35mm · Film photography · Photography

Watching the Thames at low tide

This was a photograph taken very quickly during my walk along the South Bank of the River Thames in London recently. The smart suit, bald head, and posture of this chap made for a nice composition. It was the last shot on the roll and I wasn’t sure it would come out (as a result of this, I loaded another roll and took a second shot of the same guy a minute or two later, albeit from a different position – I’ve not scanned that roll yet, so maybe I’ll share that picture in a future post). Luckily it turned out quite nicely.

FILM - Low water

Olympus OM-1, Zuiko 28mm f/3.5 & Fujifilm Acros (pushed to 400asa).

Taken on 23 October 2019

35mm · Film photography · Photography

St. Paul’s Cathedral from Millennium Bridge

Three shots of the same subject today, all of St. Paul’s Cathedral in London taken from across the river on the South Bank from the end of Millennium Bridge. Two of the photos were taken using the Olympus Zuiko AUTO-Zoom 75-150mm f/4 lens, my second time using it since I bought it back in the late summer (I used it for a few shots on my trip to Hull a few days prior to this). So far I’m quite happy with it’s performance. Like most Zuiko lenses, it’s pretty compact, but it has a decent reach and is able to compress distances nicely.

The first shot was taken with the Zuiko 28mm f/3.5.

This is one of those slightly cliched and overdone photo locations – albeit for obvious reasons – but I’ve never shot it before and as it’s not a place I get to visit often I though I might as well take the opportunity while I had the chance.

FILM - St. Paul's (wide)

FILM - St. Paul's (mid)

FILM - Millennium Bridge

Olympus OM-1, Zuiko 28mm f/3.5 & Zuiko AUTO-Zoom 75-150mm f/4 & Fujifilm Acros (pushed to 400asa).

Taken on 23 October 2019

35mm · Film photography · Photography

Turn up the contrast

I shot a roll of Fuji Across a couple of weeks ago and, expecting the weather to be a bit on the gloomy side, pushed it to 400asa. As it turned out, the sun decided to come out for at least some of the shots. This resulted in super-hight-contrast images being the outcome. Across is pretty contrasty anyway, but pushing it amplifies this noticeably, such as in today’s photograph of a street corner convenience store in Southwark in London.

The sunlit areas, particularly those with lighter tones stand out vividly, while the shadows have been reduced to deep blacks – the lady on the left of this shot seemingly emerging from a pool of liquid darkness.

I do like a contrasty image, but care needs to be taken when shooting in such conditions of light and shade that it doesn’t become too much. I’m pretty happy with this one – there is still detail in the highlights, and while the shadows are deep, they work nicely withe the brighter details popping out of them.

FILM - Contrast

Olympus OM-1, F.Zuiko 50mm f/1.8 & Fujifilm Acros (pushed to 400asa).

Taken on 22 October 2019

35mm · Film photography · Photography

It’s a bit blurry and I don’t care

I generally try to ensure that my photos are in focus. It’s kinda important in most cases (for the sort of pictures I make, at least). Sometimes however, despite my best intentions, they are not in focus – perhaps due to missing focus, or sometimes due to camera shake adding some unintended blur.

Sometimes it doesn’t really matter. Sometimes you still like the photograph despite it’s flaws. Sometimes they might even enhance it.

Today’s photo is one such example. It was taken under the railway bridge that passes over Blackfriars Road just north of Soutwark Underground station, carrying the line heading east/west in and out of Waterloo. The light beneath the bridge was quite dim and I had to lower my shutter speed somewhat. I also needed to be quick to try and catch the image while people were placed in a pleasing way and also when no road traffic (of which there was much) was passing through the scene. These factors likely combined to cause a small but noticeable amount of camera shake in the the resulting picture.

Perhaps the photo would have been better had it been perfectly sharp, but the slight fuzziness is pleasing in some way. It gives the picture a slight vintage feel somehow that I’m quite pleased with. I don’t tend to publish photos that I believe are mistakes unless they rise above their shorcomings, and I think that this is one of them (for me, at least).

FILM - Blackfriars Station

Olympus OM-1, F.Zuiko 50mm f/1.8 & Fujifilm Acros (pushed to 400asa).

Taken on 23 October 2019

35mm · Film photography · Photography

Sir John Betjeman

This statue of Sir John Betjeman stands in St Pancras railway station, London. He was Poet Laureate from 1972 until his death in 1984. As well as a lover of railways, he was a vociferous voice in the preservation of ancient buildings and was instrumental in the saving of the St. Pancras station and hotel which had been scheduled for demolition. The station was secured and is now the London terminus for both the Midland Mainline domestic route as well as the international Eurostar service to continental Europe. This sculpture was commisioned for the re-opening of the station following its redevelopment in 2007.

You can watch him talk about railways in this film.

FILM - Sir John Betjeman

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+.

Taken on 9 October 2019

35mm · Film photography · Photography

Bench-land

I guess today’s picture serves as a direct sequel to the one I posted yesterday, given that the two people on the foreground bench appear to be the same couple who were walking through the scene in the other photograph. This wasn’t intentional and I only realised it to be the case after scanning the negatives. but I quite like how it turned out though.

I’ve not photographed the Barbican Centre much before, but it’s a wonderful urban location. Amazing brutalist architecture that is very well maintained and with a wealth of compositional possibilities. I only had a spare 10 minutes to take some photos while passing, but I could happily spend hours there.

FILM - Barbican bench land

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+.

Taken on 9 October 2019

35mm · Film photography · Photography

Under the rainbow?

This is a location I’ve photographed a number of times – it’ss part of the network of pedestrian tunnels below London St. Pancras and King’s Cross stations in London. All my previous shots (apart from one I took on my phone) have been in black and white, as that was always the film choice I had with me when passing, but this time the camera I had with me was packing a roll of Kodak Colorplus.

Despite the colours, it’s still a location that works well in monochrome thanks to the contrasty lines and shapes, but the rainbow hues of the lighting make colour very worthwhile too.

I can imagine people passing through here on their way to Westworld. 🙂

FILM - The future road to Oz

Pentax Espio 140M & Kodak Colorplus.

Taken on 10 July 2019