Film photography · Medium Format · Photography

Autumn trees

I was going to say that this post features the last of this year’s crop of autumnal pictures, but I have a few more on a roll of 35mm Kodak Gold still to be uploaded, so there will still be a few more to share (although I expect it will be after Christmas before that happens, unless I move them up the schedule).

The two pictures here were taken near the village of Barlow in Derbyshire, not too far from Chesterfield. I’ve driven past the lone tree pm a few occasions and noticed that it has a handy public footpath running through the field beside it. Whit it was the main reason I got out of the car with my camera, I think I prefer the first shot of the woodland, which has a nice selection of autumnal tones against the slightly hazy blue sky. The lone tree is ok, but I think there is a better photograph to be had.

I’ve managed to shoot (almost) a couple of rolls of 120 Ilford HP5+ this weekend during an overnight trip to York with my wife to visit the Christmas market. I’m not sure how they will turn out – I rarely make my best pictures when I’m out with someone else, and always feel like I’m rushing or missing things. I’ll hopefully get a chance to develop them soon though, so we shall see…

The edge of autumn
Lone tree in a field

Bronica ETRSi, Zenzanon 150mm f/3.5 MC / Zenzanon 75mm f/2.8 PE & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 25 November 2023.

Film photography · Medium Format · Photography

Church and willows

A few miles south from the Herdings Twin Towers that I posted about yesterday lies St. Peter’s church at Greenhill. The church was built in 1964/65, so is a relatively modern structure. It’s slightly squat spire always has an air of a witches’ hat, I think.

The early morning light was casting a beautiful glow onto the willow trees that grow beside the church. I don’t think my photograph does proper justice to the light.

St. Peter's Church, Greenhill
St. Peter's Church, Greenhill-2

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 25 November 2023.

Film photography · Medium Format · Photography

Herdings Twin Towers

This pair of residential towers are a Sheffield landmark. Not particularly because of the way they look, but their location at the top of the Herdings district means they are widely visible from across the city and can be seen from many miles away, particularly from the east.

They were built in 1959 and there were originally three towers named Leighton, Morland and Raeburn and were referred to as The Three Sisters, but Raeburn was demolished in 1996 when it was deemed unsafe following the discovery of a fault in the ground where it stood. The remaining two towers were renamed as Queen Anne Court and Queen Elizabeth Court and are now sometimes known as the Herdings Twin Towers.

I’ve driven past them at sunrise before and always thought they would make for a nice picture, so a few weeks back I decided to go and make one. The light was nice on the day, but I’d have preferred a bit of cloud to break up the blue sky. The image is also vey slightly soft despite me using a tripod. An excuse to re-visit the location at some point, I think.

Herdings Twin Towers

Bronica ETRSi, Zenzanon 150mm f/3.5 MC & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 25 November 2023.

Film photography · Medium Format · Photography

On Remembrance Day

I took this picture on my way home from my autumn walk in the Peak District (which I ‘ve posted about over the past three days). I was driving through Coal Aston, a district that sits about halfway between Sheffield and Chesterfield, and saw how the morning sun was illuminating the front of this church and making vivid the colours of the Remembrance Day poppy displays.

Primitive Methodist church, Coal Aston

I found a place just down the road where I could park and then walked back to take the photograph from across the street. The lady in the purple jacket walked through the scene as I was focusing the camera, and then stopped to look at the bus timetable at the bus stop, so I got a human element in the picture, which is nice.

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 11 November 2023.

Film photography · Medium Format · Photography

Scenes from an autumn walk part 3

I wasn’t going to include these pictures as part of this sequence of autumn walk posts but, given they were shot on the same outing and also depict autumnal conditions, it seemed a bit silly not to.

These were among the first pictures from a roll of Kodak Portra 160 and were shot in Padley Gorge, which is right next to the Longshaw Estate where the earlier photos were taken.

Gritstone oak leaf

They’re not the best pictures I’ve made at this location, but they’re not horrible either, and I do like the one with the leaf on the boulder quite a lot.

Cascade

Getting down to the side of Burbage Brook which runs through the gorge can be tricky. The sides are steep and laced with slippery roots, unstable topsoil, and a large volume of rocks – some slippery with moss, some unstable underfoot. Without care, it would be quite easy to gain an injury, potentially a serious one. Beside the brook is where the best photos are to be had though.

By Burbage Brook

Still, I managed my descent safely – something made simpler when I spotted another photographer taking a much easier route. Even better, I was able to escape again afterwards!

On the edge in autumn

Bronica ETRSi, Zenzanon 75mm f/2.8 PE / Zenzanon 150mm f/3.5 MC & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 11 November 2023.

35mm · Film photography · Photography

Funfair (and a couple of developing firsts)

Today’s pictures were taken as I wandered around the funfair at Mablethorpe. It was early in the day and, while the gates were open, none of the rides or other attractions were operating and it was only myself and the attraction owners and operators in the place. The guy in charge of the dodgems was giving instructions to the young men who were helping him prepare the cars, telling them to make sure there was no sand on them before polishing the paintwork as they would leave scratches.

Thrill ride

I had a full free hour this lunchtime, so I decided to deevelop a roll of film I shot at the weekend. I did a couple of things for the first time as part of the process. The first was to use Fomadon R09 developer, which I’ve not used before. It’s apparently just Rodinal (in fact, the only reason I bought it is because Rodinal was out of stock), albeit the original recipe and not the one currently produced by Adox, which I believe has a longer shelf life. When I poured out the used developer from the tank I was quite surprised to see that it was a vivid purple colour – like blackcurrant juice! I’m not sure if this was caused by the R09, or the expired Tmax 100 I was developing, although I suspect the former.

Ghost train

The second new thing I did as part of the process was to use a salad spinner to remove the excess liquid from the negatives before hanging them to dry. I’ve always had a problem with water marks on my negatives (I live in a hard water area), even if I use distilled water for washing, plus a wetting agent. I tried a squeegee for a while which worked well, but then it scratched a strip of negatives so I’ve not used it since. I tend to use the inside of my fingers to squeegee the strips instead, but I still end up with water and then drying marks most of the time. I’ve seen salad spinners mentioned before as a good way to remove excess water and the negs certailnly came out with much less liquid on them – just a few small, pin-prick sized droplets. I’ve yet to scan them, so the proof will be in the pudding, but I’m hopeful that this might be the way forward.

Gypsy Juliey

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.

Taken on 17 September 2022

35mm · Film photography · Photography

Beach chalets (and dusty negatives update)

It’s that time of the year when my blog becomes awash with photographs from Mablethorpe, taken on my annual visit (pilgimage 🙂 ). I think I shot three-and-a-half rolls this year, these are from the half-roll (Kodak Portra 160), but I have shots from a full roll of 135 Velvia 50, and one roll each of Fuji Pro 160NS and Kodak Plus-X in 120 still to come.

I’ve made further attempts to scan the dusty negatives that I posted about my frustration with yesterday. I’ve carefully cleaned all the strips with isopropyl alcohol (IPA) and microfibre cloths. The negatives that I thought I’d damaged yesterday also cleaned up better on this attempt and are thankfully not marred by permanent streaks as I had feared. There is still a considerable amount of dust present, but much less than before (at least from the ones I’ve tried scanning so far). There is also at least one neg with a scratch that I’ve introduced. But they look better.

I’m still going to put the pieces in place to develop colour film myself though. Maybe not immediately, but hopefully before too long.

Mablethorpe deckchairs
Seafood Market (or so it says)

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.

Taken on 17 September 2022

35mm · Film photography · Photography

Mablethorpe north beach and dusty negatives

More scanning tonight, and yet more dust woes. Suffice to say I won’t be using the same place again for my colour developing. I’m frankly quite disheartened at the thought that some probably quite nice pictures are looking not so nice due to this, or will require an undue amount of dust spotting in Photoshop – a mind-numbing task. I tried cleaning the first couple of negatives with some IPA which did remove quite a lot of the dust, but also seems to have added some faint streaks which may, or may not, be permanent. Not good.

I’m going to have to bit the bullet and start developing my own colour film, aren’t I? In the meantime, I’m going to have to find somewhere else and incur postage costs.

The shot below was from the same lab, and while still dusty in comparison with the lab I used to use (which has now closed), it’s nothing like as bad as the roll I’ve started to scan tonight. It still took quite some time to dust spot though.

North beach

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.

Taken on 17 September 2022

35mm · Film photography · Photography

Corringham windmill

The corringham windmill is, let’s face it, not a windmill any longer. Originally built in the early 19th century it functioned as a working mill for around a hundred years, ceasing operation in 1908. It attained Grade II listing status in 1985 and in 1993 was converted to an owl house. It has looked pretty much like it does in the picture below for as long as I have known it, and I’ve passed it on many an occasion.

It sits just to the east of the village of Corringham in Lincolnshire, standing close to the A631 road which runs between Gainsborough and Market Rasen (indeed, it runs all the way from the east end of Sheffield, passing through Wickersley, Maltby, Tickhill, and Bawtry before it reaches Gainsborough) and was one of the stretches of road I would travel when visiting Mablethorpe with my grandparents when I was younger. It’s still the route I take when I visit Mablethorpe now – it feels a bit like a pilgrimage of some sort where I follow the route my grandad drove, even though there are alternate routes that are faster.

The windmill at Corringham was one of many landmarks on the journey to Mablethorpe and it fills me with happiness, nostalgia and a touch of melancholy when I see it appear alongside the road. It’s a part of a beloved journey, one that evokes wonderful memories, but also a little sadness that my grandparents are no longer here. I don’t think I ever took the trips to Mablethorpe with my grandparents for granted, but I sometimes wish I could tell them just how much they meant to me.

Corringham Windmill

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 160. Lab developed, home scanned, & converted with Negative Lab Pro.

Taken on 17 September 2022