35mm · Film photography · Photography

What have I done?

I probably have too many cameras. Not a ridiculous amount – I’m not one of these people with dozens of different Nikon SLR’s on a display shelf or something, but a few too many to make regular use of. I try my best to use all of them, but most often I just tend to reach for my favourites, so five or six cameras tend to be in relatively frequent rotation, while the others sit unused for lengthier periods of time. I’ve been thinking for a while that I should perhaps reduce their number.

So this week I bid on and won an auction for six SLR cameras…

I’m really not sure why I did this, especially when considering what I’ve said at the start of the post. But do it I did, and I’m now the proud owner of six SLRs sold as “Not working or for parts“.

The cameras arrived the other day, and I’ll give a brief outline of each:

Fujica STX-1 with 50mm f/1.9 X-Fujinon lens – In very good cosmetic condition. Working mechanically. Light meter working. Light seals needed to be replaced (I did this last night).
I’ve been out with this camera today to test it and, while I’ve yet to finish the roll and develop the negatives, I’m relatively confident that it works ok. It’s a relatively basic model with fully manual control and feels nice and solid in the hand.

Fujica STX-1

Minolta X-300 with 50mm f/1.7 Minolta MD lens – In very good cosmetic condition. Working mechanically. Light meter working. Light seals needed to be replaced (I did this last night), and it needed a bit of a clean (also done last night).
I’m relatively confident that this one works ok too, although I’ve yet to load a film and test it properly. While I believe the X-300 is a relatively entry-level model, it has more features than the Fujica.

Nikon EM with 28mm f/2.8 Vivitar MC lens – In very good cosmetic condition. Working mechanically. Light meter working, although I had to remove a corroded battery and clean the terminals first. Light seals need to be replaced (still to be done).
The Nikon EM is often derided as being a cheap amateur’s camera, and one that switched to plastic for parts of it’s body. While it’s undoubtedly a basic camera in comparison with many of its stablemates, I was pleasantly surprised at how solid it feels – it feels a lot more rugged than some other, later model, SLRs I’ve used. I’m looking forward to testing this one and seeing the results I get. I have a couple of non-gelded Nikkor auto-focus lenses that I can use with it too.

Nikon EM

Cosina CT-1 with 50mm f/2 Cosinon-S lens – In very good cosmetic condition. Working mechanically but the light meter is not currently working – again, some signs of corrosion on the battery terminals. I’ve cleaned them, but the meter still isn’t working. Light seals need to be replaced (still to be done).
I’ll have a further play with this to see if I can get the meter to operate. If not, then it should still work fine with an external meter (or Sunny 16) and I’ll test it this way if I have no success. I’ll probably sell this one on though.

Canon T70 with 50mm f/1.8 Canon FD lens – In very good cosmetic condition. Not working. The battery terminals looked like they needed a clean, but the camera draws power from batteries and the LCD display activates. Unfortunately it does nothing else. This is a shame as it feels like a very solid camera. I was always a little dubious about the somewhat wide design of Canon’s T-series lineup but, on holding it in my hand, it feels great. I’ll probably sell this one for spares / repairs.

Canon T70

Miranda G with 5cm f/1.9 Auto Miranda lens – In dirty cosmetic condition with some scuffs. The shutter button is missing. The camera is not working at all. Another one that I will attempt to re-sell as spares / repairs.

Miranda G

So, all-in-all, a bit of a mixed bag. Hopefully (assuming testing goes well) I will have three fully working cameras.

Oh, and two of the cameras had rolls of film in them (one Fuji Superia 200,the other some Fotomax 200). I’ve no idea how long these have been in the cameras, although neither seemed to have been more than a few frames into the roll, so I suspect they may be largely unused. I wouldn’t be surprised if they’ve sat in the cameras for over twenty years though. I don’t think I’ll attempt to shoot or develop either roll.

As to why I bought them, well the obvious answer is G.A.S., but I think that is only partially true as none of the cameras in the batch where models I was looking to acquire specifically. I think the only real reason I can come up with is that I quite like the idea of having a camera of two that I’m less averse to taking risks with, such as going out in the rain or snow with them without worrying unduly that they might be damaged. That’s not to say that I plan on treating them recklessly, but I also won’t panic if they get a bit of water on them from time to time, or I go to a sandy beach on a windy day.

Now, another way to deal with this would be to buy a truly rugged camera (A Nikon F4, or a Pentax LX, or something) that can handle the elements in their stride, but those types of camera tend to fetch much more money and, while I’d like such a thing, it’s not top of my list. So, for now, this batch of cheaper and more basic cameras will have to do. I can always sell them on again (hopefully as more valuable “working and film tested” items. 🙂

11 thoughts on “What have I done?

  1. Some of the most common issues you could run into on trying to put film through them can be tested first, so you don’t end up finding out by ruining photos or ending up with a non-working camera on an outing. Winding and shooting a roll of film (just use one of the rolls that came with the cameras) all the way to the end, and then rewinding. It is often surprising how many cameras that appear to work won’t pass this test; they can have, for example, a plastic gear with a split that will not mesh properly once it advances a ways, often some distance into the roll (I have a Pentax ME that jams at frame 10). Shutter capping: remove the lens, open the back, look through the camera towards an evenly lit light source like your computer screen (search for “blank white page” website) and fire the shutter at top speed. Focus your eyes on the more distant light, not the nearby camera. When you see the flash of light through the shutter as it opens, is it dimmer on one side or the other, or top/bottom? With a little practice you can see when one curtain is lagging. This will ruin photos. If all that works, chances are much better that you have a working camera, even if you lack professional testing equipment. A couple more tests you can do, although less likely to find issues: focus the lens to infinity and look backwards through it towards a light source. You should see the focus screen in perfect focus while your other eye is focused on something distant like the horizon. You can also put a micro keychain flashlight in the film chamber and go into a dark room to look for light leaks if you are not confident in the new seals. Have fun!

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    1. Thanks Jeff, that’s very good advice. A little too late for the Fujica (which is now two-thirds through a roll of film), but I’l definitely check the shutter curtains and film advance / rewind on the others. Much appreciated!

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    2. I’m very glad you posted your advice as, upon testing the Nikon EM with a sacrificial roll of film I discovered that, while it advanced perfectly fine, when the roll was finished I couldn’t rewind it – the rewind release button is completely jammed. I’ve had the bottom off the camera to no avail – it’s apparently fastened using a small set screw in the film advance spindle, but I think it’s misaligned and jammed. Fingers are crossed that the Fujica isn’t similarly afflicted in some way.

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    1. I’m starting to wonder if it was an even poorer decision than I already knew it to be. I’ve discovered a previously unspotted fault with the Nikon EM that likely renders it inoperable (the film rewind button is jammed tight meaning the only way to remove film is in a changing bag). At this rate all I’m going to have is a bunch of nifty-fifty lenses (plus one 28mm). I hope the Fujica and Minolta don’t let me down!

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  2. Ahh Ebay after a G&T – always trouble! lol I ended up with a pile of wood that was once a Kodak 5X7!! I feel exactly the same, in fact I’m just about to write a post on a not diss-similar theme. Having said that if you do decide to sell the CT-1 let me know 😉 Happy memories of one of them. I took one around Europe in my very early 20’s, back when a roll of film was less than the cost of the hotel per night 🙂 Cheers Andy

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    1. I’ve been wondering about your large format restoration project. I hope from your comments above that it’s not turned out to be a bust?

      Alas, I think the Cosina CT-1 is a goner. It seemed to work ok when I first received it (apart from the light meter), but now seems to be completely locked up for some reason. Happy to let you have it free of charge if you fancy trying to resurrect another camera?

      Nige

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