Film photography · Medium Format · Photography

Mother and child

Religion isn’t really my thing but I do enjoy photographing religious artifacts and buildings – I probably fall under the umbrella of being a “cultural Christian” in that regard – although I find other religions artifacts equally interesting.

In the UK we have a wealth of churches dating back centuries, chock full of amazing architecture, artworks, stained glass windows and so forth. Even the more modern buildings, such as the brutalist architecture churches built in the post-war years, are interesting – sometimes even more so.

Most of the time any photographs I make of churches are of the exteriors. This is usually because many churches are not freely accessible, either to prevent theft or vandalism (sad, I know), or, in the case of grand cathedrals, require admission fees to wander around inside.

Sometimes though, particularly in villages out in the country, churches are still open and it’s possible to enter, enjoy their interiors, and make photographs. I took a few pictures inside a church at Tickhill last weekend that was open when I wandered past by chance. The picture of Mary and Jesus below is at Lincoln cathedral, but is outside, so I could make a picture without having to go inside.

I don’t mind paying an entrance fee if I know that there is likely to be something of interest to see and, importantly, I know I have sufficient time to wander at my leisure. I didn’t have the latter during this trip to Lincoln, unfortunately.

On another note, this weekend saw the 2025 Sheffield Steam Rally, so I went along today – as I do most years – and returned with a crop of exposed film (mostly medium format), so there will be traction engines to come at some point…

Mary and Jesus on a pedestal

Yashica Mat 124G & Lomography Color Negative 400. Lab developed. Home scanned and converted using Negative Lab Pro.

Taken on 1 March 2025

4x5 Large Format · Film photography · Photography

A millstone beside a tree

Another picture taken in close proximity to those posted over the last couple of days.

This is a bit of a “tripod holes” scene, and you can probably fine a large number of alternative (and probably better) photographs of the same location. It sits beside one of the main paths leading through Padley Gorge so, unless you take the path on the other side of the gorge, you can’t really avoid it.

Still, I’m quite happy with how it turned out. I’ve cropped in a little to remove some additional brightness where the grey and overcast sky was visible through the branches at the top of the scene.

Millstone tree

Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 30 October 2024

4x5 Large Format · Film photography · Photography

Burbage Brook in Padley Gorge

Today’s picture was taken just a stone’s throw from the one I posted yesterday, but shot a year later. Thankfully the Kodak Ektar sheet fil, already expired by a few years when I loaded it into the holders, has stood the extended wait quite well, especially as it was just sat in my office and not refrigerated during this time. I wonder if we sometimes get overly concerned about the longevity of film if it’s not cold stored? I expect that, unless you’re in particularly adverse conditions, it will fare quite well at normal room temperature in a temperate environment.

Burbage Brook

Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 30 October 2024

4x5 Large Format · Film photography · Photography

Sometimes it’s not as bad as you thought…

Over a year ago, I wrote this post about a disappointing outing with my large format camera. You can read the post for the details, but the gist of it was that I wasted a sheet of very expensive 4×5 format Kodak Ektar by not paying attention and messing up the exposure.

I remember thinking at the time that I might as well just pull the sheet of film from the holder and throw it in the bin, such was my certainty that I’s messed it up beyond salvation. In the end, I decided to leave the sheet in the holder until I shot the remaining three sheets I had loaded on some other outing. It took almost a year before that next outing with the 4×5 Ektar came around.

Tempting fate somewhat, I returned to the same location – Padley Gorge – although the weather wasn’t particularly inspiring, it being a typical UK dull and overcast autumnal day. Nonetheless I decided to shoot the remaining three sheets I had loaded into my film holders. This being the first time I’ve shot colour 4×5 film, and as I don’t have the chemicals or equipment I’d need to develop the film at home (as I do with black and white), I had to find somewhere to send the film to be processed. I also had to locate a spare film box that I could use to send the sheets (they need to be sent in a light-tight container, usually a double box with a lightproof bag inside). It ended up being a month before I managed to post them out to the lab I chose, then another week to get them back.

When I saw the negatives, the original badly exposed shot looked a little thin, so I was expecting a bad result. Imaging my surprise when the picture you see below appeared from the scanner! It’s the best of the four sheets by far, I think. Yes, I’ve done some post-processing to make it look its best, but nothing too dramatic, and I’m extremely happy with the result. If you click the photo you can see the full-size version on Flickr, with all the lovely detail that a large format photograph provides.

There’s a lesson here about not giving up on things, even when they seem a lost cause…

Autumn in Padley Gorge

Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 30 October 2024

Uncategorized

On a corner

My son had a job interview this morning, which was good. I offered to drive him there as it would be at rush-hour and I thought it would allow him to prepare during the journey rather than being focused on driving. The traffic was quite heavy, but we got there with plenty of time to spare.

He was in the interview for over an hour, including a walk round the place of business, which felt like a good sign to me. Now it’s a case of waiting to see if he was successful and also if it’s a role for him. He’s hoping to apply for another vacancy that he’s been told about, so hopefully he will have a choice of options. My fingers are crossed for him.

As for today’s picture, there was something that caught my eye about this scene. The colour of the building. The interesting exhibition poster. The windows and signage on the building. And in the background, the street art.

Unearth the Untold

Ricoh GR III

Taken on 16 August 2024

Digital · Photography

Visiting the 10th Annual Photobook Fair

I visited Bradford in West Yorkshire today to attend the 10th Annual Photobook Fair hosted by the Impressions Gallery.

This is the first time I’ve attended the fair or, indeed, the Impressions Gallery, but it’s a place I will look to revisit again. I only found out about the book fair recently, otherwise I’d have been there previously as I do like a good photobook.

The thing that brought it to my attention this year was when someone alerted me to the fact that they were accepting submissions of zines to be displayed and sold at the event. I’ve never really sought to commercialise any of the zines I’ve made – they’ve all been produced primarily for the zine swap I take part in each year – but I thought this might be a good opportunity for others to see my work.

I had to supply the gallery with five zines, plus a display copy. Unfortunately I didn’t have enough left from the zine swap, so I had to get another batch printed which, along with other costs, will have completely wiped out any profits I might make from sales, so I certainly didn’t do it for financial gain.

You can just make out my zine Brutal on the middle row, second from the left. I chatted with the guy manning the stall and was very pleased (and more than a little surprised) when he later informed me that one of them had been sold, although by the time I left the event, the rest of them were still present (although they will apparently be offered for sale on the gallery website for a while too).

Submitted books and zines for sale…

There were a number or speakers giving talks throughout the day, including Daniel Meadows, who kindly signed a copy of a Cafe Royal zine that I had bought containing some of his work. You can see a lot of Daniel’s photographs on his website.

There were talks on publishing from a number of speakers, which were interesting and informative, covering the processes, decisions, and costs that can be involved when producing a book of your own work.

The final speaker of the day was Craig Atkinson, the founder of Cafe Royal Books, a family run independent publisher that produces zines every week covering documentary photography focused generally on British and Irish subjects. He gave a history of how the publisher came about and what had been involved. It was another fascinating talk. I own some Cafe Royal Books publications, but there are now – I believe – over 700 of them, all of which were on display (with the ability to sit and browse each), along with some large prints of pictures from selected photographers. The picture below shows just a fraction of the titles available.

While I didn’t buy a great deal today – I spent this month’s photobook allowance* a couple of weeks ago when I visited the Peter Mitchell exhibition in Leeds – I still came away with a bagfull of stuff thanks to being incredibly fortunate on a tombola stall. Of my clutch of ten tickets, four(!) were winners, landing me a couple of photobooks, a zine, and a set of postcards. 🙂

* I don’t actually have a monthly allowance for this, but I buy enough photobooks that maybe I should. I’ll certainly make sure I have a bigger budget for next year’s book fair.

Samsung Galaxy S22

Taken on 12 October 2024

Film photography · Medium Format · Photography

Fish pulley art thing

At the northern end of Woodhouse Washlands, close to the old route of the A57 road, this piece of public art sits beside the footpath. Next time I pass I’ll look to see if there’s a plaque or something with information about it, but I’m presuming its part of the winding equipment from one of the old, now gone, collieries that were nearby at Beighton and Orgreave. It now has the outlines of multiple trout cut into the wheel. I’m not sure if the concrete base denotes part of old mine workings – the sites of extinct shafts are sometimes capped off with large slabs like this.

Fish pulley

Yashica Mat 124G & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 10 October 2020

35mm · Film photography · Photography

A big metal fish at the railway station

This wonderful sculpture was sat outside Midland Station in Sheffield when I walked past a few weeks ago. The day was bright with autumn sunshine and the metal body of the fish caught the light nicely on its scales. The OM-2n metered the scene with aplomb, the Zuiko glass resolved sharp images, and the expired Ektachrome gave a gorgeous look (although I have removed a purple cast that was lurking in the shadows).

Fish
Closer fish

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

An empty dress

This translucent mesh dress is an exhibit in The Hepworth gallery. As with yesterday’s photo, I didn’t take note of the artist of the name of the piece unfortunately.

It did make me think that there are going to be an awful lot of unfilled dresses in clothing stores around the world right now. I’m not sure of the lock-down restrictions in other countries but, here in the UK, non-essential shops are now closed, including clothing stores. The only places selling clothes at present (online excepted) are supermarkets that happen to have clothing sections.

Given the fast-moving pace of fashion, by the time the lock-down is lifted most of the clothes currently sat unpurchased in stores due to the coronavirus will be either out of fashion, or out of season, likely prompting huge sales when the shops re-open as they attempt to clear stock for new autumn lines (assuming the lock-down is at least partially lifted by then) and to try to recoup some of their investment.

Also, while most shops are cleaned frequently, I wonder just how much dust will have settled by the time they need to prepare to open to the pubic again. A situation like this gives rise to so many things that I never really gave thought to before – even things as everyday and mundane as vacuuming a store each night.

Empty

Minolta SRT 101b, Rokkor 50mm f/1.7 & Ilford HP5+ (@800).

Taken on 14 March 2020

35mm · Film photography · Photography

Faces in the trees

When new commercial developments are built in Sheffield there is often a requirement for them to install a piece of art somewhere on the site. These can often be seen at shopping centres and suchlike. I suspect that this sequence of metal faces is a similar thing, probably installed when the nearby housing development was added. Or I could be completely wrong.

Whatever the case, it’s an unusual and striking thing to come across, it being tucked away on a footpath behind the houses close to the back of a nearby supermarket.

A piece of debris on the rightmost face gives the illusion of a teardrop.

FILM - Teardrop

Pentax Espio 140m & Ilford HP5+.

Taken on 22 September 2019