Three horses on a carousel. I’m very happy with the colours I got when scanning this roll of Ektar. It’s the first time I’ve shot this film in a while and, based on the images I got, I hope to shoot more.
I’m less happy with the Fuji Velvia 100 that I’m attempting to scan this eveneing however. Despite having satisfactory results with this film scanned on my Plustek in the past, tonight the scans are a disappointment. Compared with the actual transparencies, the scans look dull and underexposed in comparison. I normally have a good success rate scanning 35mm E6 transparencies using this method, but something is off-kilter.
I usually use Vuescan when scanning slide film, but am resorting to Silverfast this time to see if I can get something I prefer using that method instead. Fingers crossed…
Yashicamat 124 G & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 25 June 2022
Steel City Snapper photography 
The dark art of scanning…….. Great picture, though!
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I haven’t shot Velvia for a while but when I did I much preferred 50 to 100. Colour always weird with 100. Or maybe it was 100f …
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It scans with a very warm, reddish cast to the extent that I’ve seen it nicknamed “Redvia” in some places. It definitely needs some work after the scan to get it looking right (or to a state I’m happy with, at least).
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