Film photography · Medium Format · Photography

Galadriel’s keeper

I don’t often make portraits, I’m much too shy to ask people if they’ll allow me to, and it takes a real effort to overcome this and ask if I can. Even then, I often rush in my nervousness and end up with a sub-par result (either missing focus, or not watching the edges for distractions usually), so I’m quite pleased how this one turned out. I spent a while talking to the man (whose name I didn’t ask because of my socially inept brain!) before I took the shot.

Galadriel, who stands proudly conducting the music, was missing her baton on this occasion. Perhaps one of those monkeys stole it? 🙂

You can witness Galadriel in action here.

Galadriel and her keeper

Fujica GW690 & Lomography Color Negative 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 30 June 2024

Film photography · Medium Format · Photography

Posing in stovepipe hats

The three people in today’s photos caught my eye as I wandered around the collection of classic vehicles at the Smallwood Steam Rally last week. It was the tall stovepipe hats that attracted my attention initially as they could be seen from a couple of rows of cars away.

When I reached them they had all sat down for a breather beside a large trailer / RV. Rather than attempt a candid shot, I asked if they would allow me to make a portrait, to which they kindly agreed. I think the Yashicamat helped in this – TLRs are quite the attention grabbers in a way that a regular SLR or rangefinder probably wouldn’t be.

The photo is on Shanghai GP3, but shot at 200asa and push-processed. One of the other people at the rally with us that day had said it was his favourite film shot this way, and the results are pretty nice. Almost with a Fuji Acros look to them.

It was difficult to find developing times to push the film (at least with the developers I had to hand). While I found some suggested times, there was some variance depending upon where I looked. The other option would have been to use the standard 1.5x normal developing time for pushing a single stop. In the end I decided to take them to my local lab rather than risk messing things up – I thought I might have some nice pictures on the roll, plus it had been a 3-hour round trip to get to the rally, and I didn’t want to lose the photos.

The negs were a little on the thin side, but scanned really nicely.

Once upon a time
Engineers would wear these hats
When building marvels

At the rally in stovepipe hats

Yashicamat 124G & Shaghai GP3. Lab developed in Xtol.

Taken on 4 September 2021

35mm · Film photography · Photography

Artist

This chap was sketching the straddle warehous at Victoria Quays while I walked around with my camera and he allowed me to maje a portrait of him at work.

Sketching with pencils
An image of a building
Bridging a canal

Artist

Nikon F80, Nikkor 35mm f/1.8G DX & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 24 July 2021

35mm · Film photography · Photography

Picturing a picture maker

The chap was painting pa picture of the buildings at the canal wharf when I wandered the area with my camera. We were both taking advantage of the lovely light to make our images and I stood and chatted with him awhile before asking if he would mind me making a photograph or two.

The artist
Painting

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fuji Superia 100 (expired 2008). Grain2Pixel conversion.

Taken on 17 September 2020

35mm · Film photography · Medium Format · Photography

Day 365 – Twelve favourite photos from 2019

My initial plan for today’s post was to publish 12 photos that were taken this year but which haven’t featured in the blog, but on second thoughts I’ve decided to take the more traditional route. There might still be some that never appeared here before though – I tend to upload more stuff to Flickr than gets featured here – so aren’t you the lucky ones. 🙂

Today also marks the 365th consecutive blog post of the year – a target I attempted once before but which fell through when other events in my life took precedence. Not every blog was written on the day it was posted – in situations where I’ve been away from home I’ve pre-written blogs and then scheduled them to automatically publish (or made them live from my phone). Because of the way I link my photos from Flickr, I’ve found it’s a complete PITA to try and write and publish from mobile devices.

Anyway… Before I get on to the pictures, I just want to take the time to thank all who’ve viewed, interacted or commented on my blog over the year and to wish everyone a happy new year.

So, the photos…

January – This tree sits on the moors just south of Sheffield and is just a few metres from the roadside. It’s distictive shape made for an easy composition. Sadly the tree has now suffered damage – the last time I passed all that remained was the trunk as the upper branches have been broken off. 😦

FILM - In a lonely place (35mm)

Nikon F80, Nikkor 28-80mm f/3.5-5.6 AF & Fomapan 400. Taken on 20 January 2019

February – Eyes in the back of his head? One of the tenets of street photography is to be prepared and ready to catch that decisive moment when it occurs. Sadly, this is rarely the case for me and I’ve missed loads of potentially nice shots due to fumbling with the camera. This was one of the times I didn’t.

FILM - He's got eyes in the back of his head

Olympus 35 RC & JCH Streetpan 400. Taken on 15 February 2019

March – Portraiture is not something I have much of an interest in, particularly studio portraits (although I do enjoy looking at environmental portraits), so when an opportunity arose to photograph some models at the local camera club I wasn’t sure whether I’d enjoy it or not. While I can’t say it ignited any desire to take more portraits, I was very pleased with my results, one of which is below. It isn’t prefect (the creased backdrop lets it down a little), but the way the Sigma 105mm lens and the Kodak P3200 rendered the images is lovely.

FILM - WPS Model Session-2

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Tmax P3200. Taken on 19 March 2019

April – A gate on a public footpath through Edale in the northern Peak District National Park. I think this photo has a certain charm to it, there’s a sense of mystery as to where the path leads and what might be beyond the gate. This is from the penultimate roll of film through my Yashica Mat 124G last year. I shall have to rectify this situation and shoot with the camera again post haste!

FILM - A path near Edale

Yashica Mat 124 G & Fomapan 100. Taken on 20 April 2019

May – During May I visited New York with my family. It’s the second time I’ve visited (and I’d love to return – although I think my wife would prefer somewhere else in the US if we get across the Atlantic again) – I could have spent all day, every day just walking the streets taking photos. It was a family trip though, so I grabbed whatever I could. This is just a view down 7th Avenue after a rain shower, but it screams New York to me.

FILM - 7th Avenue

Canon Sure Shot Z135 & Ilford HP5+. Taken on 28 May 2019

June – A box of pre-owned pool balls on a stall at the Sheffield Steam Rally. I think I might have said at the time that colour would have been a more obvious choice here, but I love the contrast given by the HP5+.

FILM - Balls

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Ilford HP5+. Taken on 30 June 2019

July – The beach at Scarborough. My wife and I took a trip to the seaside and I shot a roll-and-a-half of film during the day. This is just a snap of the beach, the people enjoying themselves there, and some yachts in the sea beyond, but it has a nice “Martin Parr” feel to it that I like. It was also an opportunity to test the little Pentax Espio compact that I’d bought for £1 a fortnight before.

FILM - On the beach

Pentax Espio 140M & Fuji Superia 100 (expired 2008). Taken on 13 July 2019

August – Taken at the Lincoln Steam Rally – the first time I’d attended this event, but it was huge and I hope to go again in 2020. I shot four rolls of film on the day, but this Ektar shot of a vintage truck is a favourite. The almost 70-year-old Zeiss Mess-Ikonta continues to impress with it’s superbly sharp lens.

FILM - ERF

Zeiss Mess-Ikonta 524/16 & Kodak Ektar. Taken on 17 August 2019

September – A day trip to my childhood seaside haunt: Mablethorpe. It’s a place I’m always drawn back to, even though I’m always slightly disappointed that it hasn’t remained frozen in time as I remember it from when I was a child. Another day where several rolls of film were shot (including three botched rolls through my Holga because I had it set to bulb mode!). I’ve many photos from the day that I like, but this is the one that always springs to mind when I think back.

FILM - Water dragon

Olympus 35 RC & Kodak Portra 400. Taken on 13 September 2019

October – I took a trip to Doncaster racecourse with my dad, and this is one of the photos from the day. The weather was awful, with heavy rain all day, but oftentimes bad weather makes for good photos.

FILM - A day at the races

Olympus OM-1, Zuiko 75-150mm f/4 & Ilford HP5+. Taken on 25 October 2019

November – This shot is potentially my favourite of the whole year. The simple but beautiful charms of the Holga coupled with a wonderfully foggy day made for some amazing photographic opportunities.

FILM - The path untaken

Holga 120N & Kodak Tmax 400. Taken on 30 November 2019

December – December is a little difficult as, as I type this, I have three rolls of film waiting to be processed still and there might be a showstopper on there (or possibly not), but this image that I took just before Christmas on a lunchtime walk is definitely worthy of the spot. It’s another Holga 120N image, but cropped to a 4×3 ratio (the bottom of the frame has a river in it, but it didn’t add a lot to the overall image and the landscape crop works much better. The way the Holga renders out-of-focus details is wonderful, and almost impressionistic in style.

FILM - Breaking through

Holga 120N & Kodak Tmax 400. Taken on 18 December 2019

So there you have it. Twelve favourite shots from 2019. As with any list like this it’s subjective, and if I were to do it again tomorrow several of the selections might change, but for now it will do.

One final word – I’ll proof read it later, so apologies in advance for any typos or grammatical goofs. 🙂

35mm · Film photography · Photography

My first try at studio-style portraits

My local photo society had a studio-style model shoot this week which gave me my first ever chance to shoot professional models in this sort of environment. To be clear, this wasn’t a true studio setting, it was more a case of those members with studio-lights, backdrops etc. bringing them along, and then a session of organised shoots with each of the four models, so each member got a few minutes to photograph each of them.

I took along a couple of cameras: the Yashica Mat (which I remembered I’d loaded with 100asa film at the weekend, rather than the Delta 400 I’d bought for this session!), and my Nikon F80 with a Sigma 105mm f/2.8 and a 50mm f/1.8. I brought along a couple of film choices for the Nikon, but quickly decided on a roll of Tmax P3200 that I gratefully received from my Emulsive Secret Santa last year, and which I’ve not had opportunity to shoot until now. I figured the 3200asa film would give me plenty of leeway with shutter speed and hopefully produce some nice gritty portraits.

It became quickly apparent that I wouldn’t have enough time to faff around with the Yashica Mat, tripod, light meter etc, so quickly fell back to the F80 for the task at hand. Having never worked with models before, I didn’t really have a clue on how to direct them (and being somewhat shy didn’t help me either), but I was able to direct them in some poses I wanted to shoot, and I also heeded some advice I’d heard on a YouTube video once: That you should trust the model to pose for you. It’s their job, and they’ll know what works better than an inexperience photographer. This was good advice.

Anyway, not knowing quite what results I would get, I was very happy when I got my processed negatives back. While I’m sure there are many points to criticise, for my first attempt I was really happy with what I’d got. I’m not sure it’s something that I’m interested in pursuing further, but it was a good experience.

Anyway, here are a small selection (and there are a few more on my Flickr stream if you want to see the rest).

FILM - WPS Model Session-3

FILM - WPS Model Session

FILM - WPS Model Session-5

FILM - WPS Model Session-6

FILM - WPS Model Session-8

FILM - WPS Model Session-10

FILM - WPS Model Session-12

Nikon F80, Sigma 105mm f/2.8 OS HSM (except the shot with the tattoed arm in the foreground, which was the Nikkor 50mm f/1.8 AF-D) & Kodak Tmax P3200.

Taken on 19 March 2019

35mm · Film photography · Photography

Appy Allan

While I was wandering around the School Strike for Climate protest last friday, I happened across the chap in the photo below. He was dressed in unusual but smart attire and had an interesting look about him so I decided to do something I rarely do – ask if I could make a portrait. He generously allowed me to take the shot below and I stood and chatted to him for a while. He was pleased to see the schoolkids standing up for something they believed in, and said how it wouldn’t have been possible to do so when he was at school. He went on to tell me a little about himself – the clothes he was wearing were Vivienne Westwood designs, and he explained that, thanks to his colourful and interesting life story, a documentary was being produced about him (http://www.appyallanfilm.com/). He was a friendly bloke and it was good to speak with him.

FILM - Appy Allan

Olympus 35 RC & JCH Street Pan.

Taken on 15 February 2019

35mm · Film photography · Photography

Photobombed

Another shot from the flea market. I’d spotted this guy on my initial walk-around and wondered about getting a candid shot, but as I approached the stall I saw another photographer ask him if he could take a portrait. After he’s moved away I decided to fo the same, and the guy was good enough to oblige. Un-noticed by me at the time, the original photographer had walked around the next row of stalls and gave me a direct glance as I took my shot. Two for the price of one. 🙂

FILM - Photobombed

Canon Sure Shot Telemax & Kodak Tri-X.

Taken on 22 February 2018