Nikon F80, Tamron 28-300mm F/3.5-6.3 Di VC PZD & Ilford Delta 100. Ilfotec DD-X 1+4 10 mins 30 secs @ 20°
Taken on 19 September 2024
On the far bank
A millstone beside a tree
Another picture taken in close proximity to those posted over the last couple of days.
This is a bit of a “tripod holes” scene, and you can probably fine a large number of alternative (and probably better) photographs of the same location. It sits beside one of the main paths leading through Padley Gorge so, unless you take the path on the other side of the gorge, you can’t really avoid it.
Still, I’m quite happy with how it turned out. I’ve cropped in a little to remove some additional brightness where the grey and overcast sky was visible through the branches at the top of the scene.
Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 30 October 2024
Burbage Brook in Padley Gorge
Today’s picture was taken just a stone’s throw from the one I posted yesterday, but shot a year later. Thankfully the Kodak Ektar sheet fil, already expired by a few years when I loaded it into the holders, has stood the extended wait quite well, especially as it was just sat in my office and not refrigerated during this time. I wonder if we sometimes get overly concerned about the longevity of film if it’s not cold stored? I expect that, unless you’re in particularly adverse conditions, it will fare quite well at normal room temperature in a temperate environment.
Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 30 October 2024
Sometimes it’s not as bad as you thought…
Over a year ago, I wrote this post about a disappointing outing with my large format camera. You can read the post for the details, but the gist of it was that I wasted a sheet of very expensive 4×5 format Kodak Ektar by not paying attention and messing up the exposure.
I remember thinking at the time that I might as well just pull the sheet of film from the holder and throw it in the bin, such was my certainty that I’s messed it up beyond salvation. In the end, I decided to leave the sheet in the holder until I shot the remaining three sheets I had loaded on some other outing. It took almost a year before that next outing with the 4×5 Ektar came around.
Tempting fate somewhat, I returned to the same location – Padley Gorge – although the weather wasn’t particularly inspiring, it being a typical UK dull and overcast autumnal day. Nonetheless I decided to shoot the remaining three sheets I had loaded into my film holders. This being the first time I’ve shot colour 4×5 film, and as I don’t have the chemicals or equipment I’d need to develop the film at home (as I do with black and white), I had to find somewhere to send the film to be processed. I also had to locate a spare film box that I could use to send the sheets (they need to be sent in a light-tight container, usually a double box with a lightproof bag inside). It ended up being a month before I managed to post them out to the lab I chose, then another week to get them back.
When I saw the negatives, the original badly exposed shot looked a little thin, so I was expecting a bad result. Imaging my surprise when the picture you see below appeared from the scanner! It’s the best of the four sheets by far, I think. Yes, I’ve done some post-processing to make it look its best, but nothing too dramatic, and I’m extremely happy with the result. If you click the photo you can see the full-size version on Flickr, with all the lovely detail that a large format photograph provides.
There’s a lesson here about not giving up on things, even when they seem a lost cause…
Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 30 October 2024
On a corner
My son had a job interview this morning, which was good. I offered to drive him there as it would be at rush-hour and I thought it would allow him to prepare during the journey rather than being focused on driving. The traffic was quite heavy, but we got there with plenty of time to spare.
He was in the interview for over an hour, including a walk round the place of business, which felt like a good sign to me. Now it’s a case of waiting to see if he was successful and also if it’s a role for him. He’s hoping to apply for another vacancy that he’s been told about, so hopefully he will have a choice of options. My fingers are crossed for him.
As for today’s picture, there was something that caught my eye about this scene. The colour of the building. The interesting exhibition poster. The windows and signage on the building. And in the background, the street art.
Ricoh GR III
Taken on 16 August 2024
A sandy path to Mablethorpe
Ricoh GR III
Taken on 21 September 2024
Old town hotel
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Adox Rodinal 1+50 13mins @ 20°
Taken on 19 September 2024
A clue to its location…
You may need to click on the picture to see it larger, but there’s a clue there to let you see exactly where I was standing when I took this photo. 🙂
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Adox Rodinal 1+50 13mins @ 20°
Taken on 19 September 2024
King’s Lynn streets
When I visited King’s Lynn, although there were plenty of people about, and lots of traffic, the roads close to the quayside were often devoid of pedestrians and traffic. Not completely empty, but quiet enough that it was easy to bide my time and get a photograph of the street scenes without anyone around.
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Adox Rodinal 1+50 13mins @ 20°
Taken on 19 September 2024
The ghost of an old neighbour
I wonder what used to stand here, beside this (I presume) wharf building? You can see where it once stood, the whitewashed outline of it’s gable tattooed on the structure it shared space with.
I’m sure someone familiar with King’s Lynn would know.
Zeiss Mess-Ikonta 524/16 & Kodak Tri-X. Adox Rodinal 1+50 13mins @ 20°
Taken on 19 September 2024
Steel City Snapper photography 