Film photography · Medium Format · Photography

Vascular

The branches of the leafless tree, which stands on the bank of the main lake at Rother Valley Country Park, reminded me of something. At first I thought the curved, whip-like branches looked like tentacles, but then it struck me that it looks like some sort of vascular structure, like a brain with the tissue missing. Repetition in nature.

Misty lakeside

Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°

Taken on 26 December 2024

Film photography · Medium Format · Photography

Expiryment #4: Kodak Portra 400NC (expired 2007)

Despite my hopes and promises of doing one of these posts each month, I seem to have failed miserably when it comes to doing so – the last post in this (very occasional!) series was back in November 2022.

I did shoot another roll of expired film last summer but I was unhappy with the results and ended up converting the pictures to black and white. While they looks pretty nice after the conversion, these posts are aimed to be about keeping to the original results from the film used with a minimum of post processing. Converting to monochrome was a step too far.

No such worries with the next roll though, some 120 format Kodak Portra 400NC that expired in 2007. 2007 doesn’t feel like that long ago but it was prior to the global financial crisis and is fast approaching twenty years ago!

Portra 400NC was discontinued by Kodak in 2010, when the current range of Porta films (160, 400, and 800) was introduced. Kodaks description of 400NC was: “Offers fine grain, low contrast, and colors and skin tones that look real and natural in a variety of lighting situations.” There is a brochure online on Kodak’s website which covers the full rang of (as was) Portra films from this period. There’s a strong hint that it was aiming for the wedding photography market…

I don’t photograph weddings and, even if I did, there’s no way I’d risk a seventeen year old expired roll of unknown provenance on such a once-in-a-lifetime event. For the sort of subjects I normally photograph however, I was willing to take the risk.

Despite the limited number of shots, I decided to shoot it with my Fujica GW690 6×9 medium format camera, giving me just eight potential pictures from the roll. The first outing was to my favourite seaside haunt of Mablethorpe. Normally when I visit Mablethorpe I will wander around all day making photographs. However, this year, I took my dad along for a day out, so knew from the outset that I wouldn’t be shooting as much. In the even I only used three frames on this outing, and one of those was a misfire when the camera was in my bag! I’ve since started to avoid winding the film in the GW690 after taking a shot to prevent this expensive mistake from reoccurring. Unfortunately, the Mk I GW690 that I own doesn’t have the shutter button lock that the later models do.

So the first two shots from the roll were of beach chalets / huts that stand along the beach promenade. The weather on the day was bright, but a layer of thin high-level cloud, robbed the light of contrast. Nevertheless, for outdated film the results were pretty good.

Seaside life
Compact and bijou

The second batch of shots – the remaining five on the roll – were shot one misty morning at Rother Valley Country Park. While I find the park a little uninspiring due to over-familiarity, cold misty morning usually provide some nice pictures, and this occasion bore that out.

The first shot is a little dull perhaps, but the light was nice. It’s just a suburban street I walked on my way to the park. You can just make out the mist hanging over where the lake is in the middle of the shot though. There’s a line of pylons that run between the houses and the park. The towers are out of frame, but the powerlines themselves can be seen.

Early in suburbia

The next shot is one of my favourites from last year, a beautifully autumnal scene of a small maple tree, it’s leaves turning but not yet fallen, nicely separated from the background by the mist. I’m not sure if the colours are true to life, but they look gorgeous, so I’ll take that as a win.

This year's autumn

The mist was already burning off under the gaze of the morning sunshine when I took the next picture. A simple landscape scene of the lake with the boating centre on the far bank. There’s still enough mist left to provide some pleasant atmosphere to the photo though.

Lakeside

I took another photo very similar to the one above which had a couple of swans in the frame, but the one above is the best, I think.

The last shot is another lone tree, but this time I shot directly into the light. It’s not as good as the other tree picture, but I do like the way the tufts of dew and cobweb covered grass are illuminated at the bottom of the frame. The lens of the GW690 shows no signs of flare, even in this challenging scene.

Backlit in the cobwebbed grass

So, apart from a wasted shot, this was another expired film success. When I shoot old colour film I’m not really expecting accurate colours, just pleasing ones, and this delivered on that.

Overall outcome: Success!

Expiriment #5 coming soon (Yeah, I know…)…

Fujica GW690, Kodak Portra 400NC (expired 2007). Shot at 160asa and lab developed for box speed. Home scanned and converted with Negative Lab Pro.

Taken on 30 September and 25 October 2023

Other posts in the Expiriment series:

Expiriment #1: Ilford HP5 (expired 1982)

Expiriment #2: Kodacolor VR400 (expired 1989)

Expiriment #3: Truprint FG+ (expired 2003)

4x5 Large Format · Film photography · Photography

Foggy willow

Following on from yesterday’s post about me testing my newly repaired 4×5 camera, here’s the second of the two photos I made while out. Again, this is nothing special, and mainly a test shot. It’s a little out of focus at the top of the frame, but otherwise ok. Had I spent more time I would have corrected the focusing.

I’ve photographed this willow tree on a number of occasions (see here, here, and here) and I think it would be a good subject for a more carefully considered large format shot if I pick the conditions right.

Foggy willow

Chroma 4×5. Fujinon NW 135mm f/5.6 & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°

Taken 14 February 2023.

Film photography · Medium Format · Photography

Winter chill

The photo published here today is the only decent photo from the roll of Kodak Gold I shot recently that still looks good in colour. All the others had colour casts and I had to convert them to black and white. This one managed to avoid the weird colours. The colour here is quite subtle but I think it still adds something to the image.

Winter's chill

Fujica GW690 & Kodak Gold . Lab developed. Home scanned and and converted using Negative Lab Pro.

Taken on 21 January 2023.

Film photography · Medium Format · Photography

On a misty morning

Another of my converted Kodak Gold shots. I almost left this one as colour, but I think the black and white version is better. The colours were pretty muted in any case.

Today was the thing at work that I mentioned a couple of days back – the thing that was causing me stress even though I suspected I was worrying for nothing. And I was right. Everything went absolutely fine. So I’ve spent a few days spending way too much time being concerned about something I needn’t have. Now I need to catch up on the other stuff I didn’t do because I was focused on this. Oh to be me…

One misty morning

Fujica GW690 & Kodak Gold (converted to B&W in Lightroom).

Taken on 21 January 2023.

Film photography · Medium Format · Photography

Across the Moss once more

Here’s another photo of a bridge crossing the River Moss (as I mentioned the other day). I took this photo just after my wallaby / kangaroo encounter (see here if you want to find out about that) and regaled a couple of other people with the tale of my unexpected encounter.

I had pretty high hopes for this photograph. I’d switched from black and white film to some Kodak Gold by this time and, while the light was dim due to the fog and the tree cover, the camera was tripod mounted and the composition was nice.

Sadly this roll of film is one that Negative Lab Pro (or perhaps me, as the user) struggled with – usually Negative Lab Pro works a treat, and I’ve had no issue with it converting Gold in the past. It could be the fact that I’m scanning on a V700 rather than a V550, but I’m not really sure. A couple of the colour images look ok, but many of them had a nasty green and purple cast to them that I was unable to remove. In the end I decided to cut my losses and convert them to black and white using Lightroom. Happily all the shots I converted suit the monochrome treatment pretty well.

I still have the un-converted RAW DNG scans so I may yet re-visit them to see if I have more luck with a further attempt but, for now at least, some of this roll will be sans colour.

Crossing the Moss

Fujica GW690 & Kodak Gold (converted to B&W in Lightroom).

Taken on 21 January 2023.

Film photography · Medium Format · Photography

Stuff on my mind

It’s one of those days today where I don’t know what to write on the blog (although here I am, writing stuff about not knowing what to write…). Today I think it’s because I’ve got something preying on my mind at work. Nothing terrible, just something I need to do this week that I’m not sure I’m fully prepared for. Usually, it comes to pass that I’m stressing out about nothing and everything will go just fine, but that doesn’t stop my brain flipping into anxiety mode. The fact that I’m focusing on this one thing also means I’m not spending time on a bunch of other things I need to be doing, leading to a cumulative worry about, well, more stuff.

It also doesn’t help that I tend to procrastinate. And while I always pull things together in the end, there’s always the worry that one day I might not be able to. I seem find myself increasingly easily distracted from things I ought to be concentrating on in recent years, to the extent that I wouldn’t be at all surprised to find out I have ADD (but that’s another story). I guess that tomorrow I need to just pull myself together, give myself a virtual slap across the cheeks to wake myself up, and just get on with what I need to do. In a couple of days the thing will have passed and I can get back to normal (i.e. worrying about the next thing…).

So, look at that – I’ve written more than I do on many other days. Good ol’ productive stress, eh?

Here’s a picture of a foggy scene. This is probably not disimillar to what it looks like inside my head right now. 🙂

Off the beaten path

Fujica GW690 & Ilford HP5+ (@1600asa) . Ilfotec DD-X 1+4 13mins @ 20°

Taken on 21 January 2023.

Film photography · Medium Format · Photography

Across the Moss

This is the first of two photographs of bridges crossing the River Moss That I’ll publish – the second will be here in a couple of days.

I managed to get out and shoot a few rolls of film today, 36 exposures on some Superia Xtra 400, and a couple of rolls of 120 through my Bronica ETRSi (one HP5+, one Fuji Pro 400H). It’s the first time in ages I’ve shot so prolifically, and should mean that the wolves can be kept from the door for a while in terms of me having new photos for the blog. I’ll get the two rolls of C41 sent off for developing tomorrow and will maybe dev the HP5+ one lunchtime this week if I get the chance. I’ve got about a half-dozen more pictures from the GW690 to keep things ticking over until then though.

Moss bridge

Fujica GW690 & Ilford HP5+ (@1600asa) . Ilfotec DD-X 1+4 13mins @ 20°

Taken on 21 January 2023.

Film photography · Medium Format · Photography

Rushes

I think the left side of this picture is a little messy, but there was unfortunately no way to get around it short of cropping. The GW690 has a fixed focal length and, while using my legs to zoom is often a viable technique, in this case I was hemmed in by trees at either side, and in front of my feet the ground dropped into marshy wetness where the rushes are growing and I didn’t fancy a boot full of freezing mud.

Nonetheless, the foggy morning does a lot of lifting and makes the shot quite pleasing, I think, particularly the contrast of the heads of the rushes against the faded backdrop.

Rushes

Fujica GW690 & Ilford HP5+ (@1600asa) . Ilfotec DD-X 1+4 13mins @ 20°

Taken on 21 January 2023.