35mm · Film photography · Photography

One side of the street to the other

I took a few pictures in Sheffield city centre to finish off this roll of Fomapan 100 after coming back from holiday. There is quite a lot of development work taking place, with the Heart of the City complex delivering new, and re-purposed buildings. Some of these are built and occupied, some are not quite complete or are awaiting tenants, and some areas are cleared an awaiting work to begin.

The two photos below show scenes on opposite sides of Pinstone Street. I’m not sure what is planned for the cleared area in the second picture. It’ll probably be more retail / dining / residential, but I think it would be quite nice to leave the space open as small park or square.

Just across the road
Where some shops used to be

Olympus Trip 35 & Fomapan 100. Ilfotec DD-X 1+4 8mins @ 20°

Taken 15 June 2024.

35mm · 4x5 Large Format · Film photography · Medium Format · Photography

Taking stock of my film stash

A few years ago I took an inventory of all the film I had and created an Excel spreadsheet so I would know how much film I had, of what type, and how old it was. Over time the data began to slip when I forgot to update the inventory upon shooting a rol or acquiring more. I’ve been meaning to update it for a while now, and today was the day.

It turns out I have a lot of film. One hundred and sixty eight rolls (or, in the case of 4×5, boxes) to be exact. And I have fifteen more rolls heading my way next week! This has been acquired since I started predominantly shooting film again around 2016. I bought a bit here, a bit there, but clearly at a greater rate than I manage to use it.

The breakdown is as follows:

  • 45 rolls / boxes of black and white film
  • 88 rolls / boxes of colour negative film
  • 35 rolls of colour reversal film

The breakdown by format is:

  • 35mm – 86 rolls
  • Medium format – 78 rolls
  • 4×5 – 4 boxes – apart from one these are not full ( a couple of them only have 6 sheets remaining)

The majority of the film in the stash is also expired. a few rolls are several decades old, but most is quite recently expired and, as it’s been refrigerated or frozen, should be perfectly fine to use still, although I am conscious of the fact that it ain’t getting any fresher either!

The breakdown of expiry by decade is:

  • 1970s – 2 rolls
  • 1980s – 5 rolls
  • 1990s – 9 rolls
  • 2000s – 24 rolls
  • 2010s – 19 rolls
  • 2020s – 76 rolls
  • Unknown expiry – 7 rolls
  • In date – 26 rolls

What this exercise tells me, is that I ought to stop buying any more film and shoot what I have. To be fair on myself, this is what I’ve been doing but, unless I start using a motor drive, it’s a slow process and likely to be curtailed sometimes when I need to buy film that I use often (such as 400asa black and white like HP5+ or Tri-X) or, thankfully less frequently, when I see a deal on film that is worth taking advantage of (as is the case with the 15 rolls I have coming soon).

But the stuff I already have, well I need to start making a better effort to go and shoot it, particularly in the case of the much older stuff (some more Expiriment posts, perhaps?), but also with the stuff that I perhaps hold onto because I see it as precious, maybe because it is no longer in production, or perhaps because it is expensive. I have a tendency to hold onto this film while I wait for the perfect conditions to shoot it, conditions which rarely occur. While I don’t want to waste film on throwaway photography, I do need to be less prescriptive on where and when I will shoot film that is getting longer and longer in the tooth.

I’m fortunate to have acquired such a stash – I could shoot a roll a week for over three years and not run out – but I really want to see it reduce somewhat. Maybe I’ll gift a few rolls as Christmas presents, but what I really need to do is get out and shoot some of it!

This is just the stuff in the fridge. I also have an entire drawer in the freezer (which I suspect my wife would like to be able to store food in…)!

35mm · Digital · Film photography · Photography

A day in Kotor

On the penultimate full day of our holiday in Dubrovnik, we decided to take an excursion to Kotor in the neighbouring country of Montenegro. Kotor is a World Heritage Site set deep in a vast fjord-like tidal bay surrounded by mountains. We had two potential days when we could have made the trip, but chose the second as the weather seemed ok at the time of booking.

The weather was not ok…

There were two stops on the trip (well, four if you also count the toilet break at a service station, and the quite long stop while passing through the border), the first being Perast – a small village beside the bay – where we had a short boat trip to the Church of Our Lady of Škrpjela, which sits on a small man-made island. Unfortunately, as soon as we got off the coach the heavens opened with a torrential downpour that continued throughout the stop. While we had a waterproofs with us, they were jackets and provided no cover whatsoever for our legs and feet and before we even got inside the church our shoes were soaked.

I posted this picture already during the holiday, but here it is again for some context – the church we visited is on the island at mid-right, the one with the blue dome.

We got wet again after leaving the church, although thankfully the small boat we used for the crossing had a roof. The boat’s roof did not protect us on the walk back from the jetty to the coach however.

Thankfully, by the time we arrived at Kotor itself the rain had stopped, and it stayed dry for the rest of our visit, but the wet feet and damp clothing persisted and took some of the shine off the trip.

A church in Kotor

We had an affable tour guide inside the walled city, and our group of soggy day-trippers followed him dutifully around the crowded and narrow streets of the town while he pointed out various sights, explained the history, and suggested which restaurants might be good places for lunch.

Chequerboard church

Kotor is apparently quite famous for the number of cats that live there, and as well as seeing them everywhere you looked, there was a wide range of cat-related merchandise available from almost every shop.

Alley cats
Three live cats, and one sculpted kitty are lurking in this scene…

I shot both colour and black and white film during the visit, sometimes of the same subjects.

St. Tryphon's Cathedral
Slippery cobbled Kotor street
The rough cobbles of this steep street were treacherously slippy under the soles of my (wet) trainers!
Entrance to Kotor
The entrance to the walled city.

Kotor is a destination for cruise ships and there were three of them moored when we visited, which probably explained why the place was so busy!

Cruise ship

High above the city is a line of walled fortresses. We didn’t even think of climbing this trail with our wet feet, but it looks like quite the climb!

Kotor city wall
Emerging from the clouds
Remnants of the wet weather obscure the mountain tops.

On the whole, while Kotor is certainly an interesting destination, visiting it while soaked through (literally) dampens the enthusiasm somewhat.

Canon Sure Shot Z135 and Kodak Gold.

Olympus Trip 35 & Fomapan 100. Ilfotec DD-X 1+4 8mins @ 20°

Taken 30 May 2024.

35mm · Digital · Film photography · Photography

Beneath a parasol (twice)

A couple of near identical photos today, both of the underside of the parasol that sheltered my sun lounger from the sun during our holiday in Dubrovnik.

The first was with the Canon Sure Shot Z135 on Kodak Gold. The Z135 has a noticeable vignette, particularly at the wide end, which is readily apparent here, and the sky is a rich and saturated blue.

Underbrella

The second was taken with my Ricoh GR III and is a lot more subtle in it’s tonality. The Ricoh’s excellent lens and the 24Mp digital sensor have also resolved more finer detail. The digital image also stands up to more post processing than the film scan and I think, in this case, that it’s the better picture.

Parasol

Ricoh GR III

Canon Sure Shot Z135 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 27 May 2024.

35mm · Film photography · Photography

A man driving past a newsstand

A quick spur of the moment shot that didn’t quite work how I wanted, mostly because I wish the car was positioned more to the left to get a better composition on the driver.

I quite like this picture for some reason though. Partly because of the older car the man is driving, partly the interest of the newsstand in the mid ground, and perhaps because of the distinct fore / mid / background layering.

A man in a car in front of a newsstand

Olympus Trip 35 & Fomapan 100. Ilfotec DD-X 1+4 8mins @ 20°

Taken 31 May 2024.

35mm · Film photography · Photography

Above and below

This house sat above the footpath that led from our hotel into an area of bars and restaurants. I liked the nice, isometric appearance of the structure emerging from the foliage.

Access to these properties is by sets of steps, but as they sit on the hillside between the footpath and a road that runs behind them further up the hill, there is a climb or descent no matter which route the occupiers take.

Above the shrubs

Olympus Trip 35 & Fomapan 100. Ilfotec DD-X 1+4 8mins @ 20°

Taken 28 May 2024.