35mm · Film photography · Photography

A rainy Saturday morning

Although I have a lot of photos in my archive that have never been featured in the blog, and which I can easily delve into if I need to, I always feel slightly unsettled if I don’t have a supply of fresh images to use. There have been time where I’ve had several rolls all lined up to be scanned and chosen from, but at present I feel I’m running a little hand-to-mouth where new images are concerned.

Partly as a result of these feelings, despite the fact it was wet, windy, stormy weather at the weekend, I took a trip up town on Saturday morning to finish off the roll of HP5+ I’d started the day before when I made my competition entries.

FILM - Rainy Sunday morning

I don’t mind wet weather – it’s far preferable to dry but flat overcast days as a rainy day throws up all manner of interesting possibilities (albeit with the side-effect of you having to try and keep your camera dry) – but as it was also windy it meant that, even getting the camera out of the bag for short periods would invariably involve a constant battle to keep (and wipe) water droplets from both the camera and lens. As a result of this several of the shots from the roll are not my best – there are a number of misses where I rushed things, and a couple of almost completely blank frames which I think might be from putting the camera in the bag without turning it off and then accidentally firing the shutter.

Nevertheless, I still have enough shots that I like to keep the blog going until I get the next processed roll back.

Today’s pair of images are taken a stone’s throw from one another (the same building can be seen in each) in Sheffield’s Kelham Island area, a former run-down industrial quarter that is now under the process of upmarket gentrification, and which I’ve photographed on several occasions.

FILM - Awaiting gentrification

Nikon F80, Nikkor 50mm f/1.8 AF-D & Ilford HP5+.

Taken on 15 February 2020

35mm · Film photography · Photography

Another bridge chapel

Back in April of this year, I posted about the bridge chapel in Wakefield that stands over the River Calder. I mentioned in that post that it was one of only five such structures in the country, the others being situated in Rotherham, Derby, Bradford-on-Avon, and St. Ives (Cambridgeshire). The picture in today’s post is of the Chapel of Our Lady of Rotherham Bridge, in Rotherham, which dates back to 1483. This bridge crosses the River Don.

It was raining heavily on the day I took the photograph (you can just about make out the diagonal streaks of the raindrops if you look at the image at larger sizes), but the door was ajar and a service looked to be just about to start. I did try and get a photo of the worshippers inside, but someone came and closed the door just as I took the shot and I instead captured a somewhat blurry image of a clergyman who looks a little bit like a ghost!

This one turned out nicer, and was the last shot on the roll. As I was thoroughly soaked by this time, I treat myself to a fresh cream scone to eat when I got home. 🙂

FILM - Bridge chapel

Pentax Espio 140m & Ilford HP5+.

Taken on 1 October 2019

35mm · Film photography · Medium Format · Photography

Changeable weather #1: The wet part.

I went up town last Saturday with the primary intention of taking some photographs (although I did have a secondary mission to pay the deposit for a restaurant booking that my wife had made). The weather was bright and warm, with some fluffs of cumulus (and some bigger wodges of cloud on the horizon) littering the sky. This was not to last.

Despite the conditions remaining the same during the twenty minutes of so it takes to drive into the town centre, literally as soon as I got out of the car, one of the aforementioned “wodges” of cloud was threatening the day with its massive dark bulk. The weather forecast app on my phone said not a word about rain though, so I fed the parking meter and set off to get some pictures.

The weather forecast app tells lies.

I got the following shot of an old cutlery works entrance.

FILM - Eye Wit

Then I followed the street leading to the back. There I started to line up another shot when I felt a few spots of rain – not heavy at this stage, but enough to potentially get on the lens and spoil the picture (indeed, a single fat droplet fell right into the open top of the Yashica Mat leaving a wet splash on the focusing screen). The only available shelter was a small doorway that was presumably a point of egress from a fire escape or something. It was approximately 18 inched deep, so enough to provide adequate shelter, but with the downside of having a noticeable air of urine odour to put up with. Still, beggars can’t be choosers, and literally seconds after stepping into the doorway, the heavens opened and rain began to pour down as though someone had turned on am enormous  shower in the sky. The heavy rain lasted maybe five minutes, but then took another ten to abate completely, so I remained in my shelter for quite a while. During this time I took the following shot. It’s a little out of focus, but it’s not a great shot anyway, but is included here as a memory of the moment nonetheless.

FILM - When I was trapped by the rain

The next shot was taken from right outside my sheltering spot )it is directly to the right of where I took this photo).

FILM - The cobbled way

It’s interesting to see how the tarmac has worn from the streets in this area, revealing the original cobbled surface beneath. As well as the Yashica Mat, I also had my Olympus 35 RC with me, still loaded with the remaining frames of the roll of Kodak Colorplus I’d been shooting previously, and it was with this that I got the shot below (my sheltering place can be seen at the bottom left of the frame).

FILM - Another one of those things

Further along this same street, I took the next shot of some graffiti. The shot is quite nice (if you like this sort of thing) with lots of texture and detail. The small red shape that can be seen at the bottom of the boarded-up window is actually a small door that has been affixed and is labeled “The home of Abdul the world’s smallest muslim”. Whether Abdul is a fictional character in the mind of the artist who added the doorway, or represents a real person (though presumably not small enough to fit through this small doorway!), I know not, but it adds some additional interest to the shot.

FILM - NSFW?

A couple more street shots from the same area are next, one from the Yashica Mat, the other form the 35 RC. There’s a slight John Bulmer-ish feel to the second shot in terms of the colour and conditions that I like.

FILM - Egerton Lane

FILM - No Parking Loading

It’s interesting to think that, although relatively lightly traversed nowadays, that these streets would have been hives of activity at one time, with many hundreds of people employed in the area.

The last shot of this batch is taken again with the 35 RC, although I did a black and white conversion on the Colorplus as I liked the result better than the original colour image.

FILM - Gate 6

The weather was to brighten up again shortly after taking this last shot, and I’ll document the remaining pictures in the next post.