35mm · Film photography · Photography

Covid jabs (and more birch trees)

I received my first Covid-19 vaccination today – less than an hour from when I began typing this in fact. I have to say that, despite my earlier reservations at how fast the vaccination programme would roll out here in the UK, it is currently barreling along – I wasn’t expecting my first jab until April at the earliest, so was pleasantly surprised when I received the SMS message from my local health-centre last week. I was originally scheduled to have the injection yesterday lunchtime but, being my usual organised self, I forgot to add it into my Outlook calendar at work and then booked a business meeting in the same slot. Luckily there were still available slots this afternoon.

The process went smoothly, despite there being a queue of people when I arrived. Each person was asked their name and the time of their appointment by two people outside the door to the building, who would then give each person a piece of paper with their details (including the vaccine they would receive – the Astrazeneca jab in my case). There was some minor chaos caused by the wind blowing the little slips of paper that they gave to each person around on the table, but none managed to escape. More minor confusion arose when one of the staff tried to give my slip of paper to the person in the queue in front of me. They looked puzzled as to what had happened – perhaps the fact that we were both bald men wearing face masks didn’t help – but after calling out that the piece of paper was mine a couple of times, all was resolved.

Silver birch-2
Random birch tree photo. Nothing to do with vaccinations. 🙂

The queue then continued into the medical centre building (not my usual one, but another in the area. Its within walking distance but I drove there, having done one of my C25K runs at lunchtime already, and not fancying further exercise). The queue followed the corridor into the building, myself and my fellow jab’ees staying the alloted 2-metres apart, then winding around a 90-degree corner and to a T-junction where a member of staff stood, directing people into the vaccination rooms as they became free. To the left was a seated waiting area for anyone who had driven to the centre to sit and be observed for 15-minutes after receiving their jab. The man in front of me told the member of staff that he didn’t have time to wait around, and was advised to let the doctor administering his vaccine know.

Shortly afterwards it was my turn to go in and I was directed to the nearest room to where I was waiting. A masked lady in a flower-patterned boiler-suit asked me to sit down, and then realised she had no doses of vaccine left, so went out to fetch more (and to re-fill her bottle of juice). Shortly afterwards she returned with a box filled with vials of vaccine and some syringes. She looked somewhat frazzled, and I can only imagine how tiring it must be to vaccinate what appeared to be a never-ending line of recipients. She mentioned that they had had a couple of “fainters” earlier in the day, which had scaused some delays. After asking me a set of questions about allergic reactions and so forth, presumably with the hope that I wouldn’t join the “fainters” (or worse), I was asked which arm I would prefer to receive the needle. Having no preference one way or the other, she asked me to uncover my left arm and swiftly administered the dose of vaccine. A momentary sharp pressure in the muscle of my arm and it was done. She wrote a time on a sticker and told me to go to the waiting area where I should stay until the 15-minutes had elapsed.

The waiting area had a couple of nurses who gave each person a card containing details of the vaccination they had received, including the batch number, and said to keep it safe as we would require it when we received the second dose of the vaccine. Those people who were not driving were allowed to leave straight away, but otherwise we had to take a seat and wait. The nurses would regularly circle the room checking if people were ok and looking at the times on their labels to compare with the clock on the wall before setting them free into the world once more. Fifteen minutes later I was released without any side-effects (or becoming a “fainter”.

Silver birch-4
More birch trees. Still no relevance to anything I’ve written…

So that’s my first jab complete. In a few weeks time I should have significant resistance to the worst effects of Covid-19 should I catch it, and in around 12-weeks I will receive the follow up injection.

While there are still concerns that some variants of the virus may be more resistant to the existing vaccinations, I am hopeful that this will lead us out of the worst of the restrictions we’ve had here in the UK and that there will be a return to a greater semblance of normality before too long. Fingers crossed!

A jab in my arm
Just one out of millions
To protect our lives

Silver birch-3
Oh look, more silver birch trees. Look, if I had a photo of a syringe, I’d have used that. 🙂

Olympus OM-2N, E.Zuiko Auto-T 135mm f/2.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 1 March 2021

35mm · Film photography · Photography

Curving around a birch

A short section of the Trans Pennine trail close to the western entranct to Rother Valley Country Park. At the end, it cuts to the left on the park entrance path, crosses a bridge over an active railway line, before dropping back to run alongside the tracks to the north for half-a-mile or so. This area was covered in a lot more foliage until the last year, when some tree felling and trimming has taken place. Just off to the left of the scene where the trail curves around the path is a pile of thin logs that remain from the work.

Curving path heads on
Up north and to points beyond
And then east and west

Curve

Olympus OM-2N, E.Zuiko Auto-T 135mm f/2.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 1 March 2021

35mm · Film photography · Photography

Bound up

One of those impromptu, spur-of-the-moment shots today showing some string holding together one of the stick-structures that I’ve featured on my blog before (such as here – in fact, if you look closely, you can see the same piece of string in one of the shots there).

It’s slightly out of focus as it was taken at close distance with a wide apereture and I might have been swaying slightly while I made the image. Nontheless, it appeals.

String ties branches tight
These mysterious structures
Built by unknown hands

Bound

Olympus OM-2N, E.Zuiko Auto-T 135mm f/2.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 1 March 2021

35mm · Film photography · Photography

Ducks and geese

I’m absolutely shattered this evening. I’m having a bit of a stressful week at work – nothing bad, just something I’m working on that I’ve not done fully before and I’m focussed on trying to make the best job of it that I can, which is taking a bit of a toll. Plus, on the physical side, I completed week seven of Couch to 5K today – the last of the 25-minute runs. Two more weeks to go, and three 28-minute runs for the next week. I always feel a sense of achievement when I complete one of the runs, but I wasn’t in the mood today, and it took effort and willpower to not stop moving.

Another grainy HP5+ photo today.

Geese on the water
So serene on the surface
Liquid hides effort

Ducks and geese

Olympus OM-2N, E.Zuiko Auto-T 135mm f/2.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 1 March 2021

35mm · Film photography · Photography

Across the lake

A bit of a mystery about today’s photo, which depicts a foggy morning at Rother Valley Country Park. The puzzle is in regards to the graininess of the image. It was shot on Ilford HP5+ rated and develoed for 800asa. I’ve shot HP5+ pushed a stop before (and pushed by much more in fact) and not encountered the amount of grain that is present in this shot (and a few other misty, low-contrast scenes made on the same roll of film). Even more curious is the fact that it’s only a handful of frames affected – most of the images show smooth and unobtrusive grain.

My thoughts are that it could be the way the scanner handles this type of scene (or perhaps my settings). I tried scanning the picture with both Silverfast and Vuescan and received similar results from both. It would be interesting to see if the grain is present on the negative itself, but I don’t have a loupe to use and haven’t bothered trying to use my digital camera and macro lens.

Despite the unexpected and unplanned look of the image, the grain gives it a very pleasing atmosphere, so I’m not disappointed by the result.

Golf ball sized film grain
Appearing out of the fog
It’s a mystery

Across the lake

Olympus OM-2N, E.Zuiko Auto-T 135mm f/2.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 1 March 2021

35mm · Film photography · Photography

The gates where the cows get in

These gates sit at the north-western end of this field where the path leads beneath the arches of the railway viaduct. It allows passage for the herd of cows who roam the fields on either side of the railway line. It also allows passage for walkers.

On this morning the gate was lit by the low, rising sun that was burning through the ground mist. It makes for a semi-rural scene, but the area is surrounded on all sides by human activity, whether the houses and businesses on the hillside to the east, the river and remains of the old marshalling yars to the west, and the flyover to the south, just about visible through the gap in the gates. I don’t mind any of this, plus great light makes the opportunity for good photography regardless of location.

Gates

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 18 September 2020

35mm · Film photography · Photography

Cobwebs and light leaks

I’ve shot several rolls of film through my Olympus OM-2n now and, overall, I’ve been very happy with the results. I have noticed though, on a number of frames, what appears to be a light leak. It normally appears as a slightly brighter column of light at the right side of the frame, although it only appears on an occasional basis. I’ve also only noticed it when shooting black and white film. It’s possible, I suppose, that the leak is minor and it’s the greater sensitivity of the 400asa film that is allowing it to manifest – it hasn’t, as far as I can see, appeared at all on the rolls of 100asa and 200asa colour film that I’ve shot with the camera.

I’ve looked at the camera and it has seals fitted in the slots where the back closes into the body, but there was a mssing seal where the hinge is, so I’ve replaced that (and also added a little extra bit of seal into the slots in a place where it looked a little thin). I’ve yet to shoot another roll since doing this but hopefully it will resolve the problem.

Today’s photo is possibly affected by the same issue, albeit to a much larger degree than the others. There’s noticeable flaring at the top of the frame, perhaps enhanced by the leak – although much of it is probably down to the bright sunshine that was burning through the morning mist – I had to shoot towards the light to get the illumination on the cobweb. Whatever the fact, in this case I think it makes for a better photograph.

Web

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 18 September 2020

35mm · Film photography · Photography

East and West: Two more views of the flyover

Two more photographs of the flyover that spans the Rother Valley not far from where I live. I posted a couple of medium format shots of the same location about a week ago here.

The first shows a very similar viewpoint as the previously shot image in the linked post, albeit made on a different day and with misty conditions.

Route to the centre

The second is taken from the western end of the field where it reaches the river and looking back to the east. I think this one works much better compositionally as the eye is led along the shaft of sunlight from bottom left, up the bridge support, along the curve of the road deck, and then – thanks to a lucky shadow – down into the field and to the electricity pylon. I’m really happy with this one.

A road to power

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 18 September 2020

35mm · Film photography · Photography

A skeletal tree before lockdown #2

As I type this the country is awaiting a briefing from the Prime Minister where he is expected (based on a leak earlier in the day) to announce a new national lockdown to combat the escalating rates of Covid-19 infections. It’s expected to last a month at least.

While I don’t know the details yet, it’s possible that any photography may one again be limited to photos I can make while out taking exercise. Not ideal for the point of view of my passtime, but fully acceptable if it helps slow the spread of the disease (although I’d prefer we hadn’t gotten back into this state in the first place).

The location of today’s photo is within excercise distance, so maybe I’ll make more photos of this individual subject if wider travel is prohibited.

Skeletal

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 18 September 2020

35mm · Film photography · Photography

The bridge on the River Wye

My apologies. Today’s choice of photograph was almost 100% selected so I could use such a cheesy pun as a title. 🙂

No sign of Alec Guinness here though, just people enjoying the riverbank footpath alongside the River Wye as it flows through Bakewell.

It’s one of those photos where it looks like the people in the shot are looking at you as you take the picture but which, upon closer inspection, they’re looking elsewhere. The guy appears to be testing the capacity of his pocket to breaking point!

The bank of the Wye

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 18 September 2020