Film photography · Medium Format · Photography

A house with a shadow

I visited the Lincolnshire town of Gainsborough back at the end of November and shot a couple of rolls of film through my Bronica ETRSi. Things didn’t go to plan and I was beset by a number of problems.

The first roll I shot was some Lomography Color Negative 800. I shot the full roll without noticing any issues (at the time), before loading a roll of Kentmere 400, and it was then that the issues made themselves known. The first was a problem with my light meter, a Sekonic L308s. It was working ok and measuring the light, but I realised after a while that the reading were a little weird and discovered that, to my dismay, that I’d somehow put the meter into cine mode. I’ve no idea how I did this, and it took quite a bit of Googling to find out how to revert it back to stills metering. By this time I’d shot the whole roll of Lomo 800, plus half of the Kentmere, without knowing how long the meter had been out.

It was shortly afterwards that I realised the second, more significant problem… I’d got the dark-slide still inserted in the Bronica! Now, this shouldn’t be a problem as the camera shouldn’t fire if the dark-slide is present but somehow the camera had been firing away without a care in the world, wasting almost half the roll of Kentmere!

I rectified the issue by removing the dark-slide and shot the rest of the roll (correctly metered this time), but I wonder if there’s some sort of fault present (or if I’d managed to somehow bypass the safety feature by ham-fisted means).

The picture shared here today of a tree casting it’s shadow on the side of this house was taken twice, once to no avail because of the above problem, and then this second attempt. I’m glad I returned to the scene as it’s probably the best shot of the day.

Tree shadow recipient

Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Kentmere 400. Ilfotec DD-X 1+4. 11.5 mins @ 20°

Taken 30 November 2025.

35mm · Film photography · Photography

Nosferatu

This was one of those cases where, as soon as I saw the scene, I thought “There’s a picture!“.

The hunch shouldered look immediately brought to mind the iconic scene of the vampire, Nosferatu, ascending a staircase as a shadow. In this case it’s not a member of the undead blocking the light, but inventor and engineer, James Watt, whose statue stands on a plinth just out of frame. The second shot shows the culprit in better detail.

Nosferatu
Statue guardians

Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 for 8 minutes @ 20°

Taken on 12 April 2025

Film photography · Medium Format · Photography

Artificial flowers. Real shadows.

A shot taken back during full lockdown in April. I’d spotted that this vase of artificial flowers on the windowsill cast a nice shadow on the vertical blinds when one of the lamps was switched on. So, after a few nights of noticing it and thinking there might be a picture to be had, I decided to drag the tripod down into the living room, set up the bronica with a cable release, and make the photograph.

Shadow flowers

Yashica Mat 124G & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 27 April 2020