I was going to post this yesterday, but it seemed somehow inappropriate to name a post “Bunny girl” given it was International Women’s Day, even though there’s no ill intent intended. It just seems a fitting title for the picture.
It’s a piece of artwork on one of the supports of the Mosborough Bypass. It’s right next to the River Rother and I’ve not walked this far along the viaduct before, having normally angled away across the washlands at this point on a walk, so I’ve not seen this piece before and don’t know how long it’s been in place. The way the light was hitting the concrete lit it up nicely though, and the Yashica Mat has rendered a crisp image.
I’m not sure that “Bunny girl” is the right title though – those look more like mouse ears or something.
This viaduct is a familiar subject for my photographs (and this blog) it being only a mile or two from where I live, but it’s interesting enough for me to have taken a number of pictures at the location. I fully expect that I will take more, and that those will feature here on the blog also at some point.
I like the subtle curve of the roadway on this picture, plus I’m very happy that I didn’t behead that street light when composing the shot.
Incidentally, the location ///bypass.viaduct.curve is in the wilds of Siberia if you use the What Three Words app to look up the location that shares the three words of today’s post.
Down on Woodhouse Washlands lives this fallen willow tree. It’s trunk is broken and splintered so that much of it lies almost parallel to the ground. But the tree is a survivor and its limbs rise finger like from its fallen trunk.
These were the first three shots from my replacement replacement Yashica Mat 124G – the one that replaced the one with the shutter problem. So far, everything seems to be working as expected with this one and the test roll I shot has delivered a bunch of pictures I like, including these.
Did it make a sound if no-one was there to witness it?
I managed to get out for an hour or so today to test my replacement Yashicamat 124G. I stayed local this time, going for a walk around the nearby Woodhouse Washlands. I was blessed by some decent light too, so if all is well I’m hoping I might get some nice pictures. I just need to find some time to develop the roll now!
A couple of shots of the northern branch of Ladybower reservoir in the Peak District. The structure crossing the water is an aqueduct which carries water from Derwent and Howden reservoirs, which are upstream to the north of Ladybower, taking it to a treatment works near Bamford and from there to the cities of Derby and Nottingham.
The Shambles is probably the most famous street in York. It’s buildings date in some cases back to the 14th century and it’s a big draw for tourists. There’s something undeniably attractive about it’s narrow, canyon-like passage, with an almost enclosed feeling due to the overhanging buildings.
The street gets its name from the fact that it used to be home to a significant number of butcher’s shops (“shambles” being an old name for such, apparently). I’m not sure that there are any butchers shops present any longer, but there is a shop that sells ghosts, and another full of Harry Potter paraphernalia.
This shot was taken quite early on a Sunday morning before the crowds of tourists began to fill it to capacity.
There are some more photos of The Shambles in this post I published back in 2017.
Of the photographs I made during our visit to York in December, the one posted here today is probably the one I like most. Technically it’s good, being sharp, well exposed and, thankfully, not showing any real sign of the low contrast that affected many of the other pictures on the two rolls I shot.
But really I just like the picture. The western side of York Minster looks enormous, looming above the streets. There’s a power to the scale of the building and it’s really quite amazing to consider the architecture, engineering, craftsmanship, and sheer art that went into the construction of these buildings.
My wife and I visited York in December to see the Christmas markets. As always tends to be the case at these things, the wares on offer were not cheap! That didn’t put us off buying some treats, and we came away with selections of cheeses and biscuits and other bits and pieces. It also seems set in law that there must be a stall selling bratwurst cooked over a charcoal fire at all these markets. I had a concoction of bratwurst, chips, and various toppings for my lunch, but there was some sort of jam stuff on there too which wasn’t really to my taste and I wish I’d just had a sausage in a bun instead.
Wandering round York city centre I took some pictures where I could with my Yashicamat 124G (and a few with my Olympus XA-3 which was tucked in my jacket pocket). It was pretty busy and trying to get pictures without someone walking into frame while I set up the shot or (more annoyingly) just as I pressed the shutter, was difficult.
The two shots here were taken at The Shambles, York’s famous medieval shopping street. This quaint street with it’s hundreds-of-year-old buildings is busy at the best of times as a tourist trap, but is made even busier by the fact of having a Harry Potter shop at one end, and The York Ghost Merchants at the other.
It’s the latter shop from which the two bowler-hatted gentlemen featured in today’s pictures were from. There was a queue of at least fifty people waiting to go into the shop to acquire their very own unique ghost (including a lot of overseas tourists. These spooky figurines are clearly popular!), so these people (of which there were at least four) were acting as crowd-control in the very narrow and very busy street.
The first shot was taken from close to minimum focus distance with me backed right up against the window of a baker’s shop. The second doesn’t look too busy, but you’ll notice that it’s cropped from the Yashica’s usual square format. This is because I has perhaps a quarter of a second to photograph the guy outside the shop before the crowds closed in again. There are people entering and exiting frame at the left and right of the full frame version.
A farewell to Blackpool with the last three shots from this roll.
I’ve been very happy with the look this roll of JCH Streepan has given me. Very fine-grained for a 400 ISO film, and lots of contrast. I’m not sure how it would work in less flattering light, but in these conditions it shone.
Yashicamat 124G & JCH Street Pan 400. Ilfotec DD-X 1+4 9mins @ 20°
For a considerable amount of time through my life, I believed that Blackpool Tower had been constructed as a prototype for the Eiffel Tower in Paris. I’m not sure where I gained this belief, although I suspect it originated, as so many long-held and unquestioned beliefs do, in the school playground. Some believable kid probably told us in a sage and wise tone about the origins of the Eifel Tower being in a Lancastrian seaside resort. This unremebered child didn’t offer any explanation as to why Gustave Eiffel had decided to come to the windy north west of England to test out his design. Or perhaps we simply believed that he had copied the Blackpool Tower (the reality is that Blackpool Tower was inspired by the Eiffel Tower).
Whatever the case, I never event thought to question any of this knowledge until much later in life whereupon at some point I guess I suddenly had a random realisation that it was all a load of bullshit.
I had similar beliefs about the Tyne Bridge in Newcastle being a prototype for the Sydney Harbour Bridge as well, although, in that case, the builders and designers of the two bridges were the same, and the Tyne Bridge predates it’s larger Sydney version by a few years.
Yashicamat 124G & JCH Street Pan 400. Ilfotec DD-X 1+4 9mins @ 20°
Steel City Snapper photography 