+. Taken on 25 October 2019

November – This shot is potentially my favourite of the whole year. The simple but beautiful charms of the Holga coupled with a wonderfully foggy day made for some amazing photographic opportunities.

FILM - The path untaken

Holga 120N & Kodak Tmax 400. Taken on 30 November 2019

December – December is a little difficult as, as I type this, I have three rolls of film waiting to be processed still and there might be a showstopper on there (or possibly not), but this image that I took just before Christmas on a lunchtime walk is definitely worthy of the spot. It’s another Holga 120N image, but cropped to a 4×3 ratio (the bottom of the frame has a river in it, but it didn’t add a lot to the overall image and the landscape crop works much better. The way the Holga renders out-of-focus details is wonderful, and almost impressionistic in style.

FILM - Breaking through

Holga 120N & Kodak Tmax 400. Taken on 18 December 2019

So there you have it. Twelve favourite shots from 2019. As with any list like this it’s subjective, and if I were to do it again tomorrow several of the selections might change, but for now it will do.

One final word – I’ll proof read it later, so apologies in advance for any typos or grammatical goofs. 🙂

35mm · Film photography · Photography

Faces in the trees

When new commercial developments are built in Sheffield there is often a requirement for them to install a piece of art somewhere on the site. These can often be seen at shopping centres and suchlike. I suspect that this sequence of metal faces is a similar thing, probably installed when the nearby housing development was added. Or I could be completely wrong.

Whatever the case, it’s an unusual and striking thing to come across, it being tucked away on a footpath behind the houses close to the back of a nearby supermarket.

A piece of debris on the rightmost face gives the illusion of a teardrop.

FILM - Teardrop

Pentax Espio 140m & Ilford HP5+.

Taken on 22 September 2019

35mm · Film photography · Photography

Another bridge chapel

Back in April of this year, I posted about the bridge chapel in Wakefield that stands over the River Calder. I mentioned in that post that it was one of only five such structures in the country, the others being situated in Rotherham, Derby, Bradford-on-Avon, and St. Ives (Cambridgeshire). The picture in today’s post is of the Chapel of Our Lady of Rotherham Bridge, in Rotherham, which dates back to 1483. This bridge crosses the River Don.

It was raining heavily on the day I took the photograph (you can just about make out the diagonal streaks of the raindrops if you look at the image at larger sizes), but the door was ajar and a service looked to be just about to start. I did try and get a photo of the worshippers inside, but someone came and closed the door just as I took the shot and I instead captured a somewhat blurry image of a clergyman who looks a little bit like a ghost!

This one turned out nicer, and was the last shot on the roll. As I was thoroughly soaked by this time, I treat myself to a fresh cream scone to eat when I got home. 🙂

FILM - Bridge chapel

Pentax Espio 140m & Ilford HP5+.

Taken on 1 October 2019

35mm · Film photography · Photography

Under the rainbow?

This is a location I’ve photographed a number of times – it’ss part of the network of pedestrian tunnels below London St. Pancras and King’s Cross stations in London. All my previous shots (apart from one I took on my phone) have been in black and white, as that was always the film choice I had with me when passing, but this time the camera I had with me was packing a roll of Kodak Colorplus.

Despite the colours, it’s still a location that works well in monochrome thanks to the contrasty lines and shapes, but the rainbow hues of the lighting make colour very worthwhile too.

I can imagine people passing through here on their way to Westworld. 🙂

FILM - The future road to Oz

Pentax Espio 140M & Kodak Colorplus.

Taken on 10 July 2019

35mm · Film photography · Photography

Photography is fun(icular)

Yesterday’s photo had the Grand Hotel in the background and here it is again, albeit much closer this time, providing the brick backdrop to the funicular station.

The funicular railway here was built almost 15 years after the hotel, opening to passengers in 1881, and it still serves residents and visitors to this day. There were originally a total of five funicular railways at the resort, but there are only two still in service today: the one here (the Central Tramway), and another on the south cliffs (aptly named the South Cliff Lift). Another between these two (the Saint Nicholas Cliff Lift, just the other side of the Grand Hotel) is still in place, but the bottom station is now an ice-cream parlour while the two carriages are fixed in place at the top of the incline and make up the Saint Nicholas Cafe.

The other two were in the North Bay area of the town. The North Bay Cliff Lift was closed in 1996 and has been dismantled and placed in storage, while the Queen’s Parade Cliff Lift appears to have had a somewhat ill-fated lifespan, being subject to runaway cars, accidents and mechanical failures until a landslide eventually caused it to close for good in 1887, just nine years after it opened.

There are various meandering pathways to and from the seafront for those who don’t wish to ride in style (or some seriously imposing sets of steps for those of a sturdy disposition!).

FILM - At the top of the funicular

Pentax Espio 140M & Kodak Colorplus.

Taken on 13 July 2019

35mm · Film photography · Photography

Scarborough harbour

Following on from yesterday’s photo of the lobster pots, here’s the same location from a different point of view – this time a little further north up the shore. This was taken on a roll of Colorplus that was in the camera before I switched over to the Superia 100 that I used for yesterday’s shot.

I don’t live particularly close to the coast (although that’s probably not saying that much in the UK where it’s never more than about 70 miles to the sea (as the crow flies at least), so enjoy grabbing photos when I get the chance to visit.

The large building at the upper left of the frame is the Grand Hotel which, when it opened in 1867 was the largest in Europe. When viewed from above, it can be seen to be in the shape of a letter V, a tribute to Queen Victoria.

FILM - Lobster pot mooring

Pentax Espio 140M & Fuji Superia 100 (expired 2008).

Taken on 13 July 2019