35mm · Film photography · Photography

The Riley Graves

Just to the east of the village of Eyam lie the Riley Graves. This is a small cluster of graves (six in all) surrounded by a drystone wall. Depsite the name, the graves are of the Hancocke family, who all lost their lives to the plague in between the 3rd and the 17th August 1666. The name of the graves comes from Riley’s field, which is where they are situated.

FILM - The Riley Graves

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 8 August 2019

35mm · Film photography · Photography

Morning delivery

The postman makes his rounds in the village of Eyam.

Someone commented that this picture has quite a vignette, and I guess it does – I tend to add a vignette to most of my pictures in post processing, although I don’t go overboard with it. This doesn’t have any more vignetting than the others I post but it does look more noticeable (although I don’t mind). I think it’s partly down to the two areas of blue sky at the upper corners of the photo that serve to emphasise the vignette more than if it were just white cloud.

FILM - Morning deliveries

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 8 August 2019

35mm · Film photography · Photography

Twisting track

Another picture from the lane near Eyam. I was on my way back to the start point when I took this one and the track made a short twist here. I’m not sure why – I couldn’t see anything that would physically require the bend, but who knows what might have been there in the past – either trees, or maybe different ownership of plots of land or something?

FILM - Twist in the track

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 8 August 2019

35mm · Film photography · Photography

For once, they behaved how I wanted…

On pretty much every occasion that I attempt to take a photograph of an animal, whether wild or domesticated, they never do as I want. A perfectly composed creature will become spooked and turn away as soon as my camera appears. Even the cats we’ve had in our famly – current member included – will look straight at me until the second I raise the camera to my face. Even waist level viewfinders fail to trick them into holding a pose!

So, on the occasion of today’s featured shot, I was very happy when the white faced cow maintained its curious gaze while I made the picture. 🙂

FILM - Ghost face

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 8 August 2019

35mm · Film photography · Photography

There and back again

A couple of photos for today’s post, so chosen because they present a pair of images depicting the same location.

They both show the same country lane featured in my image posted yesterday, but about half-a-mile or so further along it’s length. At this point, the track decends into a gentle limestone valley and the route takes on a meander. The viewpoint from both sides of the small valley were very nice, although the light had broken through a little by the time I took the second image on the way up the other side, so that one has a lighter feel.

I’m not sure if the electricity pole detracts from the scene. It probably does if it was a traditional, nostalgic rural scene I was going for, but these poles and other pieces of infrastructure are a part of the landscape these days and, while maybe not as picturesque, no less man-made than the drystone walls that criss-cross the land.

What do you think? Do these sort of objects spoil or enhance a scene?

FILM - Westbound

FILM - Eastbound

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 8 August 2019

35mm · Film photography · Photography

A lane under a tree

A shot from a walk in the countryside near Eyam on Thursday morning. The trip was ostensibly for a recce of a location (as seen in this shot) and I took a bunch of photos on digital with the plan being, if they look ok, to come back in the autumn for an early morning picture with some colour on the tree.

I also had the Minolta Hi-Matic G2 with me as I’ve been running a roll of HP5+ through it to check it’s all ok prior to selling it on. It’s a nice little camera, but this is only the second time I’ve used it since I got it nearly three years ago, and it doesn’t really do anything that my Olympus Trip 35 doesn’t. The action on the advance lever is sweeeet though!.

I’m not sure if the battery in the camera is running low or if it’s the wrong voltage, but most of the shots came back a little underexposed. This, however, has resulted in some wonderfully gritty and atmospheric results that I’m really taken with. You will probably be seeing more of them over the coming days. 🙂

FILM - Lane beneath a tree

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 8 August 2019

35mm · Film photography · Photography

Surrendering to the flowers

There used to be dog shows in this field. They’d attract a sizeable crowd of participants and spectators and, while I never stopped to watch, I drove past and witnessed them often enought to recognise that they were a fairly regular occurrence.

Then a few years ago they just stopped. I don’t know why they ended (or even realised that they had at first) but it became apparent that the field was starting to become unkempt and, before long, the container in the mddle of the field that had contained the ramps, tunnels and other obstacles for the jogs to negotiate was opened to the elements. More recently it’s had sizeable chunks of its structure removed. The field seems to have a new lease of life where wildflowers are concerned though!

I posted about this this same location back in early 2018 too.

FILM - Where the dog-shows used to be

Minolta Hi-Matic G2 & Ilford HP5+.

Taken on 4 August 2019

 

35mm · Film photography · Photography

Victoria Quays part #3

This is the third and (I think) final post regarding last Sunday’s walk around Victoria Quays in Sheffield. The first two parts can be found in the links below.

Part #1

Part #2

The main difference in the shots posted in this piece is that they were shot with a different camera – a Minolta Hi-Matic G2 – and on colour negative film – Agfa Vista Plus 200. I picked the camera up a few months back for £2 when I saw it in a box of compact cameras at a camera fayre. All the items in the box cost £2 each and I ended up with three of them: the Minolta, a Konica Pop, and an Olympus Superzoom 105G. I like to have a camera on me when going out even if not specifically to take photographs, and small compacts like this are ideal for the purpose. I’ve used a number of them over the past six months or so, usually just loading them with a roll of film and then chucking them in a coat pocket to be used in the event that something interesting turns up while I’m out and about.

I always use Agfa Vista Plus 200 as the first film through a newly acquired camera for the simple reason that it can be had for £1 a roll at Poundland (or at least it could, recent developments have revealed that Poundland are to stop stocking the film) and I’d rather that, if the camera turns out to be faulty, I waste a cheap roll of film than some more expensive Tri-X or Portra or something. That said, despite its low-cost, I do like the results the film gives, especially in bright, sunny conditions, and it has a slight magenta tone to it that I think looks nice.

The Minolta is quite a nice little camera. It’s pretty no frills, being a zone-focus camera with little manual control other than setting the focus distance via the lens barrel. It’s very similar to an Olympus Trip 35, but has the advantage of having the distance scale as well as the icons on top of the barrel (the Trip has the icons on the top only, and the distance scale beneath the barrel, which is a little awkward if you’ve not memorized them and can’t remember just how far away the head-and-shoulders icon represents). I also prefer the wind lever on the Minolta to the Trips’ thumb-wheel winder. It’s not as nice looking as the Trip 35 though, but it still has its own charm and it feels nice in the hand. The lens is a 38mm f/2.8 and is nice and sharp. Out of the 25 frames I got from the roll, none is out of focus, a testament to my skill in measuring distances (or perhaps that they were almost all shot in bright conditions and the narrower aperture would’ve covered my mistakes!). The camera’s aperture is set automatically but can be seen through the viewfinder on applying a half-press of the shutter button, giving an idea as to the results you will get from the shot. The camera takes a discontinued 1.35v mercury cell, but mine has a 1.5v inserted and I just compensated by setting the ASA dial two-thirds of a stop slower so that the camera thought I was shooting 125 ASA film rather than the 200 ASA roll that was inside, and the exposures are all pretty much spot on.

These shots were taken after finishing off the roll of Fomapan 200 in the Yashica Mat, and are mostly from the walk away from the canal basin and onto the beginning of the canal proper. I’ll not post every shot I took, but the ones here give a flavour of it and some indication of what this little camera can produce.

The first is of a boat used for cruises up and down the canal – I think they have discos and dining onboard sometimes. I’ve heard of people going on these events but have never done so myself.

FILM - I.B. Hardfeet

The next couple are of the Sheaf Quay building (I also posted a shot of this taken with the Yashica Mat 124 G in part #2).

FILM - Sheaf Quay in colour

FILM - Sheaf Quay in colour-2

Next is a random barge. The shot above was taken from the towpath just in front of this boats’ bows.

FILM - Barge

The next shot is still on Agfa Vista Plus 200, but converted to black & white in Lightroom. I think the contrasts of light and shade suit mono better than the colour original.

FILM - Chimneystack

Just beyond the chimney stack and under the next bridge, I took a couple of shots of other boats, one in the water (I like the wavy, geometric reflections of the building in this shot), and another up on the opposite bank of the canal.

FILM - Planet

FILM - Little Pud

I took a few more shots in this area before walking back to the canal basin and back to the car park. I had to wait for a short time while a man the manually operated swing bridge that joins the north and south parts of the quay. Just on the opposite bank is a bicycle used to advertise a local second-hand shop. Again, I took a similar shot (albeit of a different bike) with the Yashica Mat which can be seen in part #2.

FILM - Emmaus

The final shot of the day was taken as I walked through the car-park back to my car. I liked the way the sunlight was falling on the space between the alternating decks of the car park and so grabbed the shot below. Again, I think this works better in black and white.

FILM - Between levels

All-in-all, the little Minolta is a nice camera. I’m pleased with the results and will likely use it again at some point. I don’t think it really offers anything the Olympus Trip 35 doesn’t also provide, but it’s enjoyable to use. Certainly well worth the £2 I paid for it!