Film photography · Medium Format · Photography

Groynes and marker posts

These groynes are both at Cleethorpes, but the ones I remember most vividly are the ones at Mablethorpe, a little further down the coast (although those didn’t have marker posts as far as I remember).

On days at the beach they would provide lots of opportunities to play at receding, or low tide. Most of the groynes would trap pools of water beside them or around their ends, and these were often good places to catch small crabs (I never saw any more than a few inches across their shells). The water in these pools could sometimes be deceptively deep (maybe three or four feet sometimes) and it was quite easy for the waterlogged sand to collapse beneath your feet and lurch you into the depths. I have memories of my sister doing this when she was a toddler – suddenly flipping headfirst into the water fully dressed before she was swiftly grabbed and rescued by my mum.

Groyne

The outflowing water provided a multitude of engineering projects for my young self, usually in the form of creating dams, or sometimes intricate and meandering canal systems to take the water to holes I’d dig in the sand. Sometimes I would float small pieces of driftwood, upturned shells, or lollipop sticks and watch them make their way out to sea (or, usually, to a place where the sand could no longer hold its structure and the waterway had collapsed).

Unlike Cleethorpes, the groynes at Mablethorpe are no longer present. Or if they are, then they are buried beneath the sand. Mablethorpe undertook a project of offshore dredging to place a thicker layer of sand on the beach. This has not only removed the groynes, but also made some of the sea defences less vertiginous than I remember them being when I was little.

Marker

Fujica GW690 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°

Taken on 28 December 2023

Film photography · Medium Format · Photography

Winter beach attractions

Back at the closing days of December, just before New Year, I decided to take a trip to the seaside. Cleethorpes is the resort that’s easiest to get to as it can mostly be reached by motorway, with the journey taking about eighty / ninety minutes or so.

Attractions at British seaside resorts are largely closed at this time of the year, as can be seen from the picture of the helter-skelter and big wheel (sans seats) that stand on the beach just past the pier. Largely closed doesn’t mean totally closed though, and there were still arcades and cafes open (I even had myself an ice-cream before I left for home!).

I managed to get good weather for most of the time I was there, the cloud cover only arriving (along with rain) as I was heading back to the car at the end of my visit, and I shot four rolls of film through the GW690. Most of them have turned out well and I’ll be publishing them over the coming week, although I did make a complete noob mistake of shooting a couple of frames with the lens cap on – a painful error when you only get eight shots per roll!

Beach fun

Fujica GW690 & Ilford HP5+ . Ilfotec DD-X 1+4 9mins @ 20°

Taken on 28 December 2023

Film photography · Medium Format · Photography

Farm shop

I must apologise for the somewhat concise posts of late. I have a lot of things going on keeping me busy and not much mental capacity remaining to write much on the blog.

Todays I present a picture of Critchlow’s Farm Shop in Bakewell. It took quite some patience to find a moment when there wasn’t a vehicle of some sort driving in front of it!

Shops

Bronica ETRSi, Zenzanon 75mm f/2.8 & Kodak Yri-X (expired 2013). Ilfotec DD-X 1+4 8mins @ 20°

Taken on 1 November 2022.

Film photography · Medium Format · Photography

Bakewell cricket pavillion

There’s not much cricket being played in November (outdoors, at least) so there wasn’t much activity at the pavilion when I walked past. One guy was sat in front reading a newspaper when I approached, but he’d moved on by the time I made some pictures.

Cricket pavilion
Scores
Spare seats

Bronica ETRSi, Zenzanon 75mm f/2.8 & Kodak Yri-X (expired 2013). Ilfotec DD-X 1+4 8mins @ 20°

Taken on 1 November 2022.

35mm · Film photography · Photography

Country store (no more)

The light falling on this shopfront – a combination of contrasty tones and shadows from the trees to the left of frame – attracted me to make the picture. It’s a shame that the shop is not trading, but I guess that’s the way the country is changing. Demographically, villages like this are altering, and combined with that a change in shopping habits and the introduction of online shopping, means that trading conditions have become much more difficult for such stores. Hopefully it will re-emerge in some new guise.

Country Store

Olympus XA3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 30 April 2022

35mm · Film photography · Photography

Broken gate and crumbling wall

Two individual frames of the same scene here today. Both shots are opportunistic – I sometimes like to just go out in the car and drive along roads I’ve never travelled in the hopes of spotting something I think will make a good photo. The gate and the crumbling drystone wall in the field behind it were one such random find.

Sometimes such trips can reap dividends, sometimes they turn up dry or (potentially more disappointing) great shots but with nowhere to pull over and take the shot. But even the latter case still records an entry in the memory bank for a possible (better prepared) future visit.

Old gate
Crumbling wall

Olympus XA3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 30 April 2022

35mm · Film photography · Photography

Lines in the sky

It’s been a while since I posted a photo of powerlines on the blog, so let me rectify that…

There were two things that attracted me to this shot. The foreground and distant pole providing a sense of direction and travel through the scene were the first thing that caught my attention as I approached in the car. Then, after parking I noticed that the best angle to make the picture would also result in the contrail mirroring the track of the powerlines.

I don’t think the picture works as well as I thought it might, mostly because the foreground fence is a bit of a distraction. Unfortunately, given the focal length of the camera and the available places where I could position myself to take the shot meant I couldn’t avoid this. I tried cropping the fence out, but the result didn’t look right.

Lines

Olympus XA3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 30 April 2022