Film photography · Medium Format · Photography

Above then beside

This village sits on a hillside, with the road running through the top part of the community being approximately fifty feet higher than the bottom part. While not a huge difference in elevation, it means that nice views across the rooftops and over the landscape beyond can be had.

The first shot shown here today was taken from the high road (which you can see in the picture posted yesterday) looking down onto the lower part of the village. The second picture shows the house at centre left in the first image but from a lower footpath.

At Hooton Pagnell
Stone-built house

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford Delta 100. Ilfotec DD-X 1+4 10 mins 30 secs @ 20°

Taken 5 February 2023.

35mm · Film photography · Photography

Through an unnamed village and towards Christmas

Today’s photo is one of those scenes where, to my eye, everything just looked to be in the right place to make for an interesting picture. It definitely needed the power / telephone pole and wires I think, and I remember placing myself so that the lamp on the front of the building to the right would be silhouetted. It’s one of those pictures where I just though “yes” when I saw it come out of the scanner.

We’re now in that period post-Halloween and bonfire night here in the UK where Christmas kicks into higher gear. Now that those two have passed, retailers, advertisers and all the rest will launch into six weeks of increasing festivity ready for the big day. Last year quite a lot of people actually put Christmas decorations up as soon as bonfire night had passed, claiming the miserable Covid year meant they needed something to cheer them up. I wonder if that will persist? Personally it’s waay too early just yet. December 1st is my unofficial line I think. Advent clandars will appear then, the festive idents will appear on the terrestrial TV channels, and the first weekend after this date is usually when we trim the house. Still four weeks away yet though.

I also need to start putting together my gift for this year’s Emulsive Secret Santa now that names have been drawn. It’ll be back to a chunkier package again this year following last year’s paper-gifts only rule due to the pandemic. I’m looking forward to finding things to pop into the parcel.

Before we know it
Christmas will be here again
Where has this year gone?

Village street

Olympus XA3 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°

Taken on 22 October 2021

35mm · Film photography · Photography

Rural transport and the making of memories

Yep, it’s a bus stop. It’s quite a nice stone-built one though, and it’s in a beautiful location.

This is one of those photos that I like without it being of a traditionally photogenic subject. A bus stop is mundane, but this one looks like some sort of miniature bothy sat on a wide grass verge beside a country road.

I like the way the telephone wires lead out of the scene to destinations unknown.

I like the white laundry blowing on the washing line as it reminds me of the freshness in the air on the day I made the photograph.

I sometimes wonder how much a photograph engages it’s creator because it triggers memories? For other people, the stories need to be created. For me it brings the day I visited this place back to the front of my mind, and reminds me of the other things that happened on the day: How I was cross that it was cloudy on the morning I left the house, despite the weather forecast promising otherwise; how my mood lightened as the sun began to break through the cloud cover; remembering a long-ago school trip to one of the villages I passed; thinking my little car might struggle to carry my weight up a very steep hill; how myself and another walker struggled to follow the footpath (and he climbed a dry-stone wall and nearly did himself an injury on some barbed wire; how a man videoing Magpie Mine asked me if I would let him record my thoughts (I did); waiting ten minutes for clouds to move across the sky and balance out one of my compositions…

Maybe not a thousand words, but it’s not the half of what this picture says to me either.

Country bus stop

Canon Sure Shot Supreme & Ilford Delta 400.

Taken on 16 March 2020

Film photography · Medium Format · Photography

Single file traffic

The road-sign depicted in today’s photo feels pretty apt at present. As the news of the coronavirus pandemic hit and became widespread last month there was an upsurge in panic buying in the shops. Some of these things seemed logical – hand-sanitiser, for instance, is a useful substance to help keep you safe from inadvertently contracted viruses on your hands. Soap and water is similarly effective, but I guess not as convenient for carrying in your pocket or in your car. Paracetamol was another item that soon found itself in short supply and, again has a logical basis for being so – namely it’s use in reducing temperature during a fever. And while I can undestand the benefits of having dried pasta given it’s long shelf-life, the quantities that some people were buying was over-the-top – unless your family eats pasta every meal of every day, you don’t need that much.

Other items seemed less logical (or at least to a degree). The number one thing here was toilet-paper. I’m not quite sure where this particular panic originated, but I first saw it mentioned by my nephew. He lives in Australia and he posted an image of empty shelves where the toilet-paper once sat in the supermarket. Before long the phenomena had reached the UK and spread around the world – panic buying of toilet-paper seemingly has a faster and more effective transmission rate than the COVID-19 virus! While I can understand how no-one wants to be left short of toilet-paper, again the volumes that some individuals were buying were ridiculous, some people buying dozens of rolls at a time. It’s not even as though a primary symptom of the virus is diarrhea or anything, in which case I might have understood.

The result of this panic buying was that stocks that should have met the needs of all instead became scarce, with some unable to source any at all. It even began to generate black-market activities (reports of stores being broken into and their stocks of toilet-paper stolen), and price-gouging as unscrupulous traders hiked the cost of in-demand items.

The result here in the UK has been a complete change in the way that people have been allowed to shop, firstly by stores limiting the quantitiy of items shoppers have been allowed to purchase, but also, because of the lock-down, implementing strict people-control measures to limit the number of shoppers in stores at any one time. This has led to large queues in the car-parks outside supermarkets as people wait for their turn to enter. In some parts of the country these have been boisterous (and, significantly, meant lots of people lining up in close proximity). Thankfully, in the stores close to us, the queuing has been orderly and well spaced and these measures have resulted in better access to produce as well as a losening of the restrictions on quantities (though some items are still excepted).

We’re  into spring, and will be coming up to summer soon, so queuing outside is probably not that much of a hardship. That said, here in the UK the weather can be somewhat “changeable” to say the least, so it will be interesting to see how people fare in queues if the weather takes a turn for the worst.

FILM - Village roadworks

Bronica ETRSi, Zenzanon 75mm f/2.8 & Kodak Tmax 400.

Taken on 29 January 2020