Minolta X-300, Minolta MD 50mm f/1.7 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 14 March 2026
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Minolta X-300, Minolta MD 50mm f/1.7 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 14 March 2026
Minolta X-300, Minolta MD 50mm f/1.7 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 14 March 2026
Chalet doors and the side of a rendered house. Big chunks of colour filling the frame.
Minolta X-300, Minolta MD 50mm f/1.7 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 14 March 2026
I thought I’d go alliterative with the title of today’s post. 🙂
Two pictures taken close together and as consecutive frames of boats on the beach at Blanes (those six words, and indeed the title of the post, make for tricky tongue-twisters. As does the phrase “tricky tongue-twisters” for that matter!)
The first picture was the second one I shot, and my favourite of the two by far, and managed to find its way into Flickr’s Explore section when I posted it. The colours are nice and it reminds me of the French flag (although blue, white, and red stripes are used in a multitude of other national flags too).
The second shot is nice too, but lacks the vivid colours of the first and loses some impact as a result.
Olympus Trip 35 & Kodak Pro Image 100. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 5 June 2025
Yashica Mat 124G & Fujichrome Provia 100. Lab developed and home scanned on an Epson V850.
Taken on 30 March 2025
Apologies to my American readers, for whom this play on words will fall slightly flat. 🙂
Yashica Mat 124G & Fujichrome Provia 100. Lab developed and home scanned on an Epson V850.
Taken on 30 March 2025
Of the shots from this roll of film that I uploaded to Flickr, this one receive by far the fewest likes. But I like it.
I like the bold red of the car against the graph-paper wall of the building. The red fire alarm that matches the car’s colour. The parking signs. The plant behind the frosted glass window.
Photographs are a subjective topic, aren’t they?
My anxiety persists. It’s causing difficulty with my sleep (not stopping me from falling asleep, but preventing me from going back to sleep when I wake early) It’s leaving me feeling fatigued and I keep catching myself almost nodding off while watching TV in the middle of the day. I need to find some techniques to keep it at bay but, in honesty, I think the only thing that will remove it is resolution or acceptance of the thing that’s causing it.
Yashica Mat 124G & Lomography Color Negative 400. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 2 February 2025
I was quite surprised by the vividly saturated colours that I got with this roll of Fuji Pro 160NS. It’s not a film that I’ve shot a lot of, so my lack of familiarity might mean that my scanning process has resulted in a richer than usual output. But I like it, so who cares?
Sadly, given the film was discontinued in 2021, I’m unlikely to get to know it much better (although I do still have three rolls of it in the freezer).
Fujica GW690 & Fujifilm Pro 160NS. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 28 July 2024
The roll of Kodak Ultramax from which these photos (and those of recent and coming days) have been taken was the first I’ve ever shot of this particular film stock. I’ve been quite surprised at the strong, vivid colour in the pictures. I’m not sure if this is just how the film looks, or if my Negative Lab Pro settings have enhanced the saturation in some way (I’ve not purposely boosted the saturation).
The reds, in particular, really jump out at me, especially in these two pictures of the street-food vendor, Falafel Guys, and the traditional red British phone boxes. There’s even a hint, daresay it, of Kodachrome in those reds and blues.
Some of the effect comes, I think, from the vignetting that the Z135 has a tendency to add to pictures, but that’s not all of it. Whatever the case, I have another three rolls of Ultramax waiting to be shot. I’ll not hesitate to use it again.
Canon Sure Shot Z135 & Kodak Ultramax. Lab developed. Home scanned and converted using Negative Lab Pro.
Taken 14 October 2023.
There is something that attracts me to photographing post boxes. It’s not hard to figure out – it’s the vivid red that does it. I photograph them in black and white sometimes too, but colour really works best.
This one dates back to the reign of King George, so would have been erected sometime between 1936 and 1952, when he died and new boxes tok on the ER markings denoting Queen Elizabeth II.
It also has a sticker on it advertising a march and rally seeking justice for the events that took place at the Battle of Orgreave during the miner’s strike in June 1984.
Canon Sure Shot Supreme & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
Taken 20 May 2023.