Digital · Photography

Autumnal disappointment

A massive failure this afternoon. 😦

I took a half day off work as I knew the weather was nice for once, and it was one of the only chances I had to try and photograph some autumn colour. So after lunch I headed out to Padley Gorge in the Peak District with the Chamonix large format camera and a bunch of film with the intent of shooting some of the Kodak Ektar that I have, and which I had four sheets loaded in film holders.

I found a nice scene with a backlit oak tree, so set everything up, carefully checked my focus and the camera settings and then took the shot. I then headed a little further down the gorge to try and find the next one. By this time, the light was low enough that a lot of the area was already in shadow, so I looked to photograph a clump of autumnal leaves on a sapling which were illuminated in a shaft of sunlight. It was a slightly tricky shot to focus, requiring some tilt to get everything sharp. After setting up the shot and feeling relatively confident about the sharpness, I went to meter the scene and then noticed with dismay that my meter was set to ISO400. This meant the first shot was two stops underexposed. This was very frustrating and, to be honest, set the ball rolling for the rest of the afternoon’s disappointment.

Burbage Brook in Padley Gorge

As I’d already wasted one expensive sheet of colour film I was now even more conscious of the need to not waste any of the remaining three sheets on sub-par images, especially given the fact I’d have to send them away for developing at notable cost, so I binned the shot of the leaves and decided to move elsewhere for something better. I was now in the wrong frame of mind though – everything I considered seemed like it wasn’t worth the effort (or cost) – and so I set up and then dismissed several shots while the sun sank lower in the sky. Eventually (and now in a pretty bad mood) I just said to myself “f**k it” and packed everything away and came home.

I was seething in the car all the way back because a) the weather and light was beautiful and I had been unable to take advantage of something I rarely get the chance to, and b) I wasted an afternoon’s off work for the privilege. I saw several beautifully lit scenes on the way home which, had I had a smaller format camera with me, I could have photographed, but I just had to drive past them all.

In the woods

The weather looks good again tomorrow, and I’m going to have another attempt at capturing autumn colour, but I’ll be taking some medium format gear this time to make sure I actually capture something on film. I expect the same locations will be much busier tomorrow, unfortunately.

Anyone else have “one of those days”?

The pictures shared today are a few older digital shots from previous visits to the same area. You can see why I’m disappointed to come away empty handed….

The pond at Longshaw-2
Film photography · Medium Format · Photography

Evergreen (or orange)

Here’s a tree that I photographed on the Longshaw estate while on my Peak District walk last weekend. It’s a conifer of some sort, but it’s needles are a lovely orange colour, making it distinctive amongst the surrounding trees. It has a lovely sloping trunk which gives its canopy a very attractive shape.

FILM - Evergreen

I’ve photographed the tree previously a couple of years ago and that picture can be seen in an earlier blog post.

Bronica ETRSi, Zenzanon 75mm f/2.8 & Shanghai GP3 (expired).

Taken on 22 November 2019

Film photography · Medium Format · Photography

A world of colour (in black and white)

I had a day off work yesterday and took a trip out to the nearby Peak District National Park. On the north-eastern edge of the park, close to Sheffield, lies the Longshaw estate, and that was my destination.

I took the Yashica Mat 124 G loaded with a roll of Ektar, and the Nikon F70 with the remains of a roll of Acros 100. I’m a little disappointed with the Ektar shots – a couple at the start of the roll are spoiled by some sort of defect, and the others lack some of the wow factor I was hoping for.

However, I still got several photos I like and, although Ektar’s strength is in it’s richly saturated colour, I decided to throw that all out of the window after deciding many of the shots had a lot more impact in monochrome. I also cropped the third of these to a 6×7 ratio to remove some distracting highlights from the top of the frame.

So, here are three of them.

FILM - Rowan tree

FILM - Little wooden bridge

FILM - The root of the problem

Yashica Mat 124 G & Kodak Extar 100 (converted to black and white in Lightroom).

Taken on 20 September 2017