Film photography · Medium Format · Photography

6×4.5 to 16:9

While I sometimes crop digital photos to a panoramic ratio, it not something I tend to do with film photographs which, outside of a little straightening, or minor bits of resizing to remove edge-of-frame distractions, I tend to not crop at all.

Steam truck and traction engine

However, when looking at the scans of some of the photos I took with my Bronica ETRSi at this year’s Sheffield Steam Rally, I realised that large swathes of the top and bottom of the images were filled with uninteresting sky and grass, so I decided to see how they would look with that stuff cropped out. Turns out they looked pretty nice, I thought, so here they are today.

Steam Rally pano

I think it helps that the 75mm Zenzanon lens is very sharp, and that Acros is a fine-grained film, but it’s something I’ll remember next time my in-camera framing doesn’t quite hit the mark.

Another steam rally pano

Bronica ETRSi, Zenzanon 75mm f/2.8 PE, & Fujifilm Acros. Ilfotec DD-X 1+9 14mins 45secs @ 20°

Taken 24 June 2023.

35mm · Film photography · Photography

More folks and old machines

Well the photographs from the Astle Traction Engine Rally continue to appear, and still several more likely to make a showing too. I hope I’m not boring anyone with these.

I don’t really have any great interest in the machines for their own sakes. They’re impressive, to be sure, and interesting to look upon, and I’m very grateful for the fact that they’re still being maintained and made available to see for the general public. But my interest almost ends there. They make beautiful subjects for photographs though, don’t they?

And so I visit steam rallies, classic car shows, and other similar events where old machines and other artefacts of days gone by might be found. I might not know much about the things on show but I know a worthwhile picture when I see one I think.

I know what these are
Not at an expert level
I just make pictures

Between the engines
Big
Two guys and a traction engine
Haulage contractor

Nikon F80, Nikkor 28-80mm f/3.5-5.6D & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 14 August 2021

35mm · Film photography · Photography

More traction engines

A few more traction engine photos from the Astle Traction Engine Rally for today’s post, mostly because it’ll be quite quick to post them as I need to go out shortly.

Our cat will be home soon – my wife has gone out to pick him up from the vets. He’s doing much better and is eating food again, and I’m very much looking forward to seeing him when he’s back.

More traction engines
I hope you don’t get fed up
Of seeing such things

Traction engine
Traction engine
Traction engine

Nikon F80, Nikkor 28-80mm f/3.5-5.6D & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 14 August 2021

35mm · Film photography · Photography

Hazy days of summer

The photo in today’s post looks a little hazy. However, rather than some sort of photography mishap, this is actually because the air was full of smoke from dozens of steam engines that were building up power.

I’m still not sure about the quality of my Ektachrome scans. Some are really nice (today’s shot isn’t bad), but some are disappointing in how they’ve turned out, either as a result of my photography, or how I’ve been able to scan and process them (Plustek 8100, Silverfast, and Lightroom). The odd thing is that some look lovely and some look really odd, with somewhat garish (but not correct) colours and overly muddy shadows.

It’ll be interesting to see how the roll of Velvia 50 looks when I get around to shooting that.

Anyone else tried the new Ektachrome yet and, if so, how have you found it?

FILM - Steam Rally 2019 Ektachrome scans-4

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Ektachrome.

Taken on 30 June 2019

35mm · Film photography · Photography

Maintenance

This chap was performing some maintenance or repairs on the tyre of this engine. I’m not sure what the tyre is actually made of – I know that they can have solid rubber tyres, but this one looked to be laminated in some way and some of it peeled off in a layer as I observed. Perhaps that’s just the way rubber tyres of this sort are constructed, or perhaps it was made of some other material?

FILM - Repairs

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Ektachrome.

Taken on 30 June 2019

35mm · Film photography · Photography

Steam rally 2019

After a hiatus (on my part) last year, I visited the Sheffield Steam Rally again this weekend. The weather was warm and sunny – in fact very warm on the Saturday, hence my choice of visiting on Sunday instead. I like nice weather, but not too much ot it all at once. 🙂

I decided to shoot the roll of Ektachrome that I bought myself just after Christmas and which I’ve been saving for a suitable occasion. The steam rally, I decided, would be suitable enough, otherwise I’d risk the film never being matched with a good enough subject and sitting in the fridge forever.

I was quite excited to shoot with it, and it was only the third roll of positive film that I’ve bought, so I loaded it into my Nikon F80 (figuring that that would have the most reliable metering of my film cameras) and set off – with a roll of HP5+ as trusty back-up.

As soon as I entered the showgrounds, I started taking pictures, but it was only when I got to about frame ten that a sudden horrible thought dawned on me… I wasn’t focusing the camera!

You see, most of my photography over the past couple of months or so has been with compact cameras (where a half-press of the shutter triggers the auto-focus), or manual focus SLRs, where it’s very obvious when something is out of focus. However, I’d made a rookie mistake of forgetting that I’d set my F80 for back-button focusing, and was instead just half-pressing the shutter to focus and then taking the shot. The reason I didn’t notice my error more quickly is that I was shooting at f/8 and the viewfinder looked to be pretty much in focus anyway – I just wasn’t checking for it snapping to sharpness when pressing the button.

As soon as I realised my mistake, I resorted to doing things properly, but I had sour thoughts about the almost-third-of-a-roll of expensive Ektachrome that I’d probably wasted. I did think about re-taking some of my initial shots, but then decided I’d take the risk that they might be ok and photograph other things instead.

I got my slides back today and, thankfully, all bar a couple of those first shots have come out focused sharply enough to be used, so I was relieved about that. I haven’t scanned the full roll (or even started on my HP5+ shots) yet, but here is one of the pictures that I have. The Ektachrome has produced beautifully saturated colours in the sunshine ( the colours on some of the more shady frames need tweaking though – especially the reds) and, in fact, I’ve actually reduced the saturation a little on this photo.

FILM - Traction

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Ektachrome.

Taken on 30 June 2019