35mm · Film photography · Photography

Opportunity without inspiration

I had the opportunity to go out yesterday and today to do some photography, but mostly failed to do so. Part of this might be one of those dips in inspiration that seems to afflict photographers from time to time, and it was this which meant that, as the weekend approached, I was unable to decide just where to go.

This was compounded, perhaps fatally so, by the fact that I’d got set in my head that I was going to use my large format camera, which I haven’t used in over a year! While I love the images I can get on 4×5 film, I’m also put off the process somewhat by the effort required.

Not only is it an expensive process in terms of film (especially if I shoot colour!), but perhaps more tellingly, in my time. Each shot takes a lot of preparation to get right and because of this, I might only come back with a handful of pictures which then puts a lot of pressure on me to try and make sure they’re all worth the effort. Sometimes I think about the work I need to put in and just think “Nah! I can’t be bothered…“.

Another factor is that, if the weather is nice, then the weekend will draw others to places I might want to photograph. While this is fine – I have no ownership of these places, and everyone else has as much right to enjoy them as me, it can lead to frustration if my perfectly composed shot keeps getting disturbed as others enter the frame (usually in the short window when the light is perfect). If I’m shooting smaller formats then it’s easier to avoid this as I can work much faster and have a greater chance of taking a picture quickly when opportunity arises.

I did go out briefly yesterday morning, with an intent to photograph a local cemetery, but with a detour to get some urban landscape scenes for a photo comp I’m taking part in. Luckily, I also took my pocketable Olympus XA3 with me, and used that to take these pictures, as it really wasn’t worth the effort of setting up the 4×5, but the large format camera would serve me well at the next destination, or so I thought. But when I got there, the place was closed. A sign on the gates said it would be closed for two days (the previous two days, not the day I was there!) and it wasn’t possible to gain access. After this I though about maybe going somewhere else, but a thick bank of cloud had moved in, the light was lost, and I decided to cut my losses and go home and do something else.

I planned to go out this morning too, the weather forecast had looked promising with a mix of sunshine and clouds, but I woke to a pure blue sky devoid of any interest, and by the time some clouds began to show their fluffy faces late in the morning, the sun was high, the light was harsh, and any desire to photograph had left me.

Obviously, as soon as I’m back at work tomorrow and unable to go out with a camera, the weather will no doubt be perfect and I’ll be abuzz with inspiration again. Sigh…

Here’s a picture of Steetley dolomite works, taken on a day where I felt a lot more inspired.

Distant dolomite works

Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.

Taken on 8 February 2026

35mm · Film photography · Photography

Lone tree and chimney

It wasn’t the best sky for photography on the day I took this. While it was a blue sky, rather than grey, which at least meant there was some contrast to be had, I still dislike empty skies most of the time, and being shot on black and white film, there wasn’t even any colour to be seen.

I think blank skies can work if you’re looking for negative space in a picture, or – if shooting colour – as a contrast to other subjects, but otherwise they can be a lot of nothing taking up a lot of the frame. This is made worse by the fact that I sometimes get banding artifacts when scanning images, which are especially noticeable in such scenes.

I’d much rather have some clouds to break things up and add interest.

Lone tree. Lone chimney

Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.

Taken on 8 February 2026

35mm · Film photography · Photography

Perched on a hillside

I’ve taken a break from re-scanning these holiday pictures today and instead had a go at scanning some very-expired colour film I shot a couple of weeks ago. I’ll post the results in one of my far-less-frequent-than-I-originally-planned expired film posts.

The film expired in 1987, so that might give you some clue as to what to expect, suffice to say that they don’t look quite as nice as these re-scanned Ektar pictures.

Perched up there

Olympus OM-1 and G-Zuiko Auto-W 28mm f/3.5 on Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 24 August 2018

35mm · Film photography · Photography

Water-taxi booking

Another re-scan of a picture which I’ve posted on Flickr previously, but not here on the blog. There’s a definite pleasure to revisit older negatives and re-scan them with improved equipment and skills. This set I’m going through now have much better colours, and also a lot more resolution than before.

I like the vertiginous elevation of the hillside houses and hotels in this shot.

FILM - Water taxi booking

Olympus OM-1 and G-Zuiko Auto-W 28mm f/3.5 on Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 24 August 2018

35mm · Film photography · Photography

Beached boat at Positano

I’ve been scanning more pictures from the 2018 Italy trip, so here’s another that’s not been on the blog before (I don’t think). This one wasn’t taken at Capri, but a few days later on the beach at Positano, which we visited during a coach trip along the Amalfi coast.

FILM - On the beach

Olympus OM-1 and G-Zuiko Auto-W 28mm f/3.5 on Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 24 August 2018

35mm · Film photography · Photography

Near the top of the funicular

Three photos taken in the area near the top of the funicular in Capri Town.

There were huge queues for the funicular so I suggested to my wife that we walk up instead. Surely it can’t be that far? I remember there being groups of exhausted looking people at regular points of the ascent in little areas that were akin to base-camps. How my wife laughed…

And then, because we didn’t want to miss out boat off the island, we ended up walking back down again later. At least we had gravity on our side for the descent…

Funicular queue
Near the funicular
Clocktower

Olympus OM-1 and G-Zuiko Auto-W 28mm f/3.5 on Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 21 August 2018

35mm · Film photography · Photography

Shrine

I’ve had a busy day today doing various bits and bobs and it’s suddenly 7:30 in the evening! So I’ll quickly bung another Capri re-scan onto the blog. I can’t remember where precisely in Capri this was (although it will be in Capri Town somewhere), but I like the splash of colour in the otherwise soft and high-key scene.

Shrine

Olympus OM-1 and G-Zuiko Auto-W 28mm f/3.5 on Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 21 August 2018