Tag: Aircraft

35mm · Film photography · Photography

Leaving on a jetplane

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It’s one of those cliched pictures of an aircraft wing taken through the cabin window (well, either that, or I somehow managed to climb atop the fuselage mid-flight…).

What this indicates is that I’ll soon be posting pictures from the holiday in Spain I took with my wife at the start of June. Everybody loves to see other people’s holiday snaps, right? 😉

Leaving on a jetplane

Olympus Trip 35 & Fuji Superai 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 May 2025

35mm · Film photography · Photography

A day at Yorkshire Sculpture Park (part 3)

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The final batch of pictures from my Yorkshire Sculpture Park visit. As previously, I’ve added a little information about the artworks below each picture, but you can find out more at the park’s website.

Seated Figure
Seated Figure by Sean Henry

Sean Henry makes detailed and life-like sculptures of anonymous figures, often in casual poses and deep in thought. They are usually based on members of the public or actors, and scaled either up or down, so they are never actually life sized. Seated Figure is a monumental 3 metres tall. The artist uses clay to model his works in the studio, before they are cast in bronze. (taken from the YSP website)

This piece can be seen from miles and has a commanding position looking out across the landscape from the top of a hill.

Charity
Charity by Damien Hirst

Charity is based on the Scope charity collection boxes that used to be common on British streets. It features a young girl wearing a calliper and cradling a teddy bear. It has a donate box asking people to ‘please give generously’. Hirst’s interpretation questions outdated ways of depicting disability and seeking charity. (taken from the YSP website)

The charity boxes that inspired this piece were a common sight when I was younger, although not with the additional flourish added by Hirst, which features the collection box pried open by a crowbar. I was amused and happy to note that crows had taken up residence within the open collection box and were carrying nesting material in there as I watched.

The Virgin Mother
The Virgin Mother by Damien Hirst

Damien Hirst’s The Virgin Mother stands at 10 metres tall and is the tallest sculpture at YSP. A powerful presence in the landscape, it is partly inspired by the historic sculpture Little Dancer of Fourteen Years(c.1881), by Edgar Degas. Hirst deliberately makes the materials look different than they are, for example The Virgin Mother is bronze painted to look like plastic. (taken from the YSP website)

This is a striking piece of sculpture and my picture doesn’t really give a sense of scale, with a full grown adult barely reaching the figure’s calves. It’s also slightly disturbing with the figure appearing intact from her left profile, only to reveal tissues, muscles, bone, and a fetus in her womb. Where her left hand crosses the demarcation between outside and inside, the fingers are severed.

Two Large Forms
Two Large Forms by Henry Moore

The colossal sculpture is impressive in both scale and composition, appearing very different from every angle and continuing the theme of points that almost meet, which appears in much of Moore’s work. (taken from the YSP website)

I’d originally intended to get the whole sculpture in frame when I took this shot, but I liked how the child gave a sense of scale to the piece, so moved the viewpoint.

Yashica Mat 124G & Kodak Tmax 100 (expired 2008). Ilfotec DD-X 1+4 for 7 minutes @ 20°

Taken on 5 April 2025

35mm · Film photography · Photography

A day at Yorkshire Sculpture Park (part 2)

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More pictures from my Yorkshire Sculpture Park visit. Again, I’ve added a little information about the artworks below each picture, but you can find out more at the park’s website.

Wall Dale Cubed
Wall Dale Cubed – Sean Scully
Made for YSP, Wall Dale Cubed uses 1000 tonnes of Yorkshire stone from a local quarry and was constructed over many weeks. Importantly to the artist, this colossal work is built in the same way throughout, which connects to ancient stone walls in Ireland, so that ‘when looking at the outside of the block, one can feel the inside without being able to see it’. (taken from the YSP website)
Galaxy was a Memory, Earth is a Souvenir
Galaxy was a Memory, Earth is a Souvenir by Kimsooja
Kimsooja developed this elegant and towering conical sculpture in collaboration with scientists at Cornell University. The nanopolymer in which its panels are covered enhances the refractive qualities of light, giving an iridescent effect similar to that which occurs naturally on the wings of a butterfly or a beetle’s shell. It is responsive to changing light conditions and brought to life by sunlight on its surface. (taken from the YSP website)

The structure apparently has a mirrored floor which make it look like it pierces the earth below, although I didn’t walk close enough to it to see this aspect.
Peter's Fold
Peter’s Fold by Andy Goldsworthy

In Britain, folds have been made for hundreds of years as animal pens and Goldsworthy has developed the traditional fold to make contemporary sculptures. Peter’s Fold was built using drystone techniques by master wallers who have worked with the artist for many years. The Yorkshire sandstone was sourced from Hillhouse Edge Quarry in nearby Holmfirth. It is built around a common lime tree with distinctive epicormic growth, which occurs when dormant buds beneath the bark become active. (taken from the YSP website)

I decided to take the picture from a low vantage point on the grass. Unfortunately, due to the way TLR cameras work, I didn’t spot a stray blade of grass in front of the taking lens which resulted in a blurred smudge on the image. I’ve attempted to remove this and not done too bad a job (although you can probably see the joins if you look closely…)
A stump amongst the dafodils
Tree Stump by The Tree

This isn’t an actual artwork, but this lone tree stump surrounded by daffodils looked pretty photogenic, so here it is, in amongst it’s more famous fellow park residents.

Yashica Mat 124G & Kodak Tmax 100 (expired 2008). Ilfotec DD-X 1+4 for 7 minutes @ 20°

Taken on 5 April 2025

35mm · Film photography · Photography

A day at Yorkshire Sculpture Park (part 1)

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Back in April I took a trip to the Yorkshire Sculpture Park. The venue features indoor gallery spaces, but also a significant landscaped outdoor park dating to the 18th century. Throughout the park are an large array of sculpture and artworks of varying styles, types, designs, and sizes.

On this visit I took my trusty Yashica Mat 124G and a (potentially less trustworthy) roll of expired Kodak Tmax 100 film that had been sat in the freezer for several years. As you can see, there was no need to worry about the condition of the film, which has produced lovely results.

I shot the whole roll at the park and will post the pictures over the next few days. I’ve added a little information about the artworks below each picture, but you can find out more at the park’s website.

Djinn
Djinn – Bharti Kher

This huge, 5-metre tall bronze sculpture is very striking. It forms part of a series titled Intermediaries that take South Indian golu dolls as their starting point. These small, colourful clay figurines that are displayed in homes as part of the Navaratri festival depict gods and goddesses, animals and people.
Riace figures
Riace Figures – Elizabeth Frink

There are three of these figures gathered together, titled Riace II, III, & IV (although only two of them feature in my picture – I don’t know which ones).

The Riace figures are inspired by the 5th century BCE bronze sculptures that were rediscovered in the sea off the coast of the Riace region of Italy in 1972. Frink said ‘the original figures are very beautiful, but also very sinister, and that is what they are supposed to be’.
Buddha
Buddha – Niki de Saint Phalle

The black and white picture, while pleasing, doesn’t really do justice to the bold colours that make up the mosaic surfaces of the figure.
Sitting
Sitting – Sophie Ryder

Known as the Lady Hare – which Ryder describes a companion for the Minotaur – the work combines a female body with the head of a hare, a mystical creature in folklore.

Yashica Mat 124G & Kodak Tmax 100 (expired 2008). Ilfotec DD-X 1+4 for 7 minutes @ 20°

Taken on 5 April 2025

Film photography · Medium Format · Photography

The sound of a hurricane

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One of the loudest things I heard when visiting the Haxey Feast, was the sound of the engine in this Hawker Hurricane restoration project (the other was the gunshots from the military re-enactors). The engine made a tremendous, almost painfully loud amount of noise, which you can experience to a degree in this YouTube video (I’m also in the background of at least one part of the video too – where the helicopter lands 🙂 ).

The guy who owns the aircraft is hoping to restore it to a complete – although not airworthy – condition so that people can experience what it was like to sit in the cockpit when the engine was powered up.

Hurricane restoration

Fujica GW690 & Fujifilm Pro 160NS. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 28 July 2024

Film photography · Medium Format · Photography

A landing and an ascent

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The undoubted surprise highlight of my visit to the Haxey Feast, was when a helicopter landed.

I’d overheard murmurings from some of the people with displays that it was due to take place, including one guy who was battening down the hatches for fear that the downdraft would blow away the items he had on display.

Sure enough, a number of the event stewards asked people to vacate an open grassy area and formed a loose circle to keep people back from the landing area. I checked the direction of the light and positioned myself where I though I might have the best chance of getting a shot or two – as simple as it is to use, the rangefinder on the GW690 isn’t the easiest to achieve focus with, especially on moving subjects.

Happily, both the pictures I shot came out well. The first was the helicopter’s descent. The second as it was flying away again (it only stayed on the ground for a few minutes).

For anyone interested, it is apparently an Airbus H120.

Landing
Takeoff

Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 28 July 2024

35mm · Film photography · Photography

Sea Vixen

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I thought I’d throw in another air museum photo before moving onto something new tomorrow.

Today it’s the back end of a DeHaviland Sea Vixen, a twin-boom carrier-based fleet defense aircraft that was introduced in the 1950s and saw service into the 1970s before being replaced by McDonnel Douglas Phantoms.

The asymetric cockpit is an interesting feature.

Today I went for a drive out to Rufford Abbey (although most of my time was spent wandering the surrounding Rufford Country Park). It was a nice day and the place was very busy, but I shot a couple of rolls of film with my Texas Leica (the Fujica GW690). The first roll was a little loosely wound when I removed it from the camera, so I’m expecting there may be some light leaks, but I took care to ensure the second roll was tightly wound on the takeup spool before closing the camera back and that came out fine. I shot half the second roll at Rufford Country Park, and the remaining frames at a couple of places I stopped off at on the way home. Pictures to come at some point (although I’ve got loads of other stuff before then!).

Tail

Canon Sure Shot Supreme & Ilford HP5+. Ilfotec DD-X 1+4 9 mins 30 secs @ 20°

Taken 7 April 2023.