35mm · Film photography · Photography

Ivy on a tree trunk

As we approach the end of the year – and decade – I’ve been wondering about a favourite shots of the year post or something along those lines, so I expect that will be the subject of a post in the coming week. I’ve also been pondering some project ideas for the coming year – two of which I’ve already started, although it’s really early days yet and they could fizzle out just as easily as they began, so I’ll wait until there’s something worthwhile developing (pun fully intended) before I make any posts about them.

In terms of new photos, I have a roll of XP2 that shot recently that’s been scanned and I’ll start to upload from, plus a currently unscanned roll of Tmax 400 that I put through the Holga last week. I’ve also shot a roll of HP5+ today, and plan on shooting more film during the fortnight I’m on leave, so there will be a batch of new stuff to see soon, but as the labs I use are now closed for the holidays, I’ll not tbe getting anything developed until the start of the new year now.

For today then, here’s some ivy on a tree trunk that I photographed in Boston Spa last weekend.

FILM - Ivy on a tree-trunk

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford HP5+ (pushed to 800asa).

Taken on 15 December 2019

Film photography · Medium Format · Photography

Evergreen (or orange)

Here’s a tree that I photographed on the Longshaw estate while on my Peak District walk last weekend. It’s a conifer of some sort, but it’s needles are a lovely orange colour, making it distinctive amongst the surrounding trees. It has a lovely sloping trunk which gives its canopy a very attractive shape.

FILM - Evergreen

I’ve photographed the tree previously a couple of years ago and that picture can be seen in an earlier blog post.

Bronica ETRSi, Zenzanon 75mm f/2.8 & Shanghai GP3 (expired).

Taken on 22 November 2019

35mm · Film photography · Photography

On an overcast day

I guess that this is a direct follow on to yesterdays photos, although this one was taken earlier – within a few minutes of the flooded field photograph that I posted a week or so back.

Once again, you will see the appearance of powerlines in the picture. While they add to the composition , they (and the tree and the road) were not the primary reason for taking the photo. That honour goes to the second bush from the right. You can’t tell from this black and white conversion, but it was a vivid autumnal orange, and attracted me to the scene. Alas, the uniform overcast grey sky meant that the colour image was a little drab, even with the splash of orange, so I went for the conversion instead, where the powerlines, tree and road make the shot.

FILM - Overcast

Canon Sure Shot Telemax & Kodak Colorplus (converted to B&W).

Taken on 9 November 2019

35mm · Film photography · Photography

Twisting track

Another picture from the lane near Eyam. I was on my way back to the start point when I took this one and the track made a short twist here. I’m not sure why – I couldn’t see anything that would physically require the bend, but who knows what might have been there in the past – either trees, or maybe different ownership of plots of land or something?

FILM - Twist in the track

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 8 August 2019

35mm · Film photography · Photography

A lane under a tree

A shot from a walk in the countryside near Eyam on Thursday morning. The trip was ostensibly for a recce of a location (as seen in this shot) and I took a bunch of photos on digital with the plan being, if they look ok, to come back in the autumn for an early morning picture with some colour on the tree.

I also had the Minolta Hi-Matic G2 with me as I’ve been running a roll of HP5+ through it to check it’s all ok prior to selling it on. It’s a nice little camera, but this is only the second time I’ve used it since I got it nearly three years ago, and it doesn’t really do anything that my Olympus Trip 35 doesn’t. The action on the advance lever is sweeeet though!.

I’m not sure if the battery in the camera is running low or if it’s the wrong voltage, but most of the shots came back a little underexposed. This, however, has resulted in some wonderfully gritty and atmospheric results that I’m really taken with. You will probably be seeing more of them over the coming days. 🙂

FILM - Lane beneath a tree

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 8 August 2019

35mm · Film photography · Photography

Potatoes

On the edge of the village* where I live there is a farm. It’s located on a tight bend in the road, but the narrow verge is always well-tended, and through the gate and gaps in the hedge, you can often see ducks, geese and chickens milling around. The farm also sells a range of produce, and signs such as the one in my photograph are affixed to this tree and at other places. Once upon a time the farm probably backed out onto an undisturbed river floodplain, but this was taken over by a railway marshalling yard when the local coal mine was still in production (it’s been closed nearly 35 years now), and in more recent times now carries the A57 bypass via a viaduct across the valley, which is what can be seen in the middle part of the picture, just behind and above the hedge. Despite all this, there’s still a peaceful air around the farm, especially when the rush-hour traffic has subsided.

*I use the term “village” in its loosest sense – it’s actually just a suburb of Sheffield, but like many satellite settlements that have been absorbed into the wider metropolitan mass, it’s still known as “the village” be local people.

FILM - Potatoes red

Olympus Trip 35 & Fomapan 400.

Taken on 28 March 2019