Film photography · Medium Format · Photography

First light – testing new cameras

Using a new film camera for the first time often brings me a sense of apprehension. Will it work as expected? Where should I test it? How much effort should I put into the pictures?

Even when buying a camera from a trusted source, there’s still a risk of some sort of fault. Most film cameras are getting long in the tooth – some very much so – so I tend to avoid travelling too far afield when using one for the first time. That way, even if there is a fault, I’ve not wasted too much time and, should I want to, I can probably re-visit the location to recreate the shots if necessary. The same goes for the time and effort spent composing a picture. Do I really want to wait for the perfect light, the perfect moment, when the picture might be blighted by a mechanical fault of some variety?

With regards the location aspect, the camera I used to take the pictures shared here today (and in the coming days) did let me down. It had a shutter issue which caused missed frames that I described in a previous post. As a result, I missed a number of photo opportunities at a location that I don’t travel to often (and the hike I did was one I’ve never undertaken before, so that was all new sights to me). This was obviously disappointing.

The road to the scrapyard

In terms of spending time on composing and timing shots with a new camera, I still try to do my best. I know that some people will test gear by shooting test cards or a fixed scene, but the thought of using a whole role of film on that sort of efficient and controlled testing doesn’t inspire me. I’d rather try to get pictures I’ll find artistically pleasing, even if there’s some risk that they might be lost.

I now have a replacement for the faulty camera, but I’ve yet to test it. I’m planning to do so this weekend. While I will still try to get the best shots I can, I’m certainly not risking a trip to a more distant location this time, so the new camera will see first light on a visit into town, or maybe in my local area. If all goes well, then it can become a trusted travel companion.

The two shots shared today were the first two on the roll and before I had realised there was a fault. I shot them on a walk in the local area during my lunch break, so only had time for a couple. Maybe if I’d had more time I’d have discovered the fault earlier and saved myself the later disappointment.

Looking to the other side

Yashicamat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°

Taken on 9 January 2024

Film photography · Medium Format · Photography

I do date from pagan times, and age makes bones to creak

A quote from John Masefield’s “The Box of Delights”, or at least the BBC television adaptation – I’m not sure if the quote is in the book or not – has been used for today’s post. It seemed to fit the image.

While the tree stump (and living tree that frames it) most likely don’t date from pagan times, I think the image is evokative of ancient woodland and has an air of mystery about it. The spidery, blood-vessel-like branches work very well to add to the feel and, once again, the Holga adds it’s own brand of unique beauty to the scene.

The photo is underexposed as a consequence of the Holga’s limited aperture and (even more limited) shutter speed choices, and also the fact that the film was almost 10-years expired. I do like this sort of moody, high-contrast look though, and it’s one that the Holga carries off with aplomb in a way that I think would be disappointing had I used one of my other medium format camera,

FILM - Cosmic horror

Holga 120N & Kodak Tri-X (expired 2012).

Taken on 27 December 2019

Film photography · Medium Format · Photography

Testing out the Bronica

As a treat for my birthday this year, I decided to get myself a Bronica ETRSi. I’d been thinking about a different aspect-ratio medium format camera for some time (and almost bought one a few months back), so my birthday seemed a good time to take the plunge. The camera I got is in nice condition and came with the 75mm Zenzanon f/2.8 lens, the speed-grip, and the AEII prism finder. The camera is very heavy in comparison with any others I own and, especially when the lens hood is fitted, looks like I’m carrying a movie camera around with me!

The camera came fitted with the standard, plain ground-glass focussing screen. While this is in pristine condition, I found that it was very difficult to finesse my focusing – especially when using wider apertures at closer distances. However, I managed to find a split-prism finder that someone had advertised as faulty and scratched, so I took the plunge and took a chance on it. The new focusing screen works fine and, while it’s certainly seen some action and gained a number of battle scars in its time, it’s still nice and bright and the focussing is much, much easier with the split prism.

I took a few family shots last week and decided to finsh off my test roll this lunchtime so headed out to the nearby village of Ridgeway for a short walk and to shoot the remaining six frames.  While the camera is very weighty, the speed-grip makes it pretty comfortable to handle in both landscape and portrait orientations, and I had no problems controlling it.

I dropped the film off on my way back to work and was very fortunate when the lab were able to process it before they closed this afternoon, so a big thanks and shout-out to the great people at Peak Imaging.

Here are three of the shots that I’ve scanned and uploaded.

FILM - Little landscapes

FILM - Church gate

FILM - Resting places

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Kodak Tri-X (expired).

Taken on 4 July 2019

Film photography · Medium Format · Photography

Times change

I really like the way this quaint village scene came out (it’s in Eyam). It has a nice contrast and crispness about it. It has a somewhat nostalgic air, or a least it does until you notice the modern cars in the background and the fact that the phone box has now been modified to house a defibrillator instead of a payphone. Hopefully no-one will attempt to make a call with it! 🙂

FILM - Times change

Yashica Mat 124 G & Kodak Tri-X.

Taken on 2 February 2019

Film photography · Medium Format · Photography

Winter walkers

My initial plan for this photo was just of an empty scene with the track curving around to White Edge Lodge in the middle-right of the frame but, upon seeing this couple and their dog approaching, I held the composition until they were close and had a separation between them. They probably wondered what I was doing, standing still with a weird-looking old-fashioned camera as they walked by, although both responded to my greeting of “good morning” in a friendly way. 🙂

FILM - Winter walkers

Yashica Mat 124 G & Kodak Tri-X.

Taken on 20 January 2019

35mm · Film photography · Photography

Completely in love

I’ve taken shots of the love-locks on this particular bridge a number of times before. It’s not festooned with them or anything – there are maybe a couple of dozen or so – so it’ll probably be a while before the bridge is in danger of collapse and the authorities turn up with bolt-cutters.

FILM - Completeness

Olympus OM-1, Zuiko 28mm f/3.5 & Kodak Tri-X

Taken on 23 March 2018

35mm · Film photography · Photography

Little fluffy clouds

This art installation of folded cloth lattices resides in the stairwell of Sheffield Central Library. I’m not sure how long it’s been there, but I took more photos of it a couple of years ago. They remind me of clouds when viewed from the side.

FILM - And the skies always had little fluffy clouds

Olympus OM-1, F.Zuiko 50mm f/1.8 & Kodak Tri-X

Taken on 10 March 2018

The older shots are below.

FILM - Rising or falling?

FILM - Rising or falling?

Olympus 35 RC & Kodak Tri-X

Taken late autumn 2016