35mm · Film photography · Photography

The Nuns’ Valley

Perhaps the biggest outing I had during our holiday in Madeira was a trip I took to the Nuns’ Valley where the village of Curral das Freiras nestles amongst the mountains. The valley is so-named after the nun’s who retreated there as it was out of sight from the coastline and the threat of passing pirates.

I had originally planned on booking an excursion, but then found I could DIY it for much less money by simply catching a bus! I forget how much the excursion would have cost, but the bus fare was around three Euro each way, so a noticeable saving.

So, after working out which bus I needed to catch, and where in Funchal I needed to catch it, I decided to take the trip on the last day of June.

The bus took a route through the centre of Funchal before rising up into the outskirts and residential areas on the steep hillsides, often following roads that you might not expect a bus to fit – but it obviously did. From there it rose into the mountains, one moment through thick and steeply sloped woodland, then next alongside vertiginous drops to the valleys below.

While Curral das Freiras was my destination, for this trip it would very much be a case of the journey being the destination as well as, rather than going directly to the village, my plan was to leave the bus at Eira do Serrado, the location of a scenic mountain-top viewpoint. From there I would follow the mountain path 1,300 feet down to the village below.

Before I began my descent, and after a quick refreshment break in the small hotel and shop that sits at the peak, I first walked to the scenic viewpoint. On the way I met a curious chap playing an accordion and wearing a flag-bedecked hat. As I approached he asked where I was from. “The UK”, I said, and he began to sing me a song. I gave him a few Euro in thanks and asked if I could take his picture.

Black and white music man

The viewpoint itself was both spectacular and fear inducing. An amazing view out across the mountains and down into the valley floor, albeit with a vertigo inducing sense or terror when I looked over the waist high fence to a drop of maybe a thousand feet! After (very carefully) enjoying the view for ten minutes, I made my way back down the path to the hotel area. The accordion man asked again where I was from – I clearly made little impression before!

The two pictures below were made from the viewpoint and the path back to the hotel.

Nun's Valley
Across the gulf

Past the hotel I found the top of the hiking trail and began my descent. The trail followed a zig zag down the mountainside, but the first section ran through a stand of trees where the air was refreshingly cooler – the day of my visit featured empty blue skies and a hot sun that gradually brought more of the valley into light as the morning progressed. Part of me wished for more cloud to add some (literal) atmosphere but I guess I was lucky in a way as, while I find empty blue skies uninspiring, they were probably preferable to the low cloud I had seen enveloping the mountaintops on other days and which would have both completely obscured the view and, worse, required me to descend the path in what would effectively be fog.

The path was cut from natural rock in places, and in others paved with placed stones. Sometimes the angle was gentle, sometimes steep. There was an occasional section with a wire guard-line, but it crossed my mind numerous times that a trip or loss of footing might easily see my rapidly stumbling out of control and into nothingness.

At one stage I was a little worried that the path might take me on a precipitous looking ledge hugging a cliffside, but thankfully not. You can get and idea of my concern from the picture below.

Lone tree on a mountainside

As I descended, the village below grew from tiny specks of white to recogniseable buildings, as seen in the next two pictures. I did shoot quite a few colour frames during the hike but I’m not satisfied with how most of them look. The one below is ok though. If you look closely at the bottom right of the frame, you can see a small rest area with a bench and viewpoint about halfway down the mountainside. The next picture was taken from the rest area if I remember correctly.

Curral das Freiras
Lower down

As the descent continued, so the trail began to pass through more wooded areas. There was also one section with thousands of bees flying all around. Thankfully they were just interested in going about their business rather than the sweaty englishman passing among them.

I walked with another English couple during this lower stretch of the path, and it was nice to share the experience with others. I also passed at least two other couples walking up the trail from the bottom, which must be a real feat of endurance.

As I got down into the valley floor I took some pictures looking back up at the mountainside, and from where I had come. In the first picture you can just make out the hotel up at the viewpoint and the path zig-zagging below.

Looking back
More mountainside trees

I’ll finish the post off with a couple of pictures I took in Curral das Freiras itself. The village is small and mostly quiet with a few touristy shops and restaurants (in one of which I treated myself to a nice piece of cake and a very welcome ice-cold drink) and is apparently famous for it’s chestnut dishes. I spent an hour or so wandering around the place, looking inside the church (which has a lovingly kept graveyard where all the graves feature an inlaid photograph of their occupants), before making my way to the bus back to Funchal.

I sat across from the couple I’ve shared the descent with, who it turned out were staying in a hotel not far from ours, although they were heading home the following day. Sadly, as I was facing backwards, I felt somewhat travel-sick by the time I arrived back in Funchal, but not enough to place a cloud over the experience.

Old house at the bottom
Church tower

And so we come to the end om my Madeira pictures (unless I dig out some more I like at some point). Now to get on with the rest of my growing backlog…

Olympus Trip 35 & Fujifilm Across II. Ilfotec DD-X 1+4 9mins @ 20°

Taken 30 June 2026.

Film photography · Medium Format · Photography

Sheldon

The village of Sheldon stands a short distance from Magpie Mine. It’s a pretty and picturesque place, although these days slightly blighted by the number of cars parked on the streets, I think. But that’s progress, and the inhabitants have a need for transport.

Pictured below are the village pub, The Cock and Pullet, the village hall, a nativity scene including two tyre snowmen (it was just after Christmas when these pictures were taken), some cottages, and a wreath on the church gate.

Sheldon also has an interesting local story:

Sheldon has a curious tale in its history. In 1601 a duck was seen by a local resident to fly into a hollow tree and not to come out again. It gained the name from then on as the Duck Tree. Some three hundred years later when the tree was felled and sawn into planks, each plank contained the life-sized outline of a duck. The wood was reputedly used to make a mantelpiece for Greatbach Hall in Ashford.

Cock & Pullet
Village hall
Monochrome festivities
Village houses
Wreath

Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD on Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 27 December 2025

Film photography · Medium Format · Photography

Hill sheep at 300mm

Right at the limit of the 28-300mm Tamron lens I was using.

I bought this lens as a good walkabout lens. It’s compact, quite light, has a good range of focal lengths, and the vibration reduction means handholding it is very easy. Unfortunately, despite the reviews, I found it to be a bit soft, particularly at the edges of the frame.

I wondered about putting up with it for the convenience but, after some umming and aahing, decided that image quality was important to me and so traded it in against a used Nikkor 70-200mm f/4 VR lens. This lens is considerably less convenient in a number of ways (weight and size, certainly), but I’m hoping it will live up to its reputation for being very sharp. If I pair it with my cheap, but very good 28-80mm lens, then I still have most of the focal length range (it was quite rare for me to go beyond 200mm with the Tamron).

I’m hoping to finish off a roll shot with the 70-200mm this weekend, and am keen to see the results.

Hill sheep

Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD on Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 27 December 2025

Film photography · Medium Format · Photography

A trip to Spurn Point (part 6)

And so we reach the final set of pictures from my trip to Spurn Point.

The first three pictures are of the lifeboatmen’s (lifeboatpersons?) houses that were visible in my picture from the top of the lighthouse in yesterday’s post. They were built in 1975 and replaced the original cottages that dated to 1819. There are now no lifeboat crews based at Spurn with the service being covered from Grimsby and the new inshore lifeboat station at Cleethorpes.

Lifeboat crew houses
Lifeboat crew houses-2
Spurn Point buildings

And then a final set of pictures featuring the lighthouse. The first shot is probably my favourite of the whole trip. The Ultramax has produced some subtle but nice colours. The window at the top of the lighthouse is tinted and opens into the upper floor of the building (below the light) where there is a display on view.

Views of Spurn Point lighthouse
Views of Spurn Point lighthouse-3
Views of Spurn Point lighthouse-4
Views of Spurn Point lighthouse-5

So that’s the final post in this set. Spurn (and the Holderness coast) is somewhere I’d wanted to visit for a long time, and it’s somewhere I’d like to return to. There are lots more pictures to be had. Maybe I’ll get another chance next year.

Olympus 35 RC and Kodak Ultramax. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 24 August 2025

Film photography · Medium Format · Photography

A trip to Spurn Point (part 5)

On to the final set of black and white photos I made at Spurn Point. Following directly on from yesterday the first two images are of the views from the top of the lighthouse. It’s not possible to go outside and you have to stand on the platform where the light itself once stood in order to see out of the windows properly, but the views are good. I actually quite like the effect of the “leading” on the glass.

This first shot is the view looking back up the spit towards the Holderness coast (where the land disappears off the left middle edge of the frame). You can see the road, plus the sandy eastern beach, and the tidal mud flats to the west.

From whence I came

Looking the other way (roughly south east) gives a view of the tip of the point with the Humber estuary and the Lincolnshire coat beyond. The road is clearly visible as it makes it’s way to the former lifeboatmen’s houses. The sea traffic tower stands in the middle of the scene, and one of the Humber sea forts can be found at upper right.

Spurn Point

Looking to the west give a view of the old lighthouse with its water tank cap. Some people were digging for bait on the mudflats and their electric bike can be seen.

The old lighthouse

After descending the steep steps of the lighthouse (not easy with a heavy backpack and a tripod!), I treated myself to an ice-cream and then set of towards the tip of the point, first following the road towards the sea traffic tower..

To the end of the land

Beyond the tower the land gives way to dunes and a series of sandy footpaths. There are numerous ex-military buildings in various states of repair in this area.

Bunker and lighthouse

As I reached the beach at the end of the point I turned round and took this photo looking back the way I’d come.

Structures

The beach at the end of the point shows clear signs of the tidal forces that come into play when the water is high, the sand sculpted into channels and craters. The fisherman who I’#’d earlier seen digging bait can also be seen putting it to use.

Tidal lands

And the final shot from this roll shows a freighter heading up the estuary past the end of the point. This is a relatively small vessel and much larger ships pass through this channel.

Alignment

The final set of Spurn Point photos to come tomorrow, this time in exciting colour! 🙂

Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD on Fujifilm Acros. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 August 2025