35mm · Film photography · Photography

Diagonal light and a sunny hike

The weather was bright and sunny, if somewhat cold, this morning, so I took advantage and headed out for a walk. As I often do, I picked a public footpath on a map and then planned a circular route. Today’s hike started and ended at Aston, a village on the eastern outskirts of Sheffield – a few miles from where I live. It took me through mostly agricultural land with views of Penny Hill wind-farm before heading over to the nearby M1 motorway, crossing the road via a bridge, before heading south and then west back to where I began.

The skies were blue and cloudless, and the light was bright. A few clouds would have been welcomed, but I’m not going to complain – it’s better than a blank slab of grey stratus. I managed to finish off two partially shot rolls of film – some Delta 100 in my OM-2n, and some Colorplus in the Sure Shot Supreme. As per usual, these will land on the blog at some point when I get them developed and scanned, but I have photos from three other rolls currently scanned and unpublished to come before then.

Today’s photo is another from the flyover not far from where I live. I’ve published a few photos of this structure before, including some from underneath like this one. On this occasion I really liked the diagonal shadows cast on the concrete supports.

I’ve mentioned being cornered by a herd of cows close to this location before and yesterday it seems someone was careless and left the gates to the fields open. A video appeared on Facebook showing cows on the road on top of the flyover narrowly avoiding being run over by a police-car last night! Thankfully I don’t think anyone or anycow was injured. I drove over the flyover on my way to Aston this morning and the cows were all down below in the field where they belong.

Adventurous cows
Once up on the flyover
Caused a commotion

Diagonal light

Olympus OM-2N, Zuiko Auto-S 50mm f/1.8 + orange filter & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 25 March 2021

Film photography · Medium Format · Photography

An end to autumn’s colour

Ok, maybe not the most autumnal shades here – more a yellow green than fiery shades of red and orange – but it’s probably the last shot from this year’s clutch of seasonal images where the trees still bear foliage. Today, as I type this, most of the leaves have fallen, littering the pavements and roadsides where they’ll release that rich scent of autumn so evokative of this time of year. There are still some late straggling leaves on the limbs of silver birches – some still green in fact – but most trees have revealed the skeletal form of their branches now.

I still have autumnal images yet to come, but they are of the misty, damp, almost monochromatic feel of late autumn as it rolls over into winter.

On an autumn street

Yashica Mat 124G & Lomography Color Negative 100. Grain2Pixel conversion.

Taken on 10 October 2020

35mm · Film photography · Photography

Golden light

One of the effects of midsummer where I live in the UK is the position of the sun in the evening when it sets. In the winter it drops behind a ridge of hills to the west, blocking its light a little earlier than it might if we leved somewhere flat. In the height of summer however it sets to the north-west, descending in such a way as to shine between two houses across the street from us. The downside of this is that the living room (and our eyes) are filled with bright light, meaning we need to shut the blinds if we want to see the TV. The upside is that some beautiful evening light floods into the rooms on that side of the house, sometimes making for a nice photograph or two.

Today’s photo is one such image. The light on this evening filled the kitchen with a stunning golden glow and alighted on our knife block and a glass of orange juice stood beside it. It looks almost like the white balance on the photograph needs to be tweaked, but this was the shade of light that shone that evening.

Golden light

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Gold 200.

Taken on 19 May 2020 (I think!)