Tag: Medium Format

Film photography · Medium Format · Photography

The last of the pre-lockdown photos

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I scanned my final roll of pre-lockdown negatives a couple of days ago – a roll of expired Kodak Plus-X shot with my Yashica Mat 124G. They were all taken the day before lockdown was introduced in the UK, and I managed to get them developed by my local lab on the actual day of the lockdown (it wasn’t announced until the evening). All the subsequent rolls I’ve shot have been developed at home (as of this weekend I’ve now self-developed five rolls).

I’d strongly suspected that the lockdown would be coming and so had taken the opportunity to drive out and get some photos before movement was restricted. Concious of the fact that there was a growing pandemic, I nonetheless chose an area where I was cofident that there would be few (if any) other people around.

The outing also marked the last time I’ve used my tripod oustside of my house or garden. While I’ve taken plenty of photographs since the lockdown began, I feel that carrying a tripod on outings that are supposedly for exercise would be breaking the spirit of the thing. Consequently all photos taken while out exercising have been handheld shots that I could take quickly and safely – literally a case of: spot a composition; lift the camera to my eye; click the shutter; and done. All in the space of a few seconds. There are many more photos that would be possible with a tripod, but they will have to wait.

On the day that this roll was shot though, I had my tripod with me. What I neglected to bring, however, was a cable release! Thus I learnt on the spot how the Yashica Mat’s self-timer function worked. Quite well as it turned out – all the shots where I used it are perfectly sharp and correctly exposed.

Today’s picture is of a cluster of teazels framed against some background fields. I’ll publish more from this fianl pre-lockdown roll in the coming days.

Teazels

Yashica Mat 124G & Kodak Plus-X (expired 2008).

Taken on 22 March 2020

Film photography · Medium Format · Photography

Musings on the pandemic and lockdown and celebrating VE day

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This week I heard that my aunt’s father died from Covid-19 infection. He was resident in a care home where ten more people including a member of staff have died after contracting the virus. There are apparently over a dozen others in the same facility showing signs of infection. Because of lockdown restrictions, his family were unable to visit other than to look in from a window, and so he had no direct contact with his loved ones when he passed away. The funeral will have restriction on attendance, and there can be no church service. They are obviously heartbroken. What would already have been a very difficult experience is made all the more terrible by the conditions in which it has taken place.

He was a WWII veteran, having fought through Western Europe from D-Day until he was injured by enemy fire in Holland, wherupon he returned home to recover. Now he has died during the current pandemic.

As the lockdown in the UK has been in place for over six weeks, and as the incubation period of the infection is up to fourteen days, this means that he has become infected since the lockdown began. At some point, most likely unknowingly, someone has come into contact with a contaminated surface or an infected person and had brought the virus into the care home where it has spread amongst the residents and staff. This fact illustrates why social distancing and proper hygiene is so important if we are to get the situation under control. The high number of deaths due to Covid-19 in UK care-homes is a tragedy.

Earlier this week, government sources gave hints that there would likely be a lifting of some of the lockdown measures announced this weekend, and some hints were given as to what these might be. The mainstream press had a field day. Headlines were written in a way that all but implied that the lockdown would be coming to an end. This, along with the VE Day holiday seems to have resulted in a considerable number of people suddenly relaxing their commitment to the lockdown rules to hold street parties. While many of these street parties were clearly described as being held in such a way as to maintain social distancing rules, it has become quickly apparent that this fell through in many cases with people mingling together like the virus has gone away. I’ve seen footage online of people having group singalongs and even a whole street of residents performing the conga. While they did appear to be two metres apart, I’m not sure this constitutes a necessary activity, even if it was 75-years since the war ended.

My fear is that we will now see a spike in infections in the coming weeks, just as things were starting to get a little better. I can only hope that more WWII veterans (and indeed anyone else) does not become infected or killed by this virus as a consequence of people’s desire to get out and celebrate. It will be a terribly irony if further survivors of WWII lose their lives as a result of people celebrating the end of it.

I don’t really have a picture to illustrate the words in my post, so here’s another from my pre-pandemic outing to Magpie Mine.

Stay safe everyone.

Track, puddle and mine remains

Yashica Mat 124G & Fomapan 100.

Taken on 16 March 2020

Film photography · Medium Format · Photography

Focusing fun

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I went for a walk before work again this morning and shot a few more frames with the Bronica.

One of the things I always find a little tricky with medium format cameras is focusing – specifically those with focusing screens as opposed to rangefinders. I find it easy to get the focus looking good on the screen at initial glance, and for medium / long / infinity distances, especially at smaller apertures, that’s usually fine. But when it comes to close subjects, particularly if I’m shooting wide open, then it’s a different matter.

I find that I’m second guessing myself, twisting the focus ring back-and-forth by marginal amounts, never quite sute if a fraction of a degree one way or the other is the setting that will nail perfect focus on my subject. Flicking up the magnifier, squinting at split prisms and sparkling polygons of ground glass until my eyes ache. I think it stems from a number of images where I was feeling confident of my focusing only to discover later that the negs were soft in the places it mattered.

It’s not too bad with a tripod, where I usually have the gift of time to get things spot on, but on situations like today where I was shooting handheld and at wide apertures, it’s trickier (my fault for loading 100asa film I guess). Even a slight momentary sway of my body is easily enough to spoil a shot.

Will today’s shots suffer from bad focusing? I guess I’ll have to wait until I finish the roll and develop them, but I’m certainly looking forward to the days where I’ll be able to leave the house purely for photography, carry a tripod if required, and not have to bolt the attempt to make photographs onto an exercise outing.

Today’s photographs come from Magpie Mine again. If you’ve followed my blog over the fast few months, you may find the first of the three familiar – some of the compositions are very close to those I shot on the same day with my Zeiss Mess-Ikonta and a roll of 30-year expired Kodacolor Gold.

Two trees a chimney and a gate

History on a hill

Magpie Mine

Yashica Mat 124G & Fomapan 100.

Taken on 16 March 2020

Film photography · Medium Format · Photography

Getting it wrong

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I got up early this morning for a pre-work walk. The weather has turned nice again, although at the time I went out it was quite chilly and at points on my route there was frost on the ground in shaded areas. I decided to take the Bronica ETRSi with me in case there was something worth photographing as the camera has a part-used roll of Fomapan 100 loaded and I though I might grab a few more frames as I walked.

I took a few shots – one of the local signal box, one of some wildflowers beside a tree, and then some dew-coated cobwebs in the vegetation next to the river. After taking this last shot I checked the frame counter to see how many shots remained and was surprised to see that it still said 5, the same number that had been displayed when I set out on my walk.

Puzzlement, and concern that there was some problem or fault causing this quickly turned to realisation as to the true cause of the issue.

A couple of days ago I’d used the camera to make a still-life of some ornamental fruit that we have in a display bowl in the kitchen. As the light was dim in the kitchen, and as the film is quite slow at 100asa, I’d mounted the camera on a tripod, inserted a shutter-release cable, and then locked up the mirror before taking the shot. Or so I thought. What I’d actually done is switched off the camera’s multiple-exposure protection. The switches for this and mirror lock-up look practically identical and sit next to each other on the side of the camera body, and I’d obviously forgotten which was which.

So, as a result of my mistake, I now have a frame that has (I think) four shots exposed upon it. Maybe it will reveal some sort of wonderful happy accident, but I’m not going to get my hopes up.

After rectifying the situation I managed to grab a couple of extra shots on the remainder of my walk, although I suspect the better ones are on the ruined frame.

Today’s photo is from my trip to Magpie Mine in March. It has little to do with the content of today’s post, but was shot on a roll of the same film.

Near Magpie Mine

Yashica Mat 124G & Fomapan 100.

Taken on 16 March 2020

Film photography · Medium Format · Photography

A southerly view of a hidden bridge

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On Saturday I wrote a little about how there seems to be some sort of landscaping work taking place in the trees and scrubland close to the Trans-Pennine Trail. One of the things that seems to be a part of this is the clearing of undergrowth from an old brick-built bridge. Until a few weeks ago, and despite my having walked past not fifty yards form where it stands, I had been completely unaware of its existence.

Well, I say completely, but there was a clue to it’s existence – a ridge of earth mostly covered with large shrubs and small trees was visible from the nearby footpath. I’d noticed this before and on one occasion even battled part way through a field full of brambles to try and see if it was an overgrown spur of the path or something. However, after getting scratched by the undergrowth, I retreated, the mystery unresolved.

Now, however, a freshly raised fence has become visible, so I decided to take another look. I was pleasantly surprised when I founf the aforementioned bridge. The bridge has a fair bit of graffiti applied, and there’s a significant number of beer cans beneath the central arch, so I’m obviously not the first to come across it (and I doubt the people who erected the fence were the ones to have thrown all the beer cans under there – the fence is way too straight for that! :)).

The bridge is almost certainly a remnant of the coal mining activities that once covered this area, and it would be interesting to dig out an old map of the area to see how he lay of the land was presented in the past. For now though, here’s a view of the bridge looking from the south-west.

Remnants

Holga 120N & Ilford HP5+ – Ilfotec DD-X 1+4 9mins

Taken on 9 April 2020

Film photography · Medium Format · Photography

Weekend stuff

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Today has been a somwhat uneventful day. I haven’t left the house, and the only photography-related activity has been reading my Portraits of America book, reading some blogs, and loading a roll of Fomapan 100 into my Bronica ETRSi (but not, so far at least, making any photographs with it). I did also upload a couple more shots to Flickr from the roll of Hp5+ I developed on Friday, one of which you can see in this post.

Yesterday, while not exactly exciting, was more eventful. My wife needed to pick up some things from the hospital and, as she was unsure if she’d be able to find a parking space outside the ward (and would otherwise have a lengthy walk), asked if I would drive her there. This was a reason for me to both drive the car – something I’ve barely done in over a month – and also, because we took our small car (which has been sat on the drive for weeks), give it a run to get some charge in the battery and get some movement in it’s parts. While hardly the trip of a lifetime, it was nice to be able to venture further from home for once.

Then, yesterday afternoon, I decided to combine a walk with picking up some things my wife had been been unable to buy during the weekly supermarket shop. I decided to get some decent exercise by taking a circuitous route around the area, looping around to the shopping centre, and then back home. At around 3.5 miles it wasn’t a really long walk, but I kept up a brisk pace throughout and got some good fresh air and exercise.

I also had the Sure Shot Telemax in my cargo-pants’ pocket, and managed to finish the roll of Delta 400 that it contained. Just a few snapshots as I walked, but maybe something worth a second look when I get around to developing them. The roll ended rather abruptly at frame #32 because I think the camera’s frame-counter has developed a fault – it sometimes jumps back to a lower number, or (in this case) miscounts how may shots have been taken. It’s done it before, but I don’t think it’s actually lost any images, still producing the expected 36 or 37 photos.

Today’s photo has both railway lines and power lines, and is the sort of composition that the Holga seems to eat up for lunch.

Lines

Holga 120N & Ilford HP5+ – Ilfotec DD-X 1+4 9mins

Taken on 9 April 2020

Film photography · Medium Format · Photography

The incinerator across the marsh

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One of the routes I sometimes take while out for a walk takes me past an incineration plant. This was built recently and is an EfW (Energy from Waste) facility which produces electricity from the burning on non-hazardous waste. I recall there was considerable uproar when the plant was first proposed – one of the concerns being that nearby residents would suffer from the smell of burning. As it stands, I can’t say that I’ve ever noticed any odours from its operation (although the usual prevailing winds probably blow it away from where we live most of the time anyway).

Across the marsh

It makes for quite an imposing structure, both from the road that runs beside it, and from the marshy area of land that lies across the road to the east. I’ve walked through (or rather around) this area on many occasions as there is a public footpath that skirts the edge. However, on a recent walk, I noticed that there has been some significant work done – both here, and also in the woodland around the nearby Trans-Pennine Trail. There has been some tree felling, but the most noticeable change is the appearance of what seem to be a number of small ponds.

The marshy area used to be a large, open reed bed, but now has a number of more clearly defined ponds with footpaths snaking amongst them. My assumption is that this is some sort of improvement programme intended to aid wildlife and also make for more pleasant and interesting walking activities. I’ve not seen anything official to back up this theory though.

Today’s photos show both the marshy area and the looming incinerator and are from the first roll of 120 film I’ve home developed. I’m pretty pleased with the results.

A new path through new ponds

Holga 120N & Ilford HP5+ – Ilfotec DD-X 1+4 9mins

Taken on 9 April 2020

Film photography · Medium Format · Photography

Not the best news

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Today has been somewhat disconcerting. While I’ve not, as yet, looked at the news at all today to see what’s been happening, I was nonetheless personally reminded of the current pandemic situation when I found out that my wife will be seconded onto a ward containing COVID-19 positive patients from next week. While the secondment is not unexpected, the thought of her coming into close contact with people infected with the virus is not a pleasant one.

I know that, for most people, the symptoms are mild (and even undetected in some cases), and that the percentage of people developing severe symptoms is pretty low, but that doesn’t make me any less concerned knowing how seriously it can affect others.

There isn’t a great deal that can be done to avoid the situation though, beyond taking the greatest care that we can, so it’s important to make sure I don’t worry about this unduly. Worrying about things I can do nothing about isn’t good for anyone. No-one in our family has contracted the virus (thatwe know of) and certainly no-one has become sick, so I shall continue to hope that this will remain the case.

Another photo of the Humber Estuary and bridge from back in 2017 today. Again, this is a photo that’s been sat on my hard-drive unpublished since I took it.

Out into the estuary

Yashica Mat 124 G & Ilford FP4+

Taken on 30 August 2017.