35mm · Film photography · Photography

Painting (a part of) the town red

It was mid-morning when I took this photograph and the fish and chip shop had not yet opened for business (although there was a man off shot to the right who appeared to be making preparations to do so). Prior to opening some maintenance was taking place, giving rise to the gloriously saturated red doors in the image. These reds, along with the morning light (and subsequent shadows) and the lone painter busy at work, are what attacted me to make the photograph.

FILM - Painting the town red

Olympus 35 RC & Kodak Portra 400.

Taken on 13 September 2019

35mm · Film photography · Photography

Looking out to sea

Looking out to sea seems to be an enduring calling to many people when visiting the coast, certainly in the UK, but also, I suspect, around the globe. Every seaside resort I’ve ever visited has benches and shelters along the promenade, along harbour walls, and atop cliffs and promontories, for the purpose of providing somewhere to rest while looking at the ocean beyond. Coin-operated telescopes provide the means of a close-up inspection, should something interesting be present on the water. There are car-parks designed in a such a way as to provide access to the view without leaving the comfort of the vehicle (and in the UK, given our tendency to inclement weather, this is perhaps wise).

I remember as a child visiting the beach with my grandparents in the rain. We would just sit in the car, eat sandwiches, drink pop or hot drinks from a thermos-flask, and watch the tide come in or retreat. If the weather was favourable, we’d get to venture onto the sand with our granddad, while grandma remained in the car, often with the aim of building a sandcastle that we could then subsequently watch be destroyed by the incoming waves while we sat back in the car. The castle fallen, and night beginning to fall, we’d return to the caravan for cocoa and bed.

There’s definitely a draw to looking at the sea, even on a calm day. Something about being at the edge of the world and imagining what might lie beyond some distant horizon (usually Denmark in our case, given the east coast of England was generally our destination of choice). Often times it’s older people who seem to do this the most. Perhaps the sea offers a glimpse of something else, something poignant, something nostalgic. Or maybe they just need a sit down more than the young.

FILM - Together

Olympus 35RC & Eastman Double-X.

Taken on 13 September 2019

35mm · Film photography · Photography

Record breaker

By the end of today this is likely to be my most viewed photograph on Flickr (in the fifteen years or so that I’ve had an account on there). It managed to get into Explore today and, while I’ve had quite a few photos in Explore before, I think this one is the closest to the top of the page I’ve ever had – it’s the 25th photo in Explore today. It’s far from the highest in terms of favourites though (it has 100 at the time of writing, although that’s still a huge amount compared to what most of my photos get – I usually get 10 to 20 faves on average).

That said, I’m not really someone who seeks faves and likes. I do feel good when I get them, but I don’t take photos for that reason, so it’s not a big deal if they don’t get heaps of attention. I might have mentioned this before, but it always seems to be the case that the photos that I really like, and which I think might deserve special attention, are rarely (if ever) the ones that get into Explore. It always seems to be something slightly random. It’s not to say I don’t think they’re good shots, but they’re not the ones I’d expect to get in there.

EDIT: In the time it’s taken me to write this, it’s now surpassed my previous most viewed image (this one, which had 15,614 views, should you be interested).

FILM - el Periodico

Canon Sure Shot Z135 & Kodak Portra 400.

Taken on 17 June 2019

35mm · Film photography · Photography

A man sat below a yellow wall

I guess that today must be “literal blog post title” day or something. In my head, at least.

This is what I assume to be a vacant lot in Barcelona, in the Gothic Quarter. The wall at the rear of the shot certaily has that “not intended for public view”-look about it, all rough concrete and clearly visible lines where the floors once stood.

Someone, however, has decided to paint it a bright yellow. It’s has a mustard tint to it in this Portra 400 photo, although I seem to remember it being more vivid at the time (this could be my brain frazzling out bad memories though). Whatever the case, I thought it was worth a photo, especially with the chap in the chair.

FILM - Below a yellow wall

Canon Sure Shot Z135 & Kodak Portra 400.

Taken on 17 June 2019

35mm · Film photography · Photography

Under the rainbow?

This is a location I’ve photographed a number of times – it’ss part of the network of pedestrian tunnels below London St. Pancras and King’s Cross stations in London. All my previous shots (apart from one I took on my phone) have been in black and white, as that was always the film choice I had with me when passing, but this time the camera I had with me was packing a roll of Kodak Colorplus.

Despite the colours, it’s still a location that works well in monochrome thanks to the contrasty lines and shapes, but the rainbow hues of the lighting make colour very worthwhile too.

I can imagine people passing through here on their way to Westworld. πŸ™‚

FILM - The future road to Oz

Pentax Espio 140M & Kodak Colorplus.

Taken on 10 July 2019

35mm · Film photography · Photography

Rare and Racy no more

Rare and Racy was a second-hand book and vinyl records shop that traded on Devonshire Street in Sheffield. It had been in business for as long as I could remember (in fact it had been trading since long before I was old enough to visit – since 1969 in fact). It wasn’t a place I frequented all that often, but I went in on a number of occasions and it was a real treasure-trove of stuff – filled with interesting shelf-lined nooks and crannies and every inch of free wall-space covered in photographs, artworks and other ephemera. The outside building was also decorated by a range of interesting street-art pieces by local artist Phlegm.

Sadly, the decision was taken by the local council to re-develop the row of building in which Rare and Racy (and several other quirky independent shops) were located and, despite a large public outcry and a petition signed by 20 thousand people, it ceased trading a year or two back. So far there is little sign of any re-development work having begun, and it’s a sad sight to behold now. Given the homogenisation of the high street in Sheffield (and across the country), with ubiquitous and interchangeable chain-stores taking up ever more space (plus the invevitable decline in footfall as a result of online shopping), it’s a crying shame that independent retailers that can bring a sense of interest and diversity to our city centres are not given the opportunity to thrive.

I remember a time when visiting another town or city would be a bit of an adventure with a whole array of shops, bars and restaurants that were completely different to what you had at home. But it’s now increasingly the case that most places are just the same set of retailers arranged in a different street layout.

So, here’s a photo of Rare and Racy as it looked last weekend, and if you want a bit of a virtual look inside as it was a few years ago, here’s a video.

As an aside, I’ve only noticed today just how tall the girl at the left of the image is! Either that, or the couple at the right are small!

FILM - More rare and less racy than before

Olympus 35 RC & Ilford HP5+.

Taken on 21 July 2019

35mm · Film photography · Photography

Sleeping in the bookshop

This chap was having a sly forty-winks in the bookshop right next to where the photo books are. I’m not sure how asleep he actually was because he opened half an eyelid when I first walked past him, but then, sensing no threat, he let his guard down again, so I pounced and took the shot!.

Thankfully the 35 RC just makes a quiet click when the shutter fires. I’m not sure I’d have taken it had I been carrying an SLR or something. πŸ™‚

FILM - Napping in the bookshop

Olympus 35 RC & Ilford HP5+.

Taken on 21 July 2019