35mm · Film photography · Photography

A guy in the street with a trombone

While sat on a bus at some traffic lights, I was surprised to see this guy walk into the middle of the road and start playing his trombone at the traffic. I managed to get a quick photo – maybe not the best picture ever, but at least I caught the moment for posterity. 🙂

Just a guy in the street with a trombone

Nikon F80, Nikkor 28-80mm f.3.5-5.6 AF-D & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro

Taken 18 August 2023.

35mm · Film photography · Photography

Underpass(es) and a dropped camera

Or perhaps it’s “underpi”? 😉

Anyway, whatever the plural (and I expect there isn’t a collective noun), here are three photographs of underpasses. They’re all fairly close to one another – in fact, the latter two photos are in the same structure.

They felt like a good trio of pictures to publish together.

This whole roll of film had a sense of suspense about it. I took my Canon Sure Shot Supreme on an outing a couple of months back and decided to carry it in its case using the built-in belt strap. This was very convenient right up to the point where the strap came unglued and the camera fell onto a concrete floor (still inside the case, thankfully). The camera’s plastic shell became slightly misaligned and had to be popped back into shape, an a few little chips of plastic broke of around the shutter button. I was concerned about light leaks (so I filled the chip holes with a bit of black silicone), and also some sort of major damage to the mechanism or electronics. However, when I finished shooting to roll a few weeks later and got the negatives back they were all perfectly fine. So I still have a working Supreme, albeit now with a few battle scars.

Man in the underpass
Below Brutalism
In the midst

Canon Sure Shot Supreme & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 20 May 2023.

35mm · Film photography · Photography

A man in yellow crosses Campo san Polo

This was one of those brief moments where a shot briefly appears before your eyes. The shape of the buildings, the people resting by the fountain, and the man in the bright yellow shirt striding across the campo. Seconds later other groups of people had wandered into the frame, cluttering the scene, and removing the sense of space and heat that this picture says to me.

Quite often I miss those chances, those decisive moments, as Henri Cartier Bresson famously said. I think I got a nice picture here though.

Plaza

Olympus Trip 35 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken 6 May 2023.

35mm · Film photography · Photography

On Millennium Bridge

This point of view almost suggests that the bridge will carry pedestrians right across the Thames and directly into St. Paul’s Cathedral.

SPOILER: It doesn’t.

Apologies for another short post. I’m still feeling ill – although maybe a little improved over yesterday. Hopefully I’ll feel better still by tomorrow.

On Millennium Bridge

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

Painting a picture in front of the National Gallery

An artist begins work on their picture while stood just in front of the National Gallery in London (which is offf to the right in this viewpoint).

I went out today and shot the remaining frames on a roll of HP5+ that has been in my Olympus Trip 35 for a while. I’m not sure if this was a good idea given I have a cold at the moment (although the general concensus is that light to moderate exercise can be beneficial as long as it isn’t a chest infection – which I don’t think mine is. At this stage at least). Whatever the case, I shot the ten-or-so remaining images and can now get the roll developed sometime this week. I’m getting close to running out of fresh images for the blog and, even though I have loads of unpublished stuff from older rolls I can use, I always feel the compulsion to keep the fresh stuff coming. Hopefully this 36exposure roll will keep the lights on for a while. 🙂

At the foot of the National Gallery

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.

35mm · Film photography · Photography

Year five

Here I am again, beginning a fifth year of daily posting on my blog. This will be the one thousand, four-hundred and sixty second consecutive post (I now fearfully await someone telling me I missed a day somewhere. Eek!). I don’t have any real plans to switch things up from the current format – a mixture of stuff about making photos, to random, usually brief, journal posts of my life and experiences – but who knows what this year will bring?

I’ve got a new camera to post about soon, but I need to figure it out and – importantly – take and develop some photographs with it first. Hopefully something to come on that in the next week or two.

For my first post of the year, here’s a picture from the Photographer’s Gallery in London. The gallery is split across a number of floors and the usual route it to take the lift to the top floor and then work your way back down to the bottom. The quickest way to do this is via the stairwell and, between two of the floors, there is a window that opens into a small offshot of one of the galleries where photobooks and other documentation about the current exhibition is available to be viewed by visitors. When I visited, the work of British photographer Chris Killip was being exhibited and my photo depicts two people perusing books of his work.

The exhibition was excellent, by the way.

Reading the photobooks

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+ (@1600asa). Ilfotec DD-X 1+4 12mins @ 20°

Taken on 29 November 2022.