35mm · Film photography · Photography

The queen is dead

Strange times are upon us. Queen Elizabeth II, monarch of the United Kingdom for the last seven decades, passed away yesterday afternoon. It’s a truly historic moment, I think. Not only has she been our longest serving monarch but, because of the length of her reign, she has been a fixture in the lives of so many people for their entire existence, her face on our coins, banknotes, stamps and countless souvenirs and items of popular culture. The Queen’s Speech has been a Christmas Day fixture on the television (and before it, the radio) for what seems forever. Yes, there will be those who remember the years before she became queen, but I expect that for the majority she has always been queen.

I’m not a monarchist particularly, but I’m not a hardcore republican either. I’ve generally avoided any sort of fascination or fixation on the lives of The Queen and other members of the royal family except where it became unavoidable, whether due to scandal, tragedy, royal occasions such as births and weddings, jubilee’s and, of course, deaths. Nontheless, despite my relative uninterest, her death has still left me with a feeling of sadness. I think it’s the way it demonstrates the passing of time, that nothing lasts forever, and – despite the monumentous impact of this occasion – that as the years pass, so even this will become just another section in the history books. It reminds me of my own mortality, the loss of my own loved ones, and the fact that one day I will no longer be here either.

It’s something that happens whenever someone who has had an impact on my life passes away – musicians, authors and actors are probably the obvious examples – a sad knowlege that they are gone and that they won’t be making or doing any of those things you like any more. All you’ll have is what is already there and the memories you made. In those cases though, outside of fan circles, the news tends to die down and – for those who didn’t share a connection – may go unnoticed altogether. There is little chance of escaping the death of The Queen though. All the main TV channels and radio stations are broadcasting almost nothing but the ongoing news of the situation. Radio has become sombre in it’s choice of music. Even the commercial and smaller channels are paying their respects is a variety of ways, with pictures and messages of condolence in abundance. Even outside there are signs and reminders. Electronic billboards – the sort that normally advertise movies, or McDonalds burgers – are now all showing a picture of The Queen. I passed four in close succession today. As each passed, so another would appear in the distance.

And now Queen Elizabeth II is no more, we have a king again in the shape of Charles III. It will be interesting to see how this next era of our history unfolds, although, as before, I will likely view it from a distance and, given current events, it may well be overshadowed by greater concerns. What is certain however, is that he will not reign for anything like as long as his mother did.

I searched through my archive for a relevant picture, but all I could find was the photo below featuring a bobblehead Queen (and Mr Bean).

FILM - Bean and queen

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Ilford HP5+.

Taken on 10 August 2022

35mm · Film photography · Photography

Two cobbled streets

A quick post as I’ll be out all day and probably won’t have time to post anything when I get home.

Here are pictures of a couple of cobbled streets on overcast days, the first in Whitby, the other in Staithes.

Empty cobbled street
Whitby.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 800. Lab developed. Home scanned and converted with Negative Lab Pro.
Cobbled Staithes
Staithes.
Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 28 & 29 July 2022

35mm · Film photography · Photography

Staithes harbour

On the third day of our trip to the Yorkshire coast we visited Staithes, a picturesque and quaint fishing village up the coast from Whitby. While there are more modern areas of housing in the village, these sit at the top of the area. The older buildings down by the harbour are reached via steep roads on either side of Staithes Beck. Coming down the hill isn’t too much of a difficulty. Getting back up requires some air in your lungs!

This wasn’t the route we took, but it gives an indication of the gradient required to descend / ascend to and from the harbour area.

As with much of this trip, the weather was mostly overcast (in fact it rained heavily when we first arrived). The tide was also out at the time of our visit, leaving many of the small boats in the harbour beached. I’ll have more pictures from Staithes to post here in the coming days.

Harbour office
Awaiting high tide
Staithes at low tide

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022

35mm · Film photography · Photography

WordPress & Flickr frustrations

A while back I posted about how I was going to begin uploading images to Flickr at a lower size than I have previously done. This process has been working fine – the JPEG images I upload are still plenty big enough, and I’ve kept the full-resolution original scans on my computer.

However, I’ve noticed today that the majority of my WordPress posts which feature images where I’ve replaced the original files on Flickr are now showing the photo description, rather than the embedded image. The links work fine, taking you to the Flickr version, and if I edit the posts, I can see the images displayed onscreen. But otherwise they are missing as in-line images from the posts, e.g. this post.

At first I wondered if it was a browser caching problem, but the same lack of pictures can be seen in multiple browsers on different devices. I also wondered if the URLs to the Flickr versions might have changes when I replaced the images on there, but they are identical. I’ve even edited the problem posts to remove the original links and replace them, but the same thing still occurs. Oddly, not all posts featuring images that I’ve replaced are affected, so the whole Flickr thing might be a big red herring!

I really dislike issues like this. They happen out of nowhere with no obvious cause and can take lots of meesing around to try to resolve them and I’m not in the mood to do so today. So, if you come across one of my posts that has a link rather than and in-line image, please accept my apologies. All new posts will hopefully be unaflicted, and I hope to fix the others when I get the time to figure out what exactly is going wrong.

Anyway… Here’s a picture of a nice thatched cottage at Sandsend (assuming it embeds into the post!)

Thatch

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022

35mm · Film photography · Photography

At Sandsend

During our recent trip to the Yorkshire coast we decided to walk into Sandsend one evening. Sandsend is a small settlement just to the north of Whitby – If you look closely at the picture below, you can see Whitby harbour wall, some residential buildings, and the ruined abbey maybe a mile to the east.

After some rather dull weather for most of the day, the evening was lovely and we found a nice restaurant called the Fish Cottage where we shared a very tasty seafood pizza topped with smoked salmon, tiger prawns and mussels.

A couple were walking on the beach below the road as we walked past and I thought it made for a nice picture.

Evening shore

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022

35mm · Film photography · Photography

In a different light

I posted a very similar photograph to this one last week – the previous shot on Portra 800, this one on Superia 400. Both were shot on the same day and at practically the same location, but the weather had changed from dull and overcast, to sunny blue skies by the time I made this second picture. I much prefer this one.

It looks nicer in the sunshine

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Fujifilm Superia Xtra 400. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022

35mm · Film photography · Photography

And then the sun came out…

A few days back I was bemoaning the results from Portra 800 shot under dull, overcast conditions and how I’d thought about converting them to black and white.

On the same day that I made those pictures, in the late afternoon as we were heading back to the car the skies began to clear, the day turned bright and summery, and I was able to shoot the final two frames of the roll under these brighter conditions. The results (as seen below) are, I think, far preferable.

Despite it’s professional quality (and exhorbitant price point), I really don’t think that Portra 800 suits dull conditions much. It’s 800asa rating might say otherwise, but I think the results are lacklustre (albeit with the caveat that I’ve not actually shot much of the film, so maybe it’s the operator at fault here). The day before I shot the Portra, I’d shot some Kodak Colorplus 200 under similar conditions with my Olympus Trip 35 and much preferred those results, despite it being a cheaper, consumer-grade film.

I’ve since shot another roll of Portra 800, this time on a bright day while rating it at 400asa, and found those to be much nicer. I’m not sure I’d go out of my way to buy more of the film – I’d probably just go for it’s slightly cheaper stablemates Portra 400 and 160 and avoid shooting on dull days. The other Portra 800 shots will be along in the next week or so.

Seafood shack
Out of the water

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 800. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022

35mm · Film photography · Photography

199 Steps

One of the landmarks and visitor attractions in Whitby are the 199 Steps. These ascend from the charming pedestrian shopping streets of the east side of the town up to St. Marys Church and, a little further on, the ruins of Whitby Abbey.

The foot of the ascent

The earliest record of the steps is from the 14th century, but they are believed to be older than this. Originally made of wood, the current stone steps were laid in 1774. It is said that they are a test of faith as climbing them to reach the church definitely takes some effort!

The steps are somewhat deceptive to climb as they are shallower than a stair you might find inside a home. This results in you making smaller movements of your legs than you might be used to which is odd and tiring. The spacing of the steps also makes taking two at a time more difficult than you would expect. There is a steep, sloping cobbled path beside the stairs which looks even more treacherous!

There are many photographs of this landmark to be found online – most of them better than mine here – but these were the pictures I got the chance to make on this visit.

Where Robin sat?

The final shot below shows the view from the wetern side of the harbour with a sculpture of some fishwives in the foreground. You can just make out the steps in the upper right of the frame where they ascend up to the church.

Fishwives

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Kodak Portra 800. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 July 2022.