A selection of vintage lorries photographed at Sheffield Steam Rally in June.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.
Taken 24 June 2023.
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
A selection of vintage lorries photographed at Sheffield Steam Rally in June.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.
Taken 24 June 2023.
A few pictures today of traction engines (and a wooden caravan) photographed at the Sheffield Steam Rally back in June.
I did a quick tally of how many negative I currently have waiting to be scanned today and it came as a bit of a shock. I currently have four rolls of colour 135 each with approx 38 frames on each, two rolls of colour 120 with 15 frames on each. On top of that I have four frames of large format sheet film to develop and scan, and also a roll of 120 HP5+ with 6 frames left to shoot before I develop and scan it. By my reckoning that will be 201 pictures to be scanned – a daunting prospect! Plus I still have three rolls of film that I’ve already scanned that have not been seen here in any shape yet! At least I won’t run out of stuff to publish on the blog any time soon…
Obviously not everything will be worth publishing, but I expect that I will be featuring more picture-heavy posts on here to avoid falling ever further behind, chronologically.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.
Taken 24 June 2023.
The same Ford Cortina that I posted a picture of a few days ago, this time in a Vivian Maier-style selfie.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.
Taken 24 June 2023.
If there’s one thing that there are a lot of at a steam rally, it’s traction engines. Sure there are vintage vehicles of all types also on display, but I think it’s probably these coal-fired mechanical marvels that draw the crowds more than anything.
Yashicamat 124 G & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 25 June 2022
I think that the car featured in the photographs today is a Mercedes Benz 190 SL. I have worked this out by my usual detective pathway of looking at pictures online until I find one that appears t match. This means that I could be wrong about the model – sometimes there are subtle differences only apparent to an enthusiast (something which I am not). But, while not a car enthusiast, I do think they can make fine subjects for a picture of two, as usually becomes apparent around this time each year when I visit vintage rallies on the hunt for such things and subsequently flood my blog with the results.
Yashicamat 124 G & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 25 June 2022
The annual Sheffield Steam Rally returned this summer after a two-year gap due to the pandemic, so I headed out to take some photos. I was blessed with some nice weather that really suited this roll of Kodak Ektar I shot with my Yashicamat 124G.
As well as the traction engines, vintage cars, tractors, motorbikes etc., there were a few old caravans on display too. I have a bit of a fondness for caravans as they bring back happy memories of staying in my grandparent’s caravan several times each year when I was younger. Their caravan was much larger than the one in today’s photograph – a six-berth – whereas the one here was (if I remember correctly) a three berth model. The caravans in the picture are also “tourers” that can be towed from place to place by a family car, whereas my grandparent’s was a static caravan that remained on the site permanently. Given their small size, seeing how beds are somehow conjured almost from thin air by converting seating and other parts of the interior fittings is quite impressive.
The pastel colours of the caravan on this sunny day really work well with the Ektar, I think.
Yashicamat 124 G & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 25 June 2022
Three horses on a carousel. I’m very happy with the colours I got when scanning this roll of Ektar. It’s the first time I’ve shot this film in a while and, based on the images I got, I hope to shoot more.
I’m less happy with the Fuji Velvia 100 that I’m attempting to scan this eveneing however. Despite having satisfactory results with this film scanned on my Plustek in the past, tonight the scans are a disappointment. Compared with the actual transparencies, the scans look dull and underexposed in comparison. I normally have a good success rate scanning 35mm E6 transparencies using this method, but something is off-kilter.
I usually use Vuescan when scanning slide film, but am resorting to Silverfast this time to see if I can get something I prefer using that method instead. Fingers crossed…
Yashicamat 124 G & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 25 June 2022
My Olympus OM-1 camera has suffered an annoying fault for a while now. After firing the shutter the mirror will sometimes lock up. Advancing the film drops it back down but the shutter remains locked and the only way to release it is to advance the film a second time (which shouldn’t be possible with the OM-1). When this second stroke of the advance lever takes place the camera also fires the shutter. After this it can be used normally again for the next shot. The problem means that every other shot is wasted – or mostly wasted as the problem tended to be intermittent.
Fot no real reason at all, I decided to look at the camera again today (without a film in it) and discovered that the issue now occurs on ever shot taken. I like the OM-1 – it was the first SLR I bough when I got back into shooting film cameras again – so I decided it would be worth trying to get it fixed. As the person who I’ve used for repairs and CLAs in the past has now retired, I tried a local repair shop that I’ve heard works on analogue cameras.
Upon phoning the shop, the guy there was quick to tell me that the repair would be costly and that I’d be better off using digital cameras. Rather than slam the phone down in disgust (:)) I explained that I enjoy the experience of using film cameras and that I’m not unaware of the issues that come with using vintage gear. He then mentioned that he’d had a box of stuff come into the workshop, including an OM-1 camera, which he would let me have for £40 sold-as-seen. £40 is a good price for an OM-1 these days so I headed over to the shop to take a look, figuring I could always turn it down if it looked like it might not be working properly. As it turned out, the camera appeared to be working as expected, including the meter, and was in great cosmetic condition so, after chatting with the guy for a while, I headed home with the camera – an OM-1N to replace the OM-1.
The camera probably needs new seals fitting, and it’s missing the hotshoe. I’d though that I could just swap over the hotshoe from my OM-1 (they just screw on and off with a thumbwheel), but it wouldn’t fit and it turns out that the design must have been slightly revised between models. Still, I’ve not once used the hotshoe on the OM-1, so I won’t miss it, and I’m more bothered by the empty screwhole on the top of the camera than any loss of functionality.
The other difference is that this replacement is expecting the original 1.3v mercury battery to power the meter accurately, whereas my OM-1 had been converted to meter properly using readily available 1.5v batteries. This means that I’ll either have to get it converted, or adapt zinc-air hearing aid batteries instead (I could use Wein cells, but these are much more expensive than the hearing aid cells). It’s a bit of a faff, but nothing insurmountable though.
I’ll get the seals replaces when I get the chance and then take it out for a test run.
Today’s picture is from back in 2018, when I took my original OM-1 with me on holiday to Sorrento, Italy.
Olympus OM-1, Zuiko 28mm f/3.5 & Kodak Ektar.
Taken on 24 August 2018