A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.
Taken 24 June 2023.
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Kodak Ektar. Lab developed, home scanned, and converted with Negative Lab Pro.
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A series of (mostly) wordless posts…
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A line of vintage motorcycles leads off into the distance, a Moto Guzzi V7 Special model taking pride of place.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
A 1952 Morris Commercial police truck, or Black Maria, to use the common parlance for a vehicle used for prisoner transport, stands here beside an Atkinson lorry dating to 1968.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
I *think* this is a Land Rover Series IIa ambulance, with production dating to 1971, but vehicle identification is not my strong suit. I can make a decent , and often accurate, attempt, but it’s very easy to miss the nuance that can be present with such detective work. Anyway, what I’m trying to say in a very long winded way is, I might be wrong. 🙂
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
I think that this picture works quite well, the traction engine and steam roller, as well as the people in the scene are nicely placed. Quite often I get one or the other, not both, so I’m pleased how this one turned out.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.
While I sometimes crop digital photos to a panoramic ratio, it not something I tend to do with film photographs which, outside of a little straightening, or minor bits of resizing to remove edge-of-frame distractions, I tend to not crop at all.
However, when looking at the scans of some of the photos I took with my Bronica ETRSi at this year’s Sheffield Steam Rally, I realised that large swathes of the top and bottom of the images were filled with uninteresting sky and grass, so I decided to see how they would look with that stuff cropped out. Turns out they looked pretty nice, I thought, so here they are today.
I think it helps that the 75mm Zenzanon lens is very sharp, and that Acros is a fine-grained film, but it’s something I’ll remember next time my in-camera framing doesn’t quite hit the mark.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°
Taken 24 June 2023.