35mm · Film photography · Photography

Close Encounters

This is one of the main atrium / escalator areas in the Arndale shopping centre in Manchester, UK. The design of the overhead lighting was very striking and so I took the shot. Upon scanning the negative it reminded me of the climactic scene in Steven Spielberg’s classic movie, Close Encounters of the Third Kind, where the alien mothership descends at Devil’s Tower (although that had fewer retail outlets and escalators if I recall correctly… 🙂 ).

FILM - Close Encounters

Olympus 35 RC & Fomapan 400.

Taken on 15 February 2019

35mm · Film photography · Photography

By the sunlit fountain

People enjoy the unseasonably mild February weather by the fountain in Picadilly Gardens, Manchester.

The 35 RC’s lens had coped quite well with the conditions (shooting straight into the direction of the low sun). There’s some noticeable flaring in the shot (top left, and lower-centre right), but nothing too severe and the contrast has remained in place.

FILM - Fountain

Olympus 35 RC & Fomapan 400.

Taken on 15 February 2019

35mm · Film photography · Photography

Appy Allan

While I was wandering around the School Strike for Climate protest last friday, I happened across the chap in the photo below. He was dressed in unusual but smart attire and had an interesting look about him so I decided to do something I rarely do – ask if I could make a portrait. He generously allowed me to take the shot below and I stood and chatted to him for a while. He was pleased to see the schoolkids standing up for something they believed in, and said how it wouldn’t have been possible to do so when he was at school. He went on to tell me a little about himself – the clothes he was wearing were Vivienne Westwood designs, and he explained that, thanks to his colourful and interesting life story, a documentary was being produced about him (http://www.appyallanfilm.com/). He was a friendly bloke and it was good to speak with him.

FILM - Appy Allan

Olympus 35 RC & JCH Street Pan.

Taken on 15 February 2019

35mm · Film photography · Photography

School Strike for Climate

On Friday 15 February 2019, pupils across the UK took a day of action, skipping school to protest against the impact of climate change and to demand action be taken to prevent it from becoming worse. There were some amusing placards on display and it was good to see these young people make their voices heard.

I was in Manchester on the day and noticed the demonstration as I was heading towards the library, and took the following photographs.

FILM - School Strike for Climate

FILM - School Strike for Climate-2

FILM - School Strike for Climate-3

FILM - School Strike for Climate-4

FILM - School Strike for Climate-6

FILM - School Strike for Climate-5

Olympus 35 RC & JCH Street Pan.

Taken on 15 February 2019

35mm · Film photography · Photography

Eyes in the back of his head

I spotted this chap chatting on his phone with his sunglasses perched on the back of his head and couldn’t resist getting a photo. The little 35 RC has done it proud. The JCH Street Pan produced some lovely tones in bright light, but also resulted in very underexposed thin negatives where I’d shot in dimmer conditions. The underexposed images aren’t unusable – and some of them look pretty great – but they will take some work in Lightroom, not least to remove all the additional dust spots that appear on thin negs.

FILM - He's got eyes in the back of his head

Olympus 35 RC & JCH Street Pan.

Taken on 15 February 2019

35mm · Film photography · Photography

Splashes of colour and light #2

 

A week or so back I wrote a post about colour photography and how I like to use colour film to record vignette type shots (you can read it here). I think the theme may have legs, so I’ve decided to use the same post title format each time I do one of these.

So, again, here’s a trio of colour photos with no particular theme (although I guess they could fall under “architectural abstracts” or “looking upwards” something like that). The main reason I took these was that I wanted to test out a camera I bought last year – a Canon Sure Shot AF35M II (known as the Autoboy II in the US, I believe) which I bought for the princely sum of £1 at a a flea market. When I originally took the camera home and inserted some batteries it whirred noisily into life (this isn’t a quiet camera!) but then, on the first occasion I decided to shoot with it, it seemed to have died – fresh batteries did nothing, so I thought the worst. However, a couple of weeks back I decided to take another look at it and noticed a very small spot of corrosion on one of the battery terminals. Five minutes later, after some careful and professional(!) scraping with the tip of a screwdriver, I inserted some fresh batteries and it sprang back into an active state.

The camera has a 38mm f/2.8 glass lens that is nice and sharp, autofocus, flash, and a timer lever that also doubles as an AF lock for occasions where you don’t want your subject to be centered on the single AF point. The AF lock works effectively, but is perhaps best described as a somewhat clunky method for achieving the result. As I already have a Sure Shot (a Telemax) – albeit one with a slightly slower lens – I’ll probably sell the AF35M II so that someone will get good use of it, and I can use to proceeds to pay for one of my MF cameras to get a service. However, before selling it I needed to test it properly so went for a walk around town on an uncharacteristically sunny February afternoon the other weekend.

The camera was loaded with a roll of 2008 expired Fuji Superia 100 that has been cold stored, and I shot it at 80asa. So, anyway, onto the photos…

FILM - Pots'n'pans

FILM - All angles covered

FILM - Shapes above

Canon Sure Shot AF35M II and Fujifilm Superia 100 (expired 2008).

Taken on 9 February 2019

35mm · Film photography · Photography

Old places

A trio of shots of old buildings still present in the Attercliffe area. There are many more than just these, but I didn’t photograph the others. 🙂

The old Burton’s menswear building and the Adelphi cinema are next door to one another, and neither has been used for their original purpose (or for much else) in many a year. The Momento picture framing shop is still actively trading. Given the post box outside, I wonder if this might have been a post office at some point in the past? I’ll ask my dad next time I see him as he’ll likely know, having grown up and then worked in the area when he was younger.

FILM - The tailor of taste

FILM - Adelphi

FILM - Momento

Kodak Retina IIa & Fomapan 400.

Taken on 26 January 2019

35mm · Film photography · Photography

Stay Frosty!

For the past two years I’ve taken part in the Emulsive.org Secret Santa gift exchange. This year I was extremely fortunate to receive not only six rolls of nice and interesting film, but I also received a copy of my Santa’s book and, best of all, a Kodak Retina IIa camera in lovely condition.

Sadly I was ill over Christmas (just my luck to be sick the entire duration of the two week’s I had away from work!), so I didn’t get a chance to shoot with the camera until this past weekend.  I loaded a roll of Fomapan – badly, it turned out, and I had to re-open the camera back to do it properly, losing a few frames in the process – and set out on Sunday morning as I had a couple of hours before picking my eldest and his girlfriend up to come for lunch at our house.

I decided to shoot in the Attercliffe area of Sheffield, and area formerly dominated by the steel industry that the city made its name on, but now mostly made up of smaller engineering and manufacturing firms with the odd steelworks still dotted here and there). There’s an old derelict cinema building that I wanted to photograph, plus a cemetery, but I then just went for a wander to see what else I could find.

Sometimes it’s just the little things that you come across on your travels that make for the best images, and I think the shot below is definitely my favourite from the roll.

As for the camera, it’s a very nice little machine – a very compact folding 35mm rangefinder dating back to the 50s. A lot of my shots are a little soft, but that might be down to some camera shake in some instances (some of the slower shutter speeds might be a little sketchy side in terms of their accuracy), but enough are sharp to prove that it’s not a failing of the lens. I did find it difficult to see the full frame in the viewfinder due to my wearing spectacles, and I’ve had to straighten one or two shots as a result, but again, nothing serious.

FILM - Stay frosty!

Kodak Retina IIa & Fomapan 400.

Taken on 26 January 2019