I’ve already shared a few pictures from this foggy day out taken with my digital camera. Now I’m getting around to sharing the ones I shot on film. More to come…
Nikon F80 and Nikkor 28-80mm f/3.5-5.6 AF-D on Tri-X Pan Kodak Tri-X Pan (likely expired sometime in the 1990s) @125asa Ilfotec DD-X. 1+4 8mins @ 20°.
The Welbeck estate is quite extensive, taking in famland, woodland, lakes, and various buildings – including the grand country house, Welbeck Abbey. One curiosity about the estate is it’s extensive network of underground tunnels and rooms, built by the reclusive William John Cavendish-Scott-Bentinck, 5th Duke of Portland
The duke’s father, expecting an oak shortage, had planted hundreds of trees, which his son later used to build an extensive network of underground rooms and tunnels. These tunnels were reputed to span 15 miles, linking subterranean chambers with buildings above ground. They included a 1,000 yd passage between the house and the riding house, a rougher parallel tunnel for workmen, and a 1.25 mile tunnel from the coach house to the south lodge, said to be wide enough for two carriages. This longer tunnel had domed skylights visible from the surface and was lit by gaslight at night.
All the chambers were painted pink and included a great hall -160 feet by 63 feet – originally intended as a chapel but used as a picture gallery and occasionally as a ballroom. The ballroom reportedly featured a hydraulic lift for 20 guests and a ceiling painted as a giant sunset, though the duke never held dances there. Other underground rooms included a 250 foot library, an observatory with a large glass roof, and a vast billiards room. His prolific tunnelling is thought to have inspired Mr. Badger in The Wind in the Willows.
The first two pictures shown here are the south tunnel lodge and tunnel entrance. I didn’t take a head-on photograph of the entrance as there was a large white van parked there, which I though spoiled the scene a little. The final picture is a cottage across from the tunnel entrance. I’m unsure if this has a formal name (but it had some impressive looking hens in the garden).
Nikon F80 and Nikkor 70-200mm f/4 ED VR on Fomapan 400 (@320asa). Semi-stand in Rodinal 1+100 for 1 hour @ 20°.
I like my Holga. Its lo-fi images have a definite charm, I feel.
This time though, the “fi” is as low as I’ve ever seen it. I really don’t know what has happened with this roll of Fomapan 400.
The white speckles from the faulty batch of which this is a part are present and correct, and the scratches that the camera has started adding to the negs have made an appearance (although I’ve cloned the worst of them out), but as for that blothcy mottling? Well, I really don’t know.
It looks like the film is damaged, or has gotten wet, but it’s been stored in it’s sealed box and wrapper since I got it and kept in the fridge, so that seems unlikely.
I suppose my development could also be to blame, although I’ve not encountered such issues before. The only thing that I can think of that might possibly have had an effect is that it was quite cold in the room when I developed the film, so it’s possible the chemicals cooled by a couple of degrees over the course of the hour’s semi-stand process, but I’m not sure if this would have been the outcome.
Despite all the problems though, if anything can carry off this distressed look, it’s the Holga, and it still manages to do so with aplomb.
Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.
Just around the corner from yesterday’s picture, I came across this opportunity to shoot towards the sun and highlight the wet road, which worked pretty well.
Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.
There was something about this scene that caught my eye. The curving lane is a big part of it, certainly, but the wall, the height and variety of the trees, and the way the light was falling on everything all came together. There was a breeze blowing so some signs of movement can be found in the smaller branches if you look hard enough, but I knew and accepted that would be the case when I took the shot.
I was pretty happy when it appeared off the scanner.
Yashica Mat 124G and Ilford Ilford HP5+. Ilfotec DD-X 9mins @ 20°.
The thing that originally attracted me about St. Winifred’s church was not the structure itself, or its grounds, or even its history – it was the avenue of trees than runs outside.
Such things tend to be photogenic.
The first time I visited there was a wedding due to take place and so a number of cars were parked along the road to the church, spoiling my intended composition. This time though, I had the place to myself.
I took three frames of the road and its trees, the first on Ilford Delta 400 before I explored the churchyard, the latter two on Ilford HP5+.
I think I will try to revisit the location again to capture it at different times of the year, and under different conditions (a touch of mist would be very welcome!)
Yashica Mat 124G and Ilford Delta 400 / Ilford HP5+. Ilfotec DD-X 8mins (9mins for the HP5+) @ 20°.
St. Winifred’s church in Holbeck, Nottinghamshire, a former private chapel build for the 6th Duke of Portland between 1913 – 1916.
Holbeck sits within an area of Nottinghamshire known as The Dukeries, because at one point there were four ducal seats, one of which – Welback Abbey – was home to the Dukes of Portland, who still maintain ownership of the estate along with the Dukes of Newcastle.
It’s a significant estate and much of it is private, although there are public rights of way allowing visitors to explore the area. I have more photos to come at a later date where I did just that.
Yashica Mat 124G and Ilford Delta 400. Ilfotec DD-X 8mins @ 20°.