35mm · Film photography · Photography

Via Marina Grande

This is a photo I took in Sorrento, Italy back in August 2018. The image was on a roll of Ektar that had been left in my OM-1 and forgotten about. For various reasons I didn’t use the OM-1 for several months after the trip to Italy and I ony realised the film was still inside when I opened the camera back!

While a few frames were lost or suffered light leaks, most of the images were ok, including this one – a shot of Via Marina Grande, a narrow street that descends to the old marina.

FILM - The way to the old harbour

Olympus OM-1,  Zuiko 28mm f/3.5 & Kodak Ektar.

Taken on 24 August 2018

Film photography · Medium Format · Photography

Golden balloon

Back in August I visited Renishaw Hall, a local stately home. The main reason for my visit was to take some photographs in the Italianate gardens for a photo comp I’m involved with. My photo did pretty badly, as it turned out, so from that point of view the visit (and £8 entrance fee) was a bit of a waste of time, but I still enjoyed the day and it might be nice to visit again when the autumn colours are in better evidence.

Anyway, I took some other photos during the visit, including shooting half a roll of Ektar. For some reason, several of the Ektar shots are very contrasty with little shadow detail – looking almost like underexposed slide film – but some came out ok, including this one.

FILM - Golden chairs Golden balloon

Zeiss Mess-Ikonta 524/16 & Kodak Ektar.

Taken on 26 August 2019

Film photography · Medium Format · Photography

American classic

The route I took on my day trip to Mablethorpe the other week takes me through South Yorkshire, Nottinghamshire, and then Lincolnshire. I take the same route (as much as is possible) that my granddad used to drive when he and my grandma took us all to their caravan as children. It’s a bit of a ritual and I’d feel like I’d somehow betrayed the memories if I took any short-cuts. A couple of the towns the journey passes now have bypasses (Worksop and Louth), but I still stick to the original “proper” route, even though it adds time. Doing otherwise would remove a bit of the nostalgia that the trip always generates (plus, while the roads through Worksop are not especially scenic, the town of Louth in Lincolnshire is lovely and taking the bypass would be a downright shame).

Another village along the way is Glentham. It looks a nice enough place, although I’ve never ventured of the main road that cuts through it. At the eastern edge of the village is a garage that I’ve noticed before but never stopped to photograph. There is an interesting set of vintage petrol pumps in the window. On this occasion, there was also a lovely bit of Americana in the shape of a vintage Chevy station wagon / truck . I’d love to tell you precisely what the model is but, alas, I didn’t take the details. Some Googling points towards it being a Styleline though. Happy to be corrected on this!

The morning sunlight on the car, garage, and the pumps was lovely, so I took a u-turn the first chance I got and turned around to get the picture.

It feels somehow fitting to photograph the car with a 1950s camera.

FILM - American classic

Zeiss Mess-Ikonta 524/16 & Kodak Ektar.

Taken on 13 September 2019

Film photography · Medium Format · Photography

ERF

For a 65 year old camera (or for any age camera for that matter), my pocketable Zeiss Mess-Ikonta is a great little medium-format machine. It produces lovely sharp photographs. The uncoupled rangefinder serves to slow you down a little – spur of the moment shooting is not the forte of this camera (unless you’re shooting in steady light and at a set focal distance / aperture that removes the need to change settings) – but I really don’t care when it allows me to make pictures like this.

FILM - ERF

Zeiss Mess-Ikonta 524/16 & Kodak Ektar.

Taken on 17 August 2019

35mm · Film photography · Photography

Flower display

I got my OM-1 off the shelf the other week thinking that I haven’t used it for a while (since my holiday in Sorrento last summer, in fact) so I fired off a couple of shots just playing around and noticed that the mirror was staying up when the shutter was fired. I decided to investigate and discovered a partially used roll of Ektar still in the camera! Shutting the back as fast as possible, I quickly realised that this was the roll that I thought had gone missing at some point, clearly having forgotten that I’d loaded it on holiday and taken a few shots.

I decided that, given that the holiday shots were probably ruined, I might as well finish off the roll and see if I could resolve the shutter / mirror business. The same problem kept occuring intermittently, so I was sure that I was losing multiple frames – I’d have to wind on twice before the shutter would cock again – and expected them all to be blank.

What I actually ended up with was several frames that are badly out of focus where the camera had mis-fired in some fashion. All the other frames were ok, and even the holiday snaps hadn’t suffered much in the way of light-leak damage from the opened back (although most of them are nothing to write home about anyway). After removing the roll of film, I test fired the camera at multiple speeds, but couldn’t get it to re-occur. Loading a test film caused it to happen once or twice, but nothing like as much as before.

So I now have a roll of expired film in the camera to test it out properly. So far, fingers crossed, it’s been fine (12 shots in). Maybe the camera was sulking due to my inattention? 🙂

Here’s one of the shots from the roll of last year’s Ektar.

FILM - Trough display

Olympus OM-1, F.Zuiko 50mm f/1.8 & Kodak Ektar.

Taken 3 August 2019

Film photography · Medium Format · Photography

Just do it

You can’t fail to be struck by the advertising hoardings in Times Square, whether it be the high-tech animated electronic boards, or the more traditional versions like in today’s photo.

I’m a little disappointed with the roll of Ektar I shot in NYC – not due to the film itself (the colours are glorious), but because of my results. Apart from a couple, all the shots (including the one here) show at least some minor signs of softness. I know the camera is capable of sharp images, so this is down to camera shake or DOF blurring when using wider apertures. Although it wasn’t badly lit on the day I shot the roll, the light meter app on my phone was giving somewhat long exposure times when I metered the shots, so I was shooting with longer shutter speeds and / or wider apertures than I’d have liked. As this was a family trip, not a photography expedition, I was also taking less time than I would have liked to compose and take many shots, which probably exacerbated things too.

I wish I’d have taken my Sekonic L-208 meter with me instead of relying on the phone app. The phone app is normally ok, but on this occasion seemed to be giving me somewhat variable results even when readings were taken in similar conditions. I think the L-208 would have been a more reliable companion.

FILM - Just do it

Zeiss Mess-Ikonta 524/16 & Kodak Ektar.

Taken on 27 May 2019

Film photography · Medium Format · Photography

Chubby’s

This takeaway restaurant has been a feature in Sheffield city centre for a few decades now, and it made for a nice subject for a nighttime shot. I like the glowing colours of the lights and the way they illuminate the street outside. I think it might have been improved had someone been sitting at the window seats, but I still like it empty nontheless – it adds a sense of mystery I suppose.

FILM - Chubbys

Yashica Mat 124 G & Kodak Ektar.

Taken on 25 April 2019

Film photography · Medium Format · Photography

All Saints Chapel, Steetley

I came upon this small chapel by accident. I’d seen a cluster of farmhouses on the map that I though might make a good photo (they didn’t, as they were behind high hedges), and this 11th century church was across the road. I wasn’t able to look inside as it was locked up, but it made for a nice photograph.

Unfortunately, as with several other shots on this roll, I’d incorrectly exposed the film due to not having the lumisphere in pace on my light meter. I though I was taking an incident reading but was actually spot metering the sky. Doh!

While I’d have preferred correctly exposed shots, I don’t think this has turned out too badly after some tinkering in Lightroom. It has a bit of a faded vintage feel to it.

FILM - All Saints Chapel

Yashica Mat 124 G & Kodak Ektar.

Taken on 22 April 2019