Film photography · Medium Format · Photography

A house in the country across time

I have a tendency to photograph the same things on multiple occasions, it seems. I suspect I’m not alone in this.

As photographers we can appreciate how a subject can change though time, whether that be over decades of weathering, decay, or environmental change, through the seasons of the year, the time of day, and even minute-by-minute, second-by-second as the light changes.

A house in the country
In May 2022

I’ve never purposely set out (so far, at least) to document such changes to a scene as part of a project, but I do find that things that catch my eye the first time I encounter them will often catch it again on further visits. Today’s post shares two shots of the same house, the photographs made about five and a half years apart on different cameras, different formats, different films, and in different conditions. The viewpoints are different in both, but the central subject remains the same. Maybe I’ll photograph it again on some future visit to this location.

FILM - A house in the country
Back in early 2017, shot with my Olympus 35RC on Ilford HP5+

(first picture) Fujica GW690 & Fujichrome Provia 400 (expired 2013). Lab developed.

Taken on 30 April 2022

Film photography · Medium Format · Photography

House (and lack of photography) reflected

We have a long weekend here in the UK thanks to the annual spring bank holiday being moved to Thursday (it’s usually on a Monday), plus the extra bank holiday we got yesterday to commemorate the Queen’s platinum jubilee. I’m not particularly fussed about the jubilee stuff but expected that I might use the extra time off work to get some photograpy done. As it stands though, I’ve been feeling pretty uninspired to go out (not helped by the dull weather that we currently have where I live), so have spent the last couple of days just loafing around the house watching TV (mostly Australian Survivor on Amazon Prime – I’m not a fan of reality shows at all, but really enjoy Survivor and The Amazing Race for some reason. It’s just a a shame we can’t see the US version by normal means here in the UK) and playing videogames.

I feel a little guilty for this, but sometimes it’s nice to just veg out and not put any pressure on yourself. I’ve still got enough new photos sat waiting to be published to keep the blog going for at least a couple of weeks of daily posts, plus plenty in the archive in the event I run out (which I don’t expect to), so that impetus is lessened for a while. I had planned on going out today if the sun had shown itself – I had an idea of an area I might photograph – but it will have to wait.

House reflected

Fujica GW690 & Kodak Ektachrome 100 EPP (expired 2003). Lab developed.

Taken on 30 April 2022

Film photography · Medium Format · Photography

Holly Chapel

A very quick post today as I’m feeling a little under-the-weather. I’m feeling fatigued and just not myself. I’ve got it into my head that I must have had Covid at some point and am now suffering from Long Covid, but that’s probably just hyperchondrial foolishness on my part.

Holly Chapel

Fujica GW690 & Kodak Ektachrome 100 EPP (expired 2003). Lab developed.

Taken on 30 April 2022

Film photography · Medium Format · Photography

No-one bowling

No-one is bowling here. Not really a surprise as it was only about 8:30am when the photo was taken. There is, if you look closely, a bird on the green though. Maybe it had a tiny set of bowls that I couldn’t make out.

Today’s thrilling post is brought to you by Squarespace I-have-a-headache-and-don’t-feel-like-typing-much (dot com). 🙂

LB Bowling green

Fujica GW690 & Kodak Ektachrome 100 EPP (expired 2003). Lab developed.

Taken on 30 April 2022

Film photography · Medium Format · Photography

Ford Popular on expired Ektachrome

A couple of photos of a nicely painted Ford Popular which I came across while out and about a few weeks ago. The first shot was taken through the railings which, given the GW690 is both large and a rangefinder, meant it was a little difficult to frame the image. I poked the lens barrel between the bars so I knew they wouldn’t be in the shot, but I was still a little concerned about parallax error. I think it came out ok though.

Ford Popular
Caged Popular

Fujica GW690 & Kodak Ektachrome 100 EPP (expired 2003). Lab developed.

Taken on 30 April 2022

35mm · Film photography · Photography

A smattering of Ektachrome

A bit of a mini image dump of Ektachrome images today, mostly because I’ll get onto something else from tomorrow.

There’s not really any theme to them other than they were all shot in Bakewell. I liked them enough to upload to Flickr, but I’m not sure any of them really elevate above average. Perhaps I should seek a job in the art promotion scene, eh? 🙂

In a garden
Roses
Memorial
Bakewell remembers
Two black and white doors

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

Cricket pavillion and lawn roller

A couple of photographs today depicting things emblematic of the game of cricket: a pavillion, and a lawn roller for keeping the ground in good condition, particularly the pitch, where the bowling and batting takes place. Both pictures were made in Bakewell, a picturesque market town in the Peak District.

Bakewell cricket pavilion

I’d say more about cricket but it bores me to the back teeth (apologies to any cricket fans who might be reading!). I place the origin of this lack of interest at my dad’s feet – he loves cricket, and indeed pretty much any sport for that matter, and I was subjected to it endlessly on television as a young boy. Where this might had nurtured a lifelong love of sport in some, for me it did the complete opposite. That doesn’t mean I can occasionally appreciate it though. And make pictures.

Ride-on roller

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

Finding light in a dark place

The title of today’s post isn’t intended as a metaphor for the subject of the photograph, although I suppose it could be. It refers instead to the fact that I was in a cathedral with only a film camera containing 100asa slide film. While I had a nice, fast, f/1.8 lens attached, there were very few places within the building that gave enough light for even a slow exposure. This table of prayer candles was lit by a bright shaft of sunlight however and I took the chance at handholding the camera at 1/30sec. Somehow I managed to avod camera shake and ended up with a nice looking photograph.

Prayer candles

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020

35mm · Film photography · Photography

Another pillar box

A few weeks ago I posted a couple of photos of pillar boxes (or post boxes if you prefer) that I shot on some Fuji Velvia 100 and which exhibited vividly saturated reds. Today I have a photo of a different pillar box, this one dating from the reign of Queen Victoria – hence the VR insignia on the front. A quick bit of Google research points to this being a VR Penfold model.

Once again, the slide film has delivered vivid reds. While I’ve tweaked the contrast a little which might account for some of the rich colour, I’ve not touched the saturation of vibrancy controls at all. It looks pretty much like this on the original transparency too.

Pillar box

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Kodak Ektachrome 100 EPP (expired at some unknown date).

Taken on 17 September 2020