4x5 Large Format · Film photography · Photography

Hitting a 4×5 roadblock

Since taking posession of my Chroma 4×5 camera I’ve exposed 12 sheets of film. Two of those were complete write offs due to, ahem, user error. Some shots have looked good – not necessarily artistically so, but technicaly pleasing (at least given my current level of skill with the camera) – but quite a few have been beset by light leaks. When I developed four sheets the other day I was disappointed to see more light leaks. Two of the shots had significant leaks, the other two less noticeable, but the defect looked very similar to some of the other frames that had suffered similar problems.

My initial though was that there was a problem with one of my film holders, but on sharing the images with some other large format users, they all pointed to the problem being caused by light getting behing the film holder when it was in the camera. One way to test for this is to put a light source inside the camera in a darkened room and see if light can be seen escaping. By doing this I was able to see than no light was getting out behind the film holder but that there was a very fine strip of light visible where the camera back is magnetically attached to the body. The gap appears to be razor thin – a small fraction of a millimetre – but if light is getting out, then light can get in too.

I wondered about trying to finagle a fix – maybe putting strips of tape in the join, or maybe a shaped piece of light seal foam, but then I contacted the guy who manufactures the camera and he very kindly offered to take a look at it and see if he can identify the problem. So I now need to find a sutable carton, pack it up, and get it shipped across to him for a (hopefully!) fix.

So I’ll be shooting smaller formats for now. Not that I was ever going to give up on 135 and 120 in any case.

Here are two of the affected shots from the Chroma. The first one has little impact, but that’s possibly due to the busier nature of the scene. The second shot shows the light leak more noticeably on the left side of the image. Other shots are much more badly affected than these. While I’m disappointed by the light leaks, I can at least see than my ability to get things properly focused with the camera and its movements is improving. Still work to do, but much improved on before. I’m also impressed by just how much detail the 4×5 film can resolve.

Steetley chapel
Steetley chapel

Chroma 4×5. Fujinon NW 135mm f/5.6 & Fomapan 100. Fomadon R09 1+50 9 mins @ 20°

Taken 28 January 2023.